Skip to main content Accessibility help
×
Hostname: page-component-76dd75c94c-ccc76 Total loading time: 0 Render date: 2024-04-30T08:45:46.152Z Has data issue: false hasContentIssue false

10 - Everyday Creativity in the Classroom: A Trip through Time with Seven Suggestions

Published online by Cambridge University Press:  05 June 2012

Ruth Richards
Affiliation:
Saybrook University, USA; McLean Hospital and Harvard Medical School, USA
Ronald A. Beghetto
Affiliation:
University of Oregon
James C. Kaufman
Affiliation:
California State University, San Bernardino
Get access

Summary

Years ago, while a secondary-level student teacher (I was getting a teaching credential in physics and math, and also in visual arts), a friend asked me if I would visit the fourth- through six-grade class at a small and quite charming three-room schoolhouse – truly a little wooden house – in a quaint rural California town, to teach a guest science lesson. I was learning some good things and wanted to try them out, so I said, “Sure!”

There were three schoolrooms: My friend's personally designed classroom (K–3), the upper elementary room (4–6), and finally what was at that time called a junior high school (7–8) – here the junior high school room. My friend's K-3 room had the distinction of red and white-checkered curtains, special areas, and clustered furniture, a very homey feel, and she often played music, especially classical, for the kids. As I recall, there was a lot of time for reading and thinking, and I can picture them happily scattered on the floor with their books, on large cushions. They also got to ask lots of questions.

