Book contents
- The Cambridge History of Native American Literature
- The Cambridge History of Native American Literature
- Copyright page
- Contents
- Figures
- Contributors
- Introduction: What Was Native American Literature?
- Part I Traces and Removals (Pre-1870s)
- Part II Assimilation and Modernity (1879–1967)
- Part III Native American Renaissance (Post-1960s)
- Part IV Visions and Revisions: 21st-Century Prospects
- Index
- References
Part III - Native American Renaissance (Post-1960s)
Published online by Cambridge University Press: 18 September 2020
Edited by
Book contents
- The Cambridge History of Native American Literature
- The Cambridge History of Native American Literature
- Copyright page
- Contents
- Figures
- Contributors
- Introduction: What Was Native American Literature?
- Part I Traces and Removals (Pre-1870s)
- Part II Assimilation and Modernity (1879–1967)
- Part III Native American Renaissance (Post-1960s)
- Part IV Visions and Revisions: 21st-Century Prospects
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

- Type
- Chapter
- Information
- The Cambridge History of Native American Literature , pp. 253 - 428Publisher: Cambridge University PressPrint publication year: 2020
References
References
Alexie, Sherman. 1995. Reservation Blues. New York: Atlantic Monthly Press.
Allen, Paula Gunn. 1983. The Woman Who Owned the Shadows. San Francisco: Spinsters, Ink.
Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon Press.
Allen, Paula Gunn. 1997. Life Is a Fatal Disease: Collected Poems 1962–1995. Albuquerque, NM: West End Press.
Apess, William. [1829] 1831. A Son of the Forest: The Experience of William Apess, a Native of the Forest. Comprising a Notice of the Pequot Tribe of Indians, Written by Himself. New York: Published by the author.
Armstrong, Jeannette. 1985. Slash. Penticton, BC: Theytus; rev. edn., 1998.
Barnes, Jim. 1997. On Native Grounds: Memoirs and Impressions. Norman: University of Oklahoma Press.
Bear, Luther Standing. [1928, 1931] 1975. My People, the Sioux, ed. Brininstool, E. A.. Boston: Houghton Mifflin. Reprint, Lincoln: University of Nebraska Press.
Bevis, William. 1987. “Native American Novels: Homing in.” In Recovering the Word: Essays in Native American Literature, ed. Swann, Brian and Krupat, Arnold, 580–620. Berkeley: University of California Press.
Black, Elk. 1932. Black Elk Speaks: Being the Life Story of a Holy Man of the Oglala Sioux. With Neihardt, John. New York: William Morrow & Company.
Blaeser, Kimberly. 1994. Trailing You. New York: Greenfield Review.
Brant, Beth. 1991. Food & Spirits: Stories. Ithaca, NY: Firebrand Books.
Callahan, Sophia Alice. [1891] 1997. Wynema: A Child of the Forest. Chicago: Smith. Repr. Lincoln: University of Nebraska Press.
Carr, A. A. 1995. Eye Killers. Norman: University of Oklahoma Press.
Chrystos. 1988. Not Vanishing. Vancouver: Press Gang.
Chrystos. 1993. In Her I Am. Vancouver: Press Gang.
Cook-Lynn, Elizabeth. 1996. Why I Can’t Read Wallace Stegner and Other Essays. Madison: University of Wisconsin Press.
Copway, George. 1847. The Life, History, and Travels of Kah-ge-ga-bowh (George Copway). Albany, NY: Weed and Parsons.
D’Aponte Gisolfi, Mimi. 1999. Seventh Generation: An Anthology of Native American Plays. New York: Theatre Communications Group.
Däwes, Birgit. 2014. Indigenous North American Drama: A Multivocal History. Albany: State University of New York Press.
Deloria, Philip. 2004. Indians in Unexpected Places. Lawrence: University of Kansas Press.
Deloria, Vine. 1969. Custer Died for Your Sins: An Indian Manifesto. New York: Macmillan.
Driskell, Qwo-Li. 2016. Cherokee Queer and Two-Spirit Memory. Tucson: University of Arizona Press.
Dunbar-Ortiz, Roxanne, and Gilo-Whitaker., Dina 2016.“All the Real Indians Died Off”: And 20 Other Myths about Native Americans. Boston: Beacon.
Eastman, Charles A. (Ohiyesa). 1916. From the Deep Woods to Civilization: Chapters in the Autobiography of an Indian. Boston: Little Brown.
Erdrich, Louise. 1984. Jacklight. New York: Henry Holt.
Erdrich, Louise. [1984] 1993. Love Medicine. New York: Henry Holt.
Geiogamah, Hanay. 1980. New Native American Drama: Three Plays by Hanay Geiogamah (Body Indian, Foghorn, and 49). Norman: University of Oklahoma Press.
