Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-sxzjt Total loading time: 0 Render date: 2024-04-20T03:33:14.183Z Has data issue: false hasContentIssue false

M

Published online by Cambridge University Press:  24 November 2017

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bloom, Peter, ‘Berlioz à l’Institut revisited’, Acta Musicologica 50/III (1981), 171–99Google Scholar
Bauer-Lechner, Natalie, Recollections of Gustav Mahler (London: Faber, 1980)Google Scholar
Cardus, Neville, Gustav Mahler: His Mind and His Music (London: Gollancz, 1965)Google Scholar
de la Grange, Henry-Louis, ‘Berlioz und Mahler: Vom musikalischen Roman zum Sphärengesang’, in Petersen, Peter (ed.), Musikkulturgeschichte: Festschrift für Constantin Floros zum 60. Geburtstag (Wiesbaden: Breitkopf & Härtel, 1990), 87104Google Scholar
Johnson, Julian, Mahler’s Voices: Expression and Irony in the Songs and Symphonies (New York: Oxford University Press, 2009)Google Scholar
Mitchell, Donald, Mahler: The Wunderhorn Years: Chronicles and Commentaries, Vol. 2 (Berkeley and Los Angeles, CA: University of California Press, 1980)Google Scholar
Vaget, Hans R., ‘Late Love: Thomas Mann Discovers Berlioz’, in Berlioz, Wagner und die Deutschen, 133–45Google Scholar
CairnsB, Vol. 1, 67–8Google Scholar
Horton, Julian, ‘Listening to topics in the nineteenth century’, in Mirka, Danuta (ed.), The Oxford Handbook of Topic Theory (New York: Oxford University Press, 2014), 643–4Google Scholar
Monelle, Raymond, The Musical Topic. Hunt, Military and Pastoral (Bloomington and Indianapolis, IN: Indiana University Press, 2006)Google Scholar
Bónis, Ferenc, Hector Berlioz: Rákóczi induló (Budapest: Balassi Intézet, 2010) (with a facsimile of the autograph)Google Scholar
Haraszti, Émile, ‘Berlioz, Liszt, and the Rákóczy March’, The Musical Quarterly XXVI/2 (1940), 200–31; ‘Berlioz et la Marche hongroise’, La Revue musicale, special issue (1946), 1110Google Scholar
Lott, R. Allen, ‘A Berlioz Premiere in America: Leopold De Meyer and the Marche d’Isly’, 19th-CM VIII/3 (1995), 226–30Google Scholar
Branger, Jean-Christophe, ‘Massenet à l’ombre de Berlioz’, in Hector Berlioz, Ostinato Rigore, Revue internationale d’études musicales, no. 21 (2003), 133–55Google Scholar
Massenet, Jules, Mes souvenirs et autres écrits (ed. Branger, Jean-Christophe) (Paris: Vrin, 2017); My Recollections (trans. Harry Villiers Barnett) (Boston, MA: Small, Maynard & Co., 1919)Google Scholar
RushtonMLB, 76–80Google Scholar
Primmer, Brian, The Berlioz StyleGoogle Scholar
RushtonMLB, 144–67Google Scholar
Schumann, Robert, ‘Aus dem Leben eines Künstlers. Phantastische Symphonie in 5 Abtheilungen von Hector Berlioz’, originally published in six instalments, NZfM (Jul.–Aug. 1835); trans. as ‘A Symphony by Berlioz’, in Edward T. Cone, Berlioz. Fantastic Symphony, 220–48Google Scholar
Berlioz, , Mémoires, ed. Citron, Pierre (Paris: Flammarion, 1969)Google Scholar
Bloom, Peter, ‘La Mission de Berlioz en Allemagne: un document inédit’, in Revue de Musicologie 66 (1980), 7085; ‘Berlioz Writing the Life of Berlioz’, in BloomSLW, 201–20Google Scholar
Cairns, David, ‘Berlioz: Autobiography, Biography’, in BloomSLW, 221–3Google Scholar
Kolb, Katherine, ‘Les Ailes de l’âme: Vol et envol chez Berlioz’, in Berlioz, encore et pour toujours, 146171Google Scholar
Lantelme, Louis (ed.), Le Livre d’or du centenaire d’Hector Berlioz (Paris: Georges Petit/Grenoble: Allier frères, 1907)Google Scholar
Mendelssohn Bartholdy, Felix, Reisebriefe aus den Jahren 1830 bis 1832 (Leipzig: Hermann Mendelssohn, 1861)Google Scholar
Macdonald, Hugh, ‘Berlioz’s Messe solennelle’, 19th-CM XVI (1993), 267–85Google Scholar
Messiaen, Olivier, Music and Color. Conversations with Claude Samuel, trans. Glasow, E. Thomas (Portland, OR: Amadeus Press, 1994); Traité de rythme, de couleur et d’ornithologie: en sept tomes (Paris: Alphonse Leduc, 1994–2002)Google Scholar
Macdonald, Hugh, ‘Berlioz and the metronome’, in BloomSt, 1736Google Scholar
van Rij, Inge, ‘“A Living, Fleshy Bond”: The Electric Telegraph, Musical Thought, and Embodiment’, 19th-CM XXXIX/ 2 (2015), 142–66.Google Scholar
Murphy, Kerry, ‘Berlioz, Meyerbeer, and the Place of Jewishness in Criticism’, in BloomPPF, 90104Google Scholar
Bloom, Peter, ‘Episodes in the Livelihood of an Artist: Berlioz’s Contacts and Contracts with Publishers’, Journal of Musicological Research, 15 (1995), 219–73Google Scholar
Granger, Catherine, L’Empereur et les arts: La Liste civile de Napoléon III (Paris: École des chartes, 2005), 7Google Scholar
Noske, Frits, French Song from Berlioz to Duparc, 1222, 299303Google Scholar
Fauser, Annegret, ‘The Songs’, in BloomC, 108–24CrossRefGoogle Scholar
Rodgers, Stephen, ‘Miniatures of a Monumentalist: Berlioz’s Romances, 1842–1850’, Nineteenth-Century Music Review, X/1 (2013), 119–49Google Scholar
Bailbé, Joseph-Marc, ‘Berlioz et le mythe d’Orphée’, in Brunel, Pierre and Pistone, Danièle (eds.), Musiques d’Orphée (Paris: Presse universitaire de France, 1999), 103–14Google Scholar
Bloom, Peter, ‘Orpheus’ Lyre resurrected: A “Tableau musical” by Berlioz’, The Musical Quarterly 64 (1975), 189211Google Scholar
Schmusch, Rainer, Der Tod des Orpheus. Entstehungsgeschichte der Programmusik (Freiburg: Rombach, 1998), 106–34; ‘Le Sacre de l’artiste: Berlioz et la mort d‘Orphée’, in Ramaut, Alban and Saby, Pierre (eds.), D’un Orphée, l’autre: 1762–1859 … Métamorphoses d’un mythe (Presses universitaires de Saint-Étienne, 2012), 181206Google Scholar
Vogel, Oliver, ‘Le concours du prix de Rome de 1827’, in Concours du prix de Rome, 411–37Google Scholar
Mellers, Wilfrid, with Alec Harman and Anthony Milner, Man and His Music. The Story of Musical Experience in the West (London: Barrie and Rockliff, 1962), 768Google Scholar
Holoman, D. Kern, Charles Munch (New York: Oxford University Press, 2012)Google Scholar
Sadie, Julie Anne and Sadie, Stanley, Calling on the Composer. A Guide to European Composer Houses and Museums (New Haven, CT: Yale University Press, 2005), 117–19Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • M
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • M
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • M
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×