Skip to main content Accessibility help
×
Hostname: page-component-68945f75b7-7r68w Total loading time: 0 Render date: 2024-09-04T00:19:58.549Z Has data issue: false hasContentIssue false

I

Published online by Cambridge University Press:  24 November 2017

Julian Rushton
Affiliation:
University of Leeds
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Rushton, Julian, ‘Les Nuits d’été: cycle or collection?’, BloomBS: 112–35Google Scholar
Cone, Edward T., ‘Inside the Saint’s Head: The Music of Berlioz’, in Music: A View From DelftGoogle Scholar
Rodgers, Stephen, Form, Program, and Metaphor in the Music of Berlioz; ‘Music Smashed to Pieces: The Destructive Logic of Berlioz’s Roméo au tombeau’, Current Musicology 89 (2010), 3773Google Scholar
Bickley, Diana, ‘The Trumpet shall sound’, Historic Brass Society Journal 6 (1994), 6183Google Scholar
Charlton, David, ‘French Revolution Music and Berlioz’, BSB 191 (Sep. 2013), 315Google Scholar
Macdonald, Hugh, Berlioz’s Orchestration TreatiseGoogle Scholar
Boschot, Adolphe, La jeunesse d’un romantique: Hector Berlioz, 1803–1831Google Scholar
Fauser, Annegret, ‘The Songs’, in BloomC: 108–24CrossRefGoogle Scholar
Ramaut, Alban, ‘Le Thomas Moore d’Hector Berlioz: reflexion sur les Neuf Mélodies’, in Ramaut, Regards sur un dauphinois fantastique, 213–29Google Scholar
Rushton, Julian, ‘Berlioz and Irlande: from Romance to Mélodie’, in Devine, Patrick F. and White, Harry (eds.), The Maynooth International Musicological Conference 1995 (Dublin: Four Courts Press, 1996), 224–40; ‘Berlioz, Irlande, and English’. Musicorum (2005), 143–56Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • I
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • I
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • I
  • Edited by Julian Rushton, University of Leeds
  • Book: The Cambridge Berlioz Encyclopedia
  • Online publication: 24 November 2017
Available formats
×