Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
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Published online by Cambridge University Press: 24 November 2017
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Book contents
- The Cambridge Berlioz Encyclopedia
- The Cambridge Berlioz Encyclopedia
- Copyright page
- Contents
- Contributors
- Editor’s Preface
- Acknowledgements
- Guide to Using the Encyclopedia
- Bibliographical Abbreviations (for Publication Details see Bibliography)
- Chronology
- Dictionary
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Z
- Book part
- Select Bibliography Including Websites
- Index
- References
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- The Cambridge Berlioz Encyclopedia , pp. 119 - 133Publisher: Cambridge University PressPrint publication year: 2017
References
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Brittan, Francesca, ‘On Microscopic Hearing: Fairy Magic, Natural Science, and the Scherzo fantastique’, JAMS 64/3 (2011), 527–600Google Scholar
Ellis, Katharine, Music Criticism in Nineteenth-Century France: La Revue et Gazette musicale de Paris, 1834–80 (Cambridge University Press, 1995), 219–34, 262–5; ‘The Uses of Fiction: Contes and Nouvelles in the Revue et Gazette musicale de Paris, 1834–1844’, Revue de Musicologie 90/2 (2004), 253–81Google Scholar
Fétis, François-Joseph, ‘Fantastique’, in La musique mise à la portée de tout le monde (Paris: Mesnier, 1835)Google Scholar
Janin, Jules, ‘Fantastique’, Dictionnaire de la conversation et de la lecture, Vol. 26 (Paris: Béthune et Plon, 1836)Google Scholar
Larousse, Pierre, ‘Fantastique’, Grand dictionnaire universel du XIXe siècle (Paris: Administration du Grand dictionnaire universel, 1866–1872)Google Scholar
Nodier, Charles, ‘Du Fantastique en littérature’, Revue de Paris (28 Nov. 1830), 205–6Google Scholar
Bloom, Peter, ‘Berlioz and the Critic: La Damnation de Fétis’, in Hill, John (ed.), Studies in Musicology in Honor of Otto E. Albrecht (Kassel: Bärenreiter, 1980), 240–69Google Scholar
Campos, Rémy, François-Joseph Fétis musicographe (Geneva: Droz/Haute École de Musique de Genève, 2013)Google Scholar
Rodgers, Stephen, ‘Miniatures of a Monumentalist: Berlioz’s Romances, 1842–1850’, Nineteenth-Century Music Review X/1 (2013), 119–49Google Scholar
Rodgers, Stephen, ‘Miniatures of a Monumentalist: Berlioz’s Romances, 1842–1850’, Nineteenth-Century Music Review X/1 (2013), 119–49Google Scholar
Beyls, Pascal, Estelle Fornier, premier et dernier amour de Berlioz (Grenoble: the author, 2003)Google Scholar
Chailley, Jacques, ‘Berlioz harmoniste’, Hector Berlioz (La Revue musicale, numéro spéciale 233 (1956)), 15–16Google Scholar
Everist, Mark, Music Drama at the Paris Odéon 1824–1828 (Berkeley and Los Angeles, CA: University of California Press, 2002)Google Scholar
Visentini, Olga, ‘I recitativi di Berlioz per il Freischütz di Weber. Sviluppi del recitativo francese tra settecento e ottocento’, Rivista italiana di musicologia XXVIII (1993), 79–129, 299–356Google Scholar
Hofer, Hermann, ‘Hector Berlioz im Urteil französischer Dichter’Google Scholar