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Afterword: Challenges and Opportunities: Ways Forward for Women Working in Music

from Part IV - Women’s Wider Work in Music

Published online by Cambridge University Press:  17 April 2021

By
Victoria Armstrong
Edited by
Laura Hamer
Laura Hamer
Affiliation:
The Open University, Milton Keynes
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Summary

In the Afterword, Victoria Armstrong turns to the working conditions of women in the contemporary UK classical-music industry. She deftly draws upon her recent UK-based ethnographic study into the working lives of twenty-four professional, classically trained female composers, conductors, and performers to examine the concepts of ‘good’ and ‘bad’ work within the cultural industries through a gendered lens.

Keywords

cultural industriesUK classical-music industryportfolio careeraffective labourmotherhood and family lifeaesthetic labour
Type
Chapter
Information
The Cambridge Companion to Women in Music since 1900 , pp. 276 - 290
Publisher: Cambridge University Press
Print publication year: 2021

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References

Further Reading

Haworth, Catherine and Colton, Lisa. Gender, Age and Musical Creativity (Farnham: Ashgate, 2015).Google Scholar
Macarthur, Sally. Towards a Twenty-First-Century Feminist Politics of Music (London and New York: Routledge, 2016).Google Scholar
Scharff, Christina. Gender, Subjectivity, and Cultural Work: The Classical Music Profession (London and New York: Routledge, 2018).Google Scholar

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