Skip to main content Accessibility help
×
Hostname: page-component-76fb5796d-vvkck Total loading time: 0 Render date: 2024-04-26T05:46:20.763Z Has data issue: false hasContentIssue false

T

Published online by Cambridge University Press:  24 November 2017

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Heidlberger, Frank, ‘Artistic Religiosity, Berlioz between the Te Deum and L’Enfance du Christ’, in BloomSLW, 2644Google Scholar
Rushton, Julian, ‘The Final Last Judgement: Berlioz’s Te Deum’, BSB 188 (Aug. 2012), 4457Google Scholar
Fauquet, Joel-Marie, ‘The Grand Traité d’Instrumentation’, in BloomC, 164–70Google Scholar
Agawu, V. Kofi: Music As Discourse: Semiotic Adventures in Romantic Music (New York: Oxford University Press, 2009)Google Scholar
Horton, Julian, ‘Listening to topics in the nineteenth century’, in Mirka, Danuta (ed.), The Oxford Handbook of Topic Theory (New York: Oxford University Press, 2014), 642–64Google Scholar
Monelle, Raymond, The Musical Topic. Hunt, Military and Pastoral (Bloomington and Indianapolis, IN: Indiana University Press, 2006)Google Scholar
Tovey, Donald Francis, Essays in Musical Analysis, Vols. IV, Illustrative Music; and VI, Miscellaneous Notes (London: Oxford University Press, 1937 and 1939)Google Scholar
Bloom, Peter (ed.), NBE 24: Grand Traité d’instrumentation et d’orchestration modernesGoogle Scholar
Macdonald, Hugh, Berlioz’s Orchestration Treatise. A Translation and CommentaryGoogle Scholar
Macdonald, Hugh, ‘Le Trébuchet: a Misattribution’. BSB 54 (Apr. 1968), 47Google Scholar
Kemp, Ian, Hector Berlioz: Les Troyens, see appendices: Hugh Macdonald, ‘The Printed Vocal Scores’, 212–15; Louise Goldberg, ‘Select list of performances’ (to 1987), 216–27Google Scholar
L’Avant-Scène Opéra 128–9 (1990)Google Scholar
Cairns, David, ‘Les Troyens and the Aeneid’, in Responses (London: Secker and Warburg, 1973), 88110Google Scholar
Heidlberger, Frank (ed.), Hector Berlioz: Les Troyens à Carthage. Dossier de presse parisienneGoogle Scholar
Kohrs, Klaus Heinrich, Hector Berlioz’ ‘Les Troyens’, Ein Dialog mit Vergil (Frankfurt am Main and Basel: Stroemfeld Verlag, 2011); ‘Châtiment effroyable. Laokoon in Berlioz’ Les Troyens’, in Dorothee Gall and Anja Wolkenhauer (eds.), Laokoon in Literatur und Kunst (Berlin: De Gruyter, 2009), 242–59Google Scholar
Langford, Jeffrey, ‘Berlioz, Cassandra, and the French Operatic Tradition’, ML 62 (1983), 310–17Google Scholar
Macdonald, Hugh, ‘A New Source for Berlioz’s Les Troyens’, in Berlioz and Debussy, 54–65Google Scholar
Newman, Ernest, Opera Nights (London: Putnam, 1943), 283324Google Scholar
Ramaut, Alban, ‘Le Livret des Troyens de Berlioz: le compromis d’une réécriture’, in Le Livret malgré lui, actes du colloque du Groupe de Recherche sur les Rapports Musique-Texte (G.R.M.T), Paris-Sorbonne, le 23 novembre 1991 (Paris: Éditions Publimuses, 1992), 94105; ‘Les Troyens de Berlioz ou le classicisme des barbares’, in Jean Christophe Branger and Vincent Giroud (ed.), Figures de l’Antiquité dans l’opéra français: des Troyens de Berlioz à Œdipe d’Enesco. Actes du colloque du IXe Festival Massenet, Saint-Étienne, 9 et 10 novembre 2007 (Presses universitaires de Saint-Étienne, 2008), 67–97Google Scholar
Rushton, Julian, ‘The Overture to Les Troyens’, Music Analysis 4 (1985), 119–44Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • T
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • T
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • T
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×