I was encouraged – surely my own creative lesson plan would be welcome. I was training to work with secondary-level kids, not with fourth- through six-graders. But I was bringing challenging activities for any age, I thought; surely my attempts would be appreciated. Yet, as it turned out, they were not appreciated by everyone. This experience has actually motivated me for years.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abraham, F. (1996). The dynamics of creativity and the courage to be. In W. Sulis & A. Combs (Eds.), Nonlinear dynamics in human behavior, Vol. 5 (pp. 364–400). Singapore: World Scientific.CrossRefGoogle Scholar
Albert, R. S., & Runco, M. A. (1986). The achievement of eminence. In Sternberg, R. J. & Davidson, J. E. (Eds.), Conceptions of giftedness (pp. 332–357). New York: Cambridge University Press.Google Scholar
Amabile, T. (1996). Creativity in context. New York: Westview/Perseus.Google Scholar
Andreasen, N. (1987). Creativity and mental illness: Prevalence in writers and their first-degree relatives. American Journal of Psychiatry, 144, 1288–1292.Google ScholarPubMed
Barron, F. (1969). Creative person and creative process. New York: Holt, Rinehart, & Winston.Google Scholar
Barron, F. (1995). No rootless flower: An ecology of creativity. Creskill, NJ: Hampton Press.Google Scholar
Barron, F., & Harrington, D. (1981). Creativity, intelligence, and personality. Annual Review of Psychology, 32, 439–476.CrossRefGoogle Scholar
Becker, G. (1978). The mad genius controversy. Beverly Hills, CA: Sage.Google Scholar
Beghetto, R. (2005). Does assessment kill student creativity?The Educational Forum, 69, 254–263.CrossRefGoogle Scholar
Beghetto, R., & Kaufman, J. (2007). Toward a broader conception of creativity: A case for “mini-c” creativity. Psychology of Aesthetics, Creativity, and the Arts, 1(2), 73–79.CrossRefGoogle Scholar
Bem, S. (1993). The lenses of gender. New Haven, CT: Yale University Press.Google Scholar
Brewer, M. (2007). The importance of being “we”: Human nature and intergroup relations. American Psychologist, 62(8), 728–738.CrossRefGoogle Scholar
Bruffee, K. A. (1993). Collaborative learning. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Buber, M. (1970). I and thou. New York: Touchstone.Google Scholar
Clark, H. (2002). Prime Minister's statement to Parliament. Retrieved February 11, 2005, from http://www.executive.govt.nz/minister/clark/innovate/speech.htm.
Combs, A., & Krippner, S. (2007). Structures of consciousness and creativity: Opening the doors of perception. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 131–149). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Costa, P. T., & Widiger, T. A. (1994). Personality disorders and the five-factor model of personality. Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Cramond, B. (2005). Fostering creativity in gifted students. Waco, TX: Prufrock Press.Google Scholar
Cropley, A. J. (1992). More ways than one: Fostering creativity. Norwood, NJ: Ablex.Google Scholar
Csikszentmihalyi, M. (1990). Flow: The psychology of optimal experience. New York: Harper Perennial.Google Scholar
Lama, Dalai, His Holiness. (1999). Ethics for a new millennium. New York: Riverhead Books.Google Scholar
Eisler, R. (2007). Our great creative challenge: Rethinking human nature, and recreating society. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 261–285). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Feinstein, D., & Krippner, S. (1997). The mythic path. New York: Tarcher.Google Scholar
Florida, R. (2005). Flight of the creative class. New York: Basic Books.Google Scholar
Franck, F. (1973). The Zen of seeing: Seeing/drawing as meditation. New York: Knopf.Google Scholar
Gardner, H. (1983). Frames of mind. New York: Basic Books.Google Scholar
Gardner, H. (2007). Five minds for the future. Boston, MA: Harvard Business School Press.Google Scholar
Goerner, S. (2007). A “knowledge ecology” view of creativity: How integral science recasts collective creativity as a basis of large-scale learning. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 221–239). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Goleman, D. (1988, September 13). A new index illuminates the creative life. The New York Times, Tuesday Science News Section, pp. C1, C9.Google Scholar
Goleman, D. (2006). Social intelligence. New York: Bantam.Google Scholar
Golinkoff, R., Hirsh-Pasek, K., & Singer, D. G. (2006). Why play = learning: A challenge for parents and educators. In Singer, D. G., Golinkoff, R., & Hirsh-Pasek, K. (Eds.), Play = learning: How play motivates and enhances children's cognitive and social-emotional growth. New York: Oxford University Press.Google Scholar
Gruber, H., & Barrett, P. (1981). Darwin on man: A psychological study of scientific creativity (2nd ed.). Chicago: University of Chicago Press.Google Scholar
Guilford, J. P. (1968). Intelligence, creativity, and their educational implications. San Diego, CA: Knapp.Google Scholar
Haidt, J. (2005). Wired to be inspired. Greater Good, 2(1), 6–9.Google Scholar
Hanh, T. N. (1997). Teachings on love. Berkeley, CA: Parallax Press.Google Scholar
Helson, R. (1971). Women mathematicians and the creative personality. Journal of Consulting and Clinical Psychology, 36, 210–220.CrossRefGoogle ScholarPubMed