Geiogamah, Hanay, and Darby, Jaye T., eds. 1998. Stories of Our Way: An Anthology of American Indian Plays. Los Angeles: UCLA American Indian Studies Center.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.
Glancy, Diane. 1990. Iron Woman. Minneapolis: New Rivers Press.
Glancy, Diane. 1997. War Cries: A Collection of Nine Plays. Duluth: Holy Cow! Press.
Glancy, Diane. 2002. American Gypsy: Six Native American Plays. Norman: University of Oklahoma Press.
Hale, Janet Campbell. 1993. Bloodlines: Odyssey of a Native Daughter. New York: Random House.
Harjo, Joy. 1983. She Had Some Horses. New York: Thunder’s Mouth Press.
Heath Justice, Daniel. 2006. Our Fire Survives the Storm: A Cherokee Literary History. Minneapolis: University of Minnesota Press.
Henry, Gordon D. 1994. The Light People. Norman: University of Oklahoma Press.
Highway, Tomson. 1998. Kiss of the Fur Queen. Norman: University of Oklahoma Press.
Hogan, Linda. 1993. The Book of Medicines. Minneapolis: Coffee House Press.
Hogan, Linda. 2001. The Woman Who Watches over the World: A Native Memoir. New York: W. W. Norton.
Johnson, Basil. 1993. Ojibway Tales: Moose Meat and Wild Rice. Lincoln: University of Nebraska Press.
Johnson, E. Pauline. 1903. Canadian Born. Toronto: G. N. Morang.
Johnson, E. Pauline. 1911. Legends of Vancouver. Vancouver: G. S. Forsyth.
Jones, Stephen Graham. 2008. Ledfeather. Norman: Fiction Collective 2.
Jones, Stephen Graham.2013. The Truth about Stories: A Native Narrative. Minneapolis: University of Minnesota Press.
Jones, Stephen Graham.2017. “Letter to a Just-Starting-Out Indian Writer – and Maybe to Myself.” In The Fiction of Stephen Graham Jones: A Critical Companion, ed. Stratton, Billy J., xi–xvii. Albuquerque: University of New Mexico Press.
Kenny, Maurice. “Tinselled Bucks: An Historical Study of Indian Homosexuality.” Gay Sunshine: A Journal of Gay Liberation 26–27 (1975–76): 15–17; repr. in Living the Spirit: A Gay American Indian Anthology, ed. Roscoe, Will, 15-31. New York: St. Martin’s Press, 1988.
Kenny, Maurice. 1987. Between Two Rivers: Selected Poems 1956–1984. Fredonia, NY: White Pine Press.
Kenny, Maurice. 1992. Tekonwatoni, Molly Brant, 1735–1795. Fredonia, NY: White Pine Press.
King, Thomas. 1990. Medicine River. New York: Viking.
King, Thomas. 2003. “A Million Porcupines Crying in the Dark.” In The Truth about Stories, 99–119. Toronto: Anansi.
Krupat, Arnold, ed. 1994. Native American Autobiography: An Anthology. Madison: University of Wisconsin Press.
Krupat, Arnold., 1998. The Turn of the Native: Studies in Criticism and Culture. Lincoln: University of Nebraska Press.
Lee, A. Robert. 2013. “Telling You Now: The Imagination within Modern Native Autobiography.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, Alan R. and Robert Lee, A., 273–94. Norman: University of Oklahoma Press.
Lesley, Craig, ed. 1991. Talking Leaves: Contemporary Native American Short Stories, New York: Bantam Doubleday Bell.
Lincoln, Kenneth. 1983. Native American Renaissance. Berkeley: University of California Press.
Lincoln, Kenneth. 2013. “Tribal Renaissance.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, Alan R. and Robert Lee, A., 330–51. Norman: University of Oklahoma Press.
Mathews, John Joseph. 1934. Sundown. London and New York: Longmans, Green & Co.
McNickle, D’Arcy. 1936. The Surrounded. New York: Dodd, Mead & Co.
Means, Russell. 1995. Where White Men Fear to Tread. New York: St. Martin’s Press.
Momaday, N. Scott. 1968. House Made of Dawn. New York: Harper & Row.
Momaday, N. Scott. 1974. Angle of Geese. Boston: D. R. Godine.
Momaday, N. Scott. 1976. The Names: A Memoir. Tucson: Sun Tracks/University of Arizona Press.
Mosionier, Beatrice Culleton. 1992. In Search of April Raintree. Winnipeg: Peguis Publishers.
Dove, Mourning. [1927] 1981. Cogewea, the Half-Blood: Given Through Sho-Powtan: A Depiction of the Great Montana Cattle Range. Boston: Four Seas. Repr. Lincoln: University of Nebraska Press.
