Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-wzw2p Total loading time: 0 Render date: 2024-04-30T13:01:08.275Z Has data issue: false hasContentIssue false

Chapter 19 - Homelessness

The Short Story and Other Media

from Part IV - Theories

Published online by Cambridge University Press:  11 May 2023

Michael J. Collins
Affiliation:
King's College London
Gavin Jones
Affiliation:
Stanford University
Get access

Summary

Less dependent than the novel on the containing medium of the book (codex), the short story has an inherent power to move between different media – the magazine, the spoken word, the anthology, the story cycle, etc. This chapter examines how this transmedial power has impacted the form and content of the short story from the early nineteenth century to the present day. In particular, we examine the impact on the short story of the magazine; the creative writing program; the technology of photography; the spoken voice; and the audio tape. We see how transmediation informs themes such as literary commercialization and craft, and techniques such as realism and metafiction. The authors discussed include Nathaniel Hawthorne, Edgar Allan Poe, O. Henry, Ernest Hemingway, Nam Le, Jennifer Egan, Eudora Welty, Charles Chesnutt, Ted Chiang, John Barth, Elizabeth Tallent, and Jenn Alandy Trahan.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Work Cited

Adkins, Nelson. 1945. “The Early Projected Works of Nathaniel Hawthorne.” The Papers of the Bibliographical Society of America 39.2 (Second Quarter): 119155.Google Scholar
Austin, James Walker. 1890. Literary Papers of William Austin. Boston: Little, Brown.Google Scholar
Barth, John. 1988 [1968]. Lost in the Funhouse: Fiction for Print, Tape, Live Voice. New York: Anchor.Google Scholar
Barthes, Roland. 2010 [1980]. Camera Lucida: Reflections on Photography. Trans. Howard, Richard. New York: Hill and Wang.Google Scholar
Benjamin, Walter. 1985 [1936]. “The Storyteller: Reflections on the Work of Nikolai Leskov,” in Illuminations. Trans. Zohn, Harry, 83110. New York: Schocken.Google Scholar
Chesnutt, Charles. 1993 [1900]. “Tobe’s Tribulations,” in The Conjure Woman and Other Conjure Stories, 183193. Durham, NC: Duke University Press.Google Scholar
Collins, Michael J. 2016. The Drama of the American Short Story, 1800-1865. Ann Arbor: University of Michigan Press.Google Scholar
Cortázar, Julio. 1994 [1982]. “Some Aspects of the Short Story.” Trans. Hayes, Aden. In The New Short Story Theories. Ed. May, Charles E., 245255. Athens: Ohio University Press.Google Scholar
Dinnen, Zara. 2016. “‘This Is All Artificial’: An Interview with Jennifer Egan,” 1–9. http://post45.research.yale.edu/2016/05/this-is-all-artificial-an-interview-with-jennifer-egan/.Google Scholar
Egan, Jennifer. 2012. “Black Box,” The New Yorker (June 4–11): 84–97.Google Scholar
Eikhenbaum, Boris. 1968 [1925]. O. Henry and the Theory of the Short Story. Trans. Titunik, I. R.. Ann Arbor: University of Michigan Press.Google Scholar
Gordimer, Nadine. 1976 [1968]. “The Flash of Fireflies,” in Short Story Theories. Ed. May, Charles E., 178181. Athens: Ohio University Press.Google Scholar
Hawthorne, Nathaniel. 1974a [1834]. “Mr. Higginbotham’s Catastrophe,” in Twice-Told Tales: Centenary Edition, vol. IX, 106120. Athens: Ohio State University Press.Google Scholar
Hawthorne, Nathaniel. 1974b [1837]. “Passages from a Relinquished Work,” in Mosses from an Old Manse: Centenary Edition, vol. X, 405421. Athens: Ohio State University Press.Google Scholar
Hemingway, Ernest. 1995 [1927]. “Banal Story,” in The Short Stories: The First Forty-Nine, 360362. New York: Scribner.Google Scholar
Le, Nam. 2008. “Love and Honor and Pity and Pride and Compassion and Sacrifice,” in The Boat, 328. New York: Vintage.Google Scholar
Levy, Andrew. 1993. The Culture and the Commerce of the American Short Story. Cambridge, UK: Cambridge University Press.Google Scholar
McGurl, Mark. 2009. The Program Era: Postwar Fiction and the Rise of Creative Writing. Cambridge, MA: Harvard University Press.Google Scholar
McHaney, Pearl Amelia. 2009. Eudora Welty as Photographer. Oxford: University Press of Mississippi.Google Scholar
Neal, John. 1835. “Story-Telling,” The New-England Magazine VIII (January): 1–12.Google Scholar
O’Brien, Edward J. 1929. The Dance of the Machines: The American Short Story and the Industrial Age. New York: Macaulay.Google Scholar
Henry, O. (William Sydney Porter). 1911. “A Dinner at—*,” in Rolling Stones, 127139. New York: Doubleday, Page.Google Scholar
Poe, Edgar Allan. 1840 (January 15). “The Daguerreotype,” in Brigham, Clarence S., “Edgar Allan Poe’s Contributions to Alexander’s Weekly Messenger,” The Proceedings of the American Antiquarian Society 52.1 (April 1942): 6264.Google Scholar
Poe, Edgar Allan. 1842. “Review of Nathaniel Hawthorne’s Twice-Told Tales,” Graham’s Magazine 20.2 (May): 298300.Google Scholar
Smith, C. Alphonso. 1912. The American Short Story. Boston: Ginn.Google Scholar
Sontag, Susan. 1977. On Photography. New York: Picador.Google Scholar
Tallent, Elizabeth. 2015. “Nobody You Know,” in Mendocino Fire: Stories, 95118. New York: Harper Collins.Google Scholar
Trahan, Jenn Alandy. 2018. “They Told Us Not to Say This,” Harper’s Magazine (September): 79–82.Google Scholar
Welty, Eudora. 1980 [1941]. “Why I Live at the P.O.,” in Collected Stories of Eudora Welty, 4656. New York: Harcourt Brace Jovanovich.Google Scholar
Welty, Eudora. 1996 [1971]. One Time, One Place: Mississippi in the Depression. Oxford: University Press of Mississippi.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×