Jamison, K.R. (1993). Touched with fire. New York: Free Press.Google Scholar
Jordan, J., Kaplan, A., Miller, J. B., Stiver, I. P., & Surrey, J. L. (1991). Women's growth in connection. New York: Guilford.Google Scholar
Kaufman, J., & Beghetto, R. (in press). Beyond big and little: The four-C model of creativity.
Kaufman, J., & Sexton, J.D. (2006). Why doesn't the writing cure help poets?Review of General Psychology, 10(3), 268–282.CrossRefGoogle Scholar
Keltner, D. 2004). The compassionate instinct. Greater Good, 1(1), 6–9.Google Scholar
Kinney, D. K., Richards, R., & Southam, M. (in press). Everyday creativity, its assessment, and The Lifetime Creativity Scales. In Runco, M. (Ed.), The handbook of creativity. Creskill, NJ: Hampton Press.
Kohn, A. (1990). The brighter side of human nature: Altruism and empathy in everyday life. New York: Basic Books.Google Scholar
Krippner, S. (1999). Altered and transitional states. In Runco, M. A. & Pritzker, S. R. (Eds.), Encyclopedia of creativity (Vol. 1, pp. 45–52). San Diego, CA: Academic Press.Google Scholar
Lepore, S. J., & Smyth, J. M. (Eds.). (2002). The writing cure: How expressive writing promotes health and emotional well-being. Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Loye, D. (2007). Telling the new story: Darwin, evolution, and creativity versus conformity in science. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 153–173). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Ludwig, A. (1995). The price of greatness. New York: Guilford Press.Google Scholar
Martindale, C. (1999). Biological bases of creativity. In Sternberg, R. (Ed.), Handbook of creativity (pp. 137–152). New York: Cambridge University Press.Google Scholar
Maslow, A. (1968). Toward a psychology of being. New York: Van Nostrand Reinhold.Google Scholar
Maslow, A. (1971). The farther reaches of human nature. New York: Penguin.Google Scholar
Mednick, S. (1962). The associative basis of the creative process. Psychological Review, 69(3), 220–232.CrossRefGoogle ScholarPubMed
Miller, W. R. (1999). Integrating spirituality into treatment. Resources for practitioners. Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Milne, J. (2007). GO! The art of change. Wellington, New Zealand: Steele Roberts.Google Scholar
Montuori, A., Combs, A., & Richards, R. (2004). Creativity, consciousness, and the direction for human development. In Loye, D. (Ed.), The great adventure: Toward a fully human theory of evolution (pp. 197–236). Albany, NY: SUNY Press.Google Scholar
Montuori, A., & Purser, R. (1999). Social creativity (Vol. 1). Creskill, NJ: Hampton Press.Google Scholar
Morrison, D., & Morrison, S.L. (2006). Memories of loss and dreams of perfection: Unsuccessful childhood grieving and adult creativity. Amityville, NY: Baywood.Google Scholar
Nachmanovitch, S. (1990). Free play: Improvisation in life and art. New York: Tarcher.Google Scholar
Pennebaker, J., Kiecolt-Glaser, J., & Glaser, R. (1988). Disclosure of trauma and immune function: Health implications for psychotherapy. Journal of Consulting and Clinical Psychology, 56, 239–245.CrossRefGoogle Scholar
Plucker, J. A., & Beghetto, R. A. (2004). Why creativity is domain general, why it looks domain specific, and why the distinction does not matter. In Sternberg, R., Grigorenko, E., & Singer, J. (Eds.), Creativity: From potential to realization (pp. 153–167). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Pritzker, S. (2007). Audience flow: Creativity in television watching with applications to teletherapy. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 109–129). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Rhodes, M. (1961, April). An analysis of creativity. Phi Delta Kappan, 305–310.Google Scholar
Richards, R. (1981). Relationships between creativity and psychopathology: An evaluation and interpretation of the evidence. Genetic Psychology Monographs, 103, 251–324.Google Scholar
Richards, R. (1996). Does the lone genius ride again? Chaos, creativity, and community. Journal of Humanistic Psychology, 36(2), 44–60.CrossRefGoogle Scholar
Richards, R. (1998). When illness yields creativity. In Runco, M. & Richards, R. (Eds.), Eminent creativity, everyday creativity, and health (pp. 485–540). Greenwich, CT: Ablex Publ. Corp.Google Scholar
Richards, R. (2000–2001). Millennium as opportunity: Chaos, creativity, and J.P. Guilford's Structure-of-Intellect model. Creativity Research Journal, 13(3/4), 249–265.CrossRefGoogle Scholar
Richards, R. (2001). A new aesthetic for environmental awareness: Chaos theory, the natural world, and our broader humanistic identity. Journal of Humanistic Psychology, 41, 59–95.CrossRefGoogle Scholar
Richards, R. (2006). Frank Barron and the study of creativity: A voice that lives on. Journal of Humanistic Psychology, 46, 352–370.CrossRefGoogle Scholar
Richards, R. (2007a). Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives. Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Richards, R. (2007b). Everyday creativity: Our hidden potential. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 25–53). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Richards, R. (2007c). Twelve potential benefits of living more creatively. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 289–319). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Richards, R. (2007d). Everyday creativity and the arts. World Futures, 63, 500–525.CrossRefGoogle Scholar
Richards, R. (2007e). Relational creativity and healing potential: The power of Eastern thought in Western clinical settings. In, Pappas, J., Smythe, B., & Baydala, A. (Eds.), Cultural healing and belief systems. Calgary, Alberta: Detselig Enterprises.Google Scholar
Richards, R., & Kinney, D. K. (1989). Creativity and manic-depressive illness (letter). Comprehensive Psychiatry, 30, 272–273.Google Scholar
Richards, R., Kinney, D. K., Benet, M., & Merzel, A (1988a). Assessing everyday creativity: Characteristics of the Lifetime Creativity Scales and validation with three large samples. Journal of Personality and Social Psychology, 54, 476–485.CrossRefGoogle Scholar
Richards, R., Kinney, D. K., Lunde, I., Benet, M., & Merzel, A. (1988b). Creativity in manic-depressives, cyclothymes, their normal relatives, and control subjects. Journal of Abnormal Psychology, 97, 281–288.CrossRefGoogle ScholarPubMed
Rogers, N. (1993). The creative connection: Expressive arts as healing. Palo Alto, CA: Science and Behavioral Books.Google Scholar
Rosenberg, M. B. (2005). Speak peace in a world of conflict: What you say next will change your world. Encinitas, CA: Puddle Dancer Press.Google Scholar
Runco, M. (1999). The fourth grade slump. In Runco, M. & Pritzker, S. (Eds.), Encyclopedia of Creativity (pp. 743–744). San Diego, CA: Academic Press.Google Scholar
Runco, M. (2007). To understand is to create: An epistemological perspective on human nature and personal creativity. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 91–107). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Runco, M., & Richards, R. (Eds.). (1998). Eminent creativity, everyday creativity, and health. Greenwich, CT: Ablex.Google Scholar
Russ, S. (Ed.) (1999). Affect, creative experience, and psychological adjustment. Philadelphia, PA: Brunner/Mazel.Google Scholar
Sass, L. (2000–2001). Schizophrenia, modernism, and the “creative imagination”: On creativity and psychopathology. Creativity Research Journal, 13(1), 55–74.CrossRefGoogle Scholar
Sawyer, K. (2007). The creative power of collaboration. New York: Basic Books.Google Scholar
Schneider, K. J. (2004). Rediscovery of awe: Splendor, mystery, and the fluid center of life. St. Paul, MN: Paragon House.Google Scholar
Schuldberg, D. (1990). Schizotypal and hypomanic traits, creativity, and psychological health. Creativity Research Journal, 3, 218–230.CrossRefGoogle Scholar
Schuldberg, D. (2000–2001). Six subclinical “spectrum traits” in “normal” creativity. Creativity Research Journal, 13(1), 5–16.CrossRefGoogle Scholar
Shansis, F., Fleck, M., Richards, R., Kinney, D., Izquierdo, I., Mattevi, B., et al. (2003). Desenvolvimento da versao para o Portugues das Escalas de Criatividade ao Longo da Vida (ECLV). (Development of the Portuguese language version of the Lifetime Creativity Scales.). Revista de Psiquiatria do Rio Grande do Sul, 25(2), 284–296.CrossRefGoogle Scholar
Singer, J. (1990). Repression and dissociation. Chicago: University of Chicago Press.Google Scholar
Smith, J. K., Smith, L. F., & DeLisi, R. (2001). Natural classroom assessment: Designing seamless instruction and assessment. Thousand Oaks, CA: Corwin Press/Sage.Google Scholar
Sternberg, R., Grigorenko, E., & Singer, J. (Eds.). (2004). Creativity: From potential to realization. Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Storr, A. (1992). Music and the mind. New York: Ballantine.Google Scholar
Sundararajan, L. L., & Averill, J. (2007). Creativity in the everyday: Culture, self, and emotions. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 195–220). Washington, DC: American Psychological Association.Google Scholar
Torrance, E. P. (1965). Rewarding creative behavior: Experiments in classroom creativity. Englewood Cliffs, NJ: Prentice-Hall.Google Scholar
Torrance, E. P. (1966). Torrance Tests of Creative Thinking: Norms-technical manual. Princeton, NJ: Personnel Press.Google Scholar
Torrance, E. P. (2004). Great expectations: Creative achievements of the Sociometric Stars in a 30-year study. Journal of Secondary Gifted Education, 16(1), 5–13.CrossRefGoogle Scholar
Tulku, T. (1978). Openness mind. Berkeley, CA: Dharma Publishing.Google Scholar
Wallace, B. A. (1999). The four immeasureables. Ithaca, NY: Snow Lion.Google Scholar
Wallach, M., & Kogan, N. (1965). Modes of thinking in young children: A study of the creativity-intelligence distinction. New York: Holt, Rinehart, & Winston.Google Scholar
Westby, V. L., & Dawson, E. L. (1995). Creativity: Assets or burden in the traditional classroom?Creativity Research Journal, 8, 1–10.CrossRefGoogle Scholar
Winner, E. (1996). Gifted children: Myths and realities. New York: Basic Books.Google Scholar
Zausner, T. (2007). Artist and audience: Everyday creativity and visual art. In Richards, R. (Ed.), Everyday creativity and new views of human nature: Psychological, social, and spiritual perspectives (pp. 75–89). Washington, DC: American Psychological Association.CrossRefGoogle Scholar
Zimbardo, P., Johnson, R. L., & Weber, A. (2006). Psychology (6th ed.). Boston, MA: Allyn and Bacon.Google ScholarPubMed

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×