Occom, Samuel. [1768] 1982. “A Short Narrative of My Life.” Repr. in The Elders Wrote: An Anthology of Early Prose by North American Indians, 1968–1931, ed. Peyer, Bernd, 12–18. Berlin: Dietrich Reimer.
Ortiz, Simon. 1981. From Sand Creek. New York: Thunder Mouth’s Press.
Ortiz, Simon. 2002. Out There Somewhere. Tucson: University of Arizona Press.
Oskison, Milton John. 1935. Brothers Three. New York: Macmillan.
Owens, Louis. 1992. Other Destinies: Understanding the American Indian Novel. Norman: University of Oklahoma Press.
Penn, W. S. 1998. As We Are Now: Mixblood Essays on Race and Identity. Berkeley: University of California Press.
Revard, Carter. 1998. Winning the Dust Bowl. Tucson: University of Arizona Press.
Riggs, Lynn. 1931. Green Grow the Lilacs. New York: S. French.
Ridge, John Rollin (Yellow Bird). [1854] 1977. The Life and Adventures of Joaquin Muriata, the Celebrated California Bandit. Reprint, Norman: University of Oklahoma Press.
Rodgers, Richard, and Hammerstein, Oscar. 1943. Oklahoma! A Musical, New York: Random House.
Schoolcraft, Jane Johnston (Bamewawagezhikaquay). 2006. The Sound the Stars Make Rushing through the Sky: The Writings of Jane Johnston Schoolcraft, ed. Parker, Robert Dale. Philadelphia: University of Pennsylvania Press.
Sequoyah (George Gist). 1835. Cherokee Alphabet. Boston: Pendleton’s Lithography.
Silko, Leslie Marmon. 1977. Ceremony. New York: Viking Press.
Silko, Leslie Marmon. 1981. Storyteller. New York: Arcade Publishing.
Standing Bear, Luther. 1925. My Indian Boyhood. New York: Houghton Mifflin.
Stanlake, Christy. 2009. Native American Drama: A Critical Interpretation. New York: Cambridge University Press.
Stannard, David E. 1994. American Holocaust: The Conquest of the New World. New York: Oxford University Press.
Swann, Brian, ed. [1975] 1993. Song of the Sky: Versions of Native American Songs and Poems. Four Zoas Night House Press. Repr. Amherst: University of Massachusetts Press.
Tapahonso, Luci. 1997. Blue Horses Rush In: Poems and Stories. Tucson: University of Arizona Press.
Tremblay, Gail. 1990. Indians Singing in 20th Century America. Corvallis: Calyx.
Van Camp, Richard. 2004. The Lesser Blessed. Vancouver, BC: Douglas & Mclntyre.
Vizenor, Gerald. 1978. Bearheart. Minneapolis: Truck Press. Originally titled Darkness in Saint Lewis Bearheart.
Vizenor, Gerald. 1990. Interior Landscapes: Autobiographical Myths and Metaphors. Minneapolis: University of Minnesota Press.
Warrior, Robert. 1995. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press.
Waters, Frank. 1942. The Man Who Killed the Deer. Athens: Swallow Press/Ohio University Press.
Weatherford, Jack. 2010. Indian Givers: How the Indians of the Americas Transformed the World. New York: Random House.
Weaver, Jace. 2014. Red Atlantic: American Indigenes and the Making of the Modern World, 1000–1927. Chapel Hill: University of North Carolina Press.
Weaver, Jace, Womack, Craig S., and Warrior, Robert. 2006. American Indian Literary Nationalism. Albuquerque: University of New Mexico Press.
Welch, James. 1974. Winter in the Blood. New York: Harper & Row.
Whiteman, Roberta Hill. 1984. Star Quilt. Duluth: Holy Cow! Press.
Winnemucca Hopkins, Sarah. 1883. Life among the Piutes: Their Wrongs and Claims. Boston: Cupples, Upham.
Womack, Craig S. 1999. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press.
Womack, Craig S. 2001. Drowning in Fire. Tucson: University of Arizona Press.
Yellow Robe, William S. 2000. Where the Pavement Ends: Five Native American Plays. Norman: University of Oklahoma Press.
Zitkala-sa/Zitkala-sha/Red Bird (Gertrude Simmons Bonnin). 2001. Dreams, Poems and the Sun Dance Opera. Lincoln: University of Nebraska Press.
References
Alexie, Sherman. 2003. Ten Little Indians. New York: Grove.
Alexie, Sherman. 2005. The Lone Ranger and Tonto Fistfight in Heaven. Expanded edn. New York: Grove.
Alexie, Sherman. 2007. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown.
Alexie, Sherman. 2009. “Spokane Words: Tomson Highway Raps with Sherman Alexie.” 1997 interview. Repr. in Conversations with Sherman Alexie, ed. Peterson, Nancy J., 21–31. Jackson: University Press of Mississippi.
Erdrich, Louise. 1984. Love Medicine: A Novel. New York: Holt, Rinehart, and Winston.
Erdrich, Louise. 2010. “The Art of Fiction No. 208.” Interview by Halliday, Lisa. Paris Review 195 (Winter), 133–66.
Franzen, Jonathan. 2015. Introductory note to the Fiction section. In The 50s: The Story of a Decade, ed. Finder, Henry, 597–600. New York: Modern Library.
Howe, LeAnne. 2008. “Blind Bread and the Business of Theory Making, by Embarrassed Grief.” In Reasoning Together: The Native Critics Collective, ed. Acoose, Janice et al., 325–39. Norman: University of Oklahoma Press.
Kincaid, James. 1992. “Who Gets to Tell Their Stories?” New York Times Book Review. May 3, p. 28.
Library of Congress. 2015. “Library of Congress Prize for American Fiction Awarded to Louise Erdrich.” Library of Congress online. March 17. www.loc.gov/item/prn-15-045/ (accessed March 14, 2018).
Lincoln, Kenneth. 1983. Native American Renaissance. Berkeley: University of California Press.
MacShane, Frank. 1977. Review of Ceremony, by Leslie Marmon Silko. New York Times Book Review, June 12, p. 15.
Momaday, N. Scott. 1979. “Man Made of Words.” In The Remembered Earth, ed. Hobson, Geary. Albuquerque: University of New Mexico Press.
Momaday, N. Scott. 1997. The Man Made of Words: Essays, Stories, Passages. New York: St. Martin’s Press.
Momaday, N. Scott. [1968] 2010. House Made of Dawn. New York: HarperPerennial.
Owens, Louis. 2001. I Hear the Train: Reflections, Inventions, Refractions. Norman: University of Oklahoma Press.
Price, Reynolds. 1974. “When Is an Indian Novel Not an Indian Novel?” Review of Winter in the Blood, by James Welch. New York Times Book Review, November 10, p. 1.
Roemer, Ken. n.d. “N. Scott Momaday: Biographical, Literary, and Multicultural Contexts.” www.english.illinois.edu/maps/poets/m_r/momaday/contexts.htm (accessed March 14, 2018).
Silko, Leslie Marmon. 1981. “Language and Literature from a Pueblo Indian Perspective.” In English Literature: Opening up the Canon, ed. Fiedler, Leslie and Baker, Houston, 54–72. Baltimore: Johns Hopkins University Press.
Silko, Leslie Marmon. 1986. “Here’s an Odd Artifact for the Fairy-Tale Shelf.” Review of The Beet Queen, by Louise Erdrich. Studies in American Indian Literatures, first series 10, 4 (Fall): 178–84.
Silko, Leslie Marmon. 1996. Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today. New York: Simon and Schuster.
Silko, Leslie Marmon. [1981] 2012. Storyteller. New York: Penguin Books.
Sprague, Marshall. 1968. “Anglos and Indians.” Review of House Made of Dawn, by N. Scott Momaday. New York Times Book Review, June 9, p. 5.
Vizenor, Gerald. 2008. Survivance: Stories of Native Presence. Lincoln: University of Nebraska Press.
References
Abel, Jordan. 2013. The Place of Scraps. Vancouver: Talonbooks.
Abel, Jordan. 2014. Un/Inhabited. Vancouver: Project Space Books and Talonbooks.
Abel, Jordan. 2016. Injun. Vancouver: Talonbooks.
Alexie, Sherman. 2007. The Absolutely True Diary of a Part-Time Indian. New York: Little, Brown.
Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon.
Anthes, Bill. 2015. Edgar Heap of Birds. Durham, NC: Duke University Press.
Bascaramurty, Dakshana. 2017. “The Modern Touch of an Old Master.” Globe and Mail. December 1. www.theglobeandmail.com/arts/inside-the-process-behind-kent-monkmans-art/article37126241/ (accessed May 1, 2019).
Berlo, Janet Catherine, ed. 1996. Plains Indian Drawings 1865–1935: Pages from a Visual History. New York: Harry N. Abrams in association with the American Federation of Arts and The Drawing Center.
Bhabha, Homi. 1984. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October 28. Discipleship: A Special Issue on Psychoanalysis (Spring): 125–33.
Blish, Helen H. ed. 1967. A Pictographic History of the Oglala Sioux. Lincoln: University of Nebraska Press.
Brotherstone, Gordon. 1979. Image of the New World: The American Continent Portrayed in Native Texts. London: Thames and Hudson, 1979.
Brumble, H. David. 1988. American Indian Autobiography. Berkeley: University of California Press.
Comic-Con International: San Diego. 2019. www.comic-con.org (accessed October 21, 2019).
Dembicki, Matt, ed. 2010. Trickster: Native American Tales, A Graphic Collection. Golden, CO: Fulcrum Books.
Dunn, Dorothy, ed. 1969. 1877: Plains Indian Sketch Books of Zo-Tom and Howling Wolf. Flagstaff, AZ: Northland.
Eisner, Will. 1985. Comics and Sequential Art: Principles and Practice of the World’s Most Popular Art Form. Expanded edn. Tamarac, FL: Poorhouse Press.
Endrezze, Anita. 2000. Throwing Fire at the Sun, Water at the Moon. Tucson: University of Arizona Press.
Everett-Green, Robert. 2017. “Kent Monkman: A Trickster with a Cause Crashes Canada’s 150th Birthday Party.” Globe and Mail. January 6. www.theglobeandmail.com/news/national/canada-150/kent-monkman-shame-and-prejudice/article33515775/ (accessed May 1, 2019).
Ewers, John C. 1968. “Introduction.” In Howling Wolf; a Cheyenne Warrior’s Graphic Interpretation of His People, by Karen Daniels Petersen, 5–20. Palo Alto, CA: American West Pub. Co.
Ewers, John C. 1978. Murals in the Round: Painted Tipis of the Kiowa and Kiowa-Apache Indians. Washington, DC: Smithsonian Institution Press.
Glancy, Diane. 2014. Fort Marion Prisoners and the Trauma of Native Education. Lincoln: University of Nebraska Press.
Gould, Janice. 2011. Indian Mascot, 1959. Dos Coyotes Production. Colorado Springs: The Press at Colorado College.
Greene, Candace S. 2013. “Being Indian at Fort Marion: Revisiting Three Drawings.” American Indian Quarterly 37, 4 (Fall): 289–316.
Hearne, Joanna. 2017. “Introduction: Native to the Device: Thoughts on Digital Indigenous Studies.” Studies in American Indian Literatures 29, 1 (Spring): 3–26.
Hoebel, E. Adamson, and Petersen, Karen Daniels, eds. 1964. A Cheyenne Sketchbook, by Cohoe, . Norman: University of Oklahoma Press.
Howard, James H. ed. 1968. The Warrior Who Killed Custer: The Personal Narrative of Chief Joseph White Bull. Lincoln: University of Nebraska Press.
Lefebvre, Henri. 1991. The Production of Space, trans. Donald Nicholson-Smith. Malden, MA: Blackwell.
Lidchi, Henrietta, and Tsinhnahjinnie, Hulleah J., eds. 2009. Visual Currencies: Reflections on Native Photography. Edinburgh: National Museums Scotland.
Lippard, Lucy R. 1997. The Lure of the Local: Senses of Place in a Multicentered Society. New York: New Press.
Lookingbill, Brad D. 2006. War Dance at Fort Marion: Plains Indian War Prisoners. Norman: University of Oklahoma Press, 2006.
Lum, Fred. 2017. “Toronto Pride Parade Grand Marshal Kent Monkman Opts to Be Himself.” Globe and Mail. June 23. www.theglobeandmail.com/news/toronto/kent-monkman-marks-indigenous-response-to-canada-150-at-torontopride/article35453537/(accessed May 1, 2019).
Mallery, Garrick. [1892, 1893] 1972. “Picture-Writing of the American Indians.” In Tenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1888–89, ed. Powell, J.. 2 vols. New York: Dover.
Margolin, Malcolm. 1978. The Ohlone Way: Indian Life in the San Francisco-Monterey Bay Area. Berkeley: Heyday Books.
Martin, Michel. 2017. “Native Americans Tell Their Own Superhero Stories at Indigenous Comic Con.” All Things Considered, NPR, November 26.
McCloud, Scott. 2006. Making Comics: Storytelling Secrets of Comics, Manga, and Graphic Novels. New York: Harper.
Miranda, Deborah A. 2013. Bad Indians: A Tribal Memoir. Berkeley: Heyday Books.
Momaday, N. Scott. 1969. The Way to Rainy Mountain. Albuquerque: University of New Mexico Press, 1969.
Momaday, N. Scott. 1976. The Names: A Memoir. New York: Harper and Row.
Momaday, N. Scott. 1992. In the Presence of the Sun: Stories and Poems. New York: St. Martin’s.
Monkman, Kent. 2017. Shame and Prejudice: A Story of Resilience. Art Museum, University of Toronto; Justina M. Barnicke Gallery, University of Toronto Art Centre; 7 Hart House Circle, Toronto. Published in conjunction with an exhibition of the same title and presented January 26–March 4.
Mooney, James. [1898] 1979. Calendar History of the Kiowa Indians, Bureau of American Ethnology, 17th Annual Report. Washington, DC: Smithsonian Institution Press.
Mooney, James. 1891–1904. “Kiowa Heraldry Notebook: Descriptions of Kiowa Tipis and Shields.” Washington, DC: Smithsonian Institution, National Anthropological Archives. Manuscript 2531.
Naranjo-Morse, Nora. 1992. Mud Woman: Poems from the Clay. Tucson: University of Arizona Press.
Nicholson, Hope, ed. 2015. Moonshot: The Indigenous Comics Collection. Toronto: AH (Alternate History) Comics.
O’Brien, Lynne Woods. 1973. Plains Indian Autobiographies. Boise, ID: Boise State College.
Petersen, Karen Daniels, ed. 1968. Howling Wolf: A Cheyenne Warrior’s Graphic Interpretation of His People. Palo Alto, CA: American West.
Petersen, Karen Daniels. 1971. Plains Indian Art from Fort Marion. Norman: University of Oklahoma Press.
Ritter, Kathleen. 2014. “Ctrl-F: Reterritorializing the Canon.” In Un/Inhabited, by Abel, Jordan, vii–xix. Vancouver: Project Space Books and Talonbooks.
Romero, Channette. 2017. “Toward an Indigenous Feminine Animation Aesthetic.” Studies in American Indian Literatures 29, 1 (Spring): 56–87.
Rushing, W. Jackson, III. 2005. “‘In Our Own Language’: The Art of Hachivi Edgar Heap of Birds.” Third Text 19, 4 (July): 365–84.
Rymhs, Deena. Forthcoming. Directing Traffic: Roads, Mobility, and Violence in Indigenous Literature and Art. New York: Routledge.
Sheyahshe, Michael. 2008. Native Americans in Comic Books: A Critical Study. Jefferson, NC: McFarland.
Silko, Leslie Marmon. 1981. Storyteller. New York: Seaver Books.
Silko, Leslie Marmon. 1993. Sacred Water: Narratives and Pictures. Tucson: Flood Plain Press.
Silko, Leslie Marmon. 1996. Yellow Woman and a Beauty of the Spirit: Essays on Native American Life Today. New York: Simon and Schuster.
Spiegelman, Art, with Chute, Hillary. 2011. MetaMaus. New York: Pantheon Books.
Steffanucci, Tracy. 2014. “Afterword.” In Un/Inhabited, by Abel, Jordan, i–v. Vancouver: Project Space Books and Talonbooks.
Szabo, Joyce M. 2007. Art from Fort Marion. Norman: University of Oklahoma Press.
Tuan, Yi-Fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press.
Wildschut, William. 1926. “A Crow Pictographic Robe.” Indian Notes 3 (1): 28–32.
Wildschut, William, and Ewers, John C.. 1959. Crow Indian Beadwork: Descriptive and Historical Study. New York: Museum of the American Indian, Heye Foundation.
Wong, Hertha D. [Sweet]. 1992. Sending My Heart Back across the Years: Tradition and Innovation in Native American Autobiography. New York: Oxford University Press.
Wong, Hertha D. 2018. “Hachivi Edgar Heap of Birds’s Artwork: ‘Native Peoples Have Chosen Art as Their Cultural Tool and Weapon.’” In Picturing Identity: Contemporary American Autobiography in Image and Text, 214–28. Chapel Hill: University of North Carolina Press.
References
Abel, Jordan. 2013. The Place of Scraps. Vancouver: Talon.
Abel, Jordan. 2014. “Un/inhabited: EVENT Interviews Jordan Abel.” With Elena E. Johnson. EVENT. October 29. www.eventmagazine.ca/2014/10/uninhabitated-event-interviews-jordan-abel/ (accessed May 1, 2018).
Abel, Jordan. 2016. Injun. Vancouver: Talon.
Ahenakew, Edward. 1973. Voices of the Plains Cree, ed. Buck, Ruth M.. Toronto: McClelland & Stewart.
Anahareo. 1940. My Life with Grey Owl. London: Peter Davies.
Anahareo. [1972] 2014. Devil in Deerskins: My Life with Grey Owl, ed. Sophie, McCall. Winnipeg: University of Manitoba Press.
Annharte, Marie Baker. 1990. Being on the Moon. Winlaw, BC: Polestar.
Aodla Freeman, Mini. [1977] 2015. Life among the Qallunaat, ed. Martin, Keavy, Rak, Julie, and Dunning, Norma. Winnipeg: University of Manitoba Press.
Armstrong, Jeannette, ed. 1993. Looking at the Words of Our People: First Nations Analysis on Literature. Penticton, BC: Theytus.
Armstrong, Jeannette, ed. 2001. “Four Decades: An Anthology of Canadian Native Poetry from 1960 to 2000.” In Armstrong and Grauer, Native Poetry in Canada, x–xx.
Armstrong, Jeannette, and Grauer, Lally, eds. 2001. Native Poetry in Canada: A Contemporary Anthology. Peterborough, ON: Broadview.
Assembly of First Nations. 1994. Breaking the Silence: An Interpretive Study of Residential School Impact and Healing as Illustrated by Stories of First Nations Individuals. Ottawa: Assembly of First Nations.
Baker, Carleigh. 2016. “The Mythical Indigenous Protagonist.” Review of The Break, by Katherena Vermette. Literary Review of Canada (November). https://reviewcanada.ca/magazine/2016/11/the-mythical-indigenous-protagonist/ (accessed May 1, 2018).
Barnett, Don, ed. 1975. Bobbi Lee, Indian Rebel: Struggles of a Native Canadian Woman. Life Histories from the Revolution Series. Richmond: LSM Information Center.
Campbell, Maria. 1973. Halfbreed. Toronto: McClelland & Stewart.
Campbell, Maria. 1992. Give Back: First Nations Perspectives on Cultural Practice. Vancouver: Gallerie.
Cariou, Warren. 2014. “Indigenous Literature and Other Verbal Arts, Canada (1960–2012).” In The Oxford Handbook on Native American and Indigenous Literatures, ed. Cox, James H. and Justice, Daniel Heath, 577–88. New York: Oxford University Press.
Clements, Marie. 2002. Burning Vision. Vancouver: Talon.
Clements, Marie. 2005. The Unnatural and Accidental Women. Vancouver: Talon.
Clements, Marie. 2010. The Edward Curtis Project. Vancouver: Talon.
Clements, Marie. 2012. Tombs of the Vanishing Indian. Vancouver: Talon.
Clements, Marie.dir. 2017. The Road Forward. Montreal: National Film Board of Canada.
Corntassel, Jeff, Chaw-win-is, , and T’lakwadzi, . 2016. “Indigenous Storytelling, Truth-Telling, and Community Approaches to Reconciliation.” In Learn, Teach, Challenge: Approaches to Indigenous Literatures, ed. Reder, Deanna and Morra, Linda, 373–91. Waterloo: Wilfrid Laurier University Press.
Cox, James H., and Daniel Heath Justice. 2014. “Introduction: Post-Renaissance Indigenous American Literary Studies.” In The Oxford Handbook on Native American and Indigenous Literatures, ed. James H. Cox and Daniel Heath Justice, 1–11. New York: Oxford University Press.
Coupal, Michelle. 2016. “Teaching Indigenous Literature as Testimony: Porcupines and China Dolls and the Testimonial Imaginary.” In Learn, Teach, Challenge: Approaches to Indigenous Literatures, ed. Reder, Deanna and Morra, Linda, 447–86. Waterloo: Wilfrid Laurier University Press.
Cuthand, Beth. 2001. “Post-Oka Kinda Woman.” In Armstrong and Grauer, Native Poetry in Canada, 132–33.
Dewar, Jonathan. 2016. “From Profound Silences to Ethical Practices: Aboriginal Writing and Reconciliation.” In The Oxford Handbook of Canadian Literature, ed. Sugars, Cynthia, 150–69. New York: Oxford University Press.
Dimaline, Cherie. 2017. The Marrow Thieves. Toronto: Cormorant.
Dion, Joseph F. 1979. My Tribe, The Crees, ed. Demsey, Hugh A.. Calgary: Glenbow Museum.
Eigenbrod, Renate. 2012. “‘For the Child Taken, for the Parent Left Behind’: Residential School Narratives as Acts of ‘Survivance.’” English Studies in Canada 38, 3–4: 277–97.
Elliott, Alicia. 2017. “The cultural appropriation debate isn’t about free speech – it’s about context.” CBC Arts. 16 May. www.cbc.ca/arts/the-cultural-appropriation-debate-isn-t-about-free-speech-it-s-about-context-1.4117142 (accessed May 1, 2019).
Fee, Margery. 2015. Literary Land Claims: The ‘Indian Land Question’ from Pontiac’s War to Attawapiskat. Waterloo: Wilfrid Laurier University Press.
Garneau, David. 2016. “Imaginary Spaces of Conciliation and Reconciliation: Art, Curation, and Healing.” In Robinson and Martin, Arts of Engagement, 21–41.
Gleeson, Kristin. 2012. Anahareo: Wilderness Spirit. Tucson: Fireship.
Grauer, Lally. 2001. “Tuning Up, Tuning In.” In Armstrong and Grauer, Native Poetry in Canada, xxi–xxviii.
Halfe, Louise Bernice. 1994. Bear Bones & Feathers. Regina: Coteau.
Halfe, Louise Bernice. 2002. Blue Marrow. Toronto: McClelland & Stewart.
Halfe, Louise Bernice. 2007. The Crooked Good: Sky Dancer. Regina: Coteau.
Halfe, Louise Bernice. 2016. Burning In This Midnight Dream. Regina: Coteau.
Halfe, Louise Bernice. 2018. Sôhkêyihta: The Poetry of Sky Dancer Louise Bernice Halfe, ed. Gaertner, David. Waterloo: Wilfrid Laurier University Press.
Harper, Stephen. 2008. “Statement of Apology to Former Students of Residential Schools.” House of Commons Debates: 39th Parliament, 2nd Session, Number 110. June 11. www.aadnc-aandc.gc.ca/eng/1100100015644/1100100015649 (accessed May 1, 2018).
Highway, Tomson. 1988. The Rez Sisters. Saskatoon: Fifth House.
Highway, Tomson. 1989. Dry Lips Oughta Move to Kapuskasing. Saskatoon: Fifth House.
Highway, Tomson. 1998. Kiss of the Fur Queen. Toronto: Doubleday.
Hunt, Dallas. 2017. “Nikîkîwân: Contesting Settler Colonial Archives through Indigenous Oral History.” Indigenous Literature and the Arts of Community 230–231: 25–42. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)
Jaine, Linda, ed. 1993. Residential Schools: The Stolen Years. Saskatoon: University Extension Press.
Joe, Rita. 1978. Poems of Rita Joe. Halifax: Abanaki Press.
Johnston, Basil. 1988. Indian School Days. Toronto: Key Porter Books.
Johnston, Basil. 2007. “Foreword.” In Magic Weapons: Aboriginal Writers Remaking Community after Residential School by Sam McKegney, vii–xv. Winnipeg: University of Manitoba Press.
Karpinski, Max. 2017. “‘Split With the Kind Knife’: The Regenerative Excisions of Jordan Abel’s The Place of Scraps.” Indigenous Literature and the Arts of Community 230–231: 65–84. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)
Keeshig-Tobias, Lenore. 1990. “Stop Stealing Native Stories.” Globe and Mail. January 26. www.theglobeandmail.com/news/national/cultural-appropriation-stop-stealing-native-stories/article35066040/ (accessed May 1, 2018).
King, Thomas. 1990. “Godzilla vs. Post-Colonial.” World Literature Written in English 30, 2: 10–16.
Kenny, George. [1977] 2014. Indians Don’t Cry, ed. Eigenbrod, Renate. Winnipeg: University of Manitoba Press.
Gabrielle, L’Hirondelle Hill, and McCall, Sophie, eds. 2015. The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation. Winnipeg: Arbeiters Ring.
Manuel, George, and Posluns, Michael. 1974. The Fourth World: An Indian Reality. Don Mills, ON: Collier-Macmillan.
Manuel, Vera. [1992] Forthcoming. Honouring the Strength of Indian Women: Plays, Stories, Poetry by Vera Manuel, ed. Coupal, Michelle, Reder, Deanna, and Arnott, Joanne. Winnipeg: University of Manitoba Press.
Maracle, Lee. 1990a. Bobbi Lee, Indian Rebel. Toronto: Women’s Press.
Maracle, Lee. 1990b. Sojourner’s Truth and Other Stories. Vancouver: Press Gang.
Maracle, Lee. 2017. “Today Is Different, Because Yesterday We Fought.” Write (Fall): 10–11.
Martin, Keavy. 2017. “The Rhetoric of Silence in Life among the Qallunaat.” In Henzi and McKegney, “Indigenous Literature,” 144–61.
McCall, Sophie. 2014. “Aboriginal Oral History and the Politics of the TRC.” Presentation at Musqueam 101, Musqueam First Nation (Vancouver, BC). January 22.
McKegney, Sam. 2014. “Beyond Continuance: Criticism of Indigenous Literatures in Canada.” In The Oxford Handbook on Native American and Indigenous Literatures, ed. James H. Cox and Daniel Heath Justice, 409–26. New York: Oxford University Press.
Mercredi, Duncan. 1990. Spirit of the Wolf: Raise Your Voice. Winnipeg: Pemmican.
Milloy, John S. 2014. A National Crime: The Canadian Government and the Residential School System, 1879 to 1986. Winnipeg: University of Manitoba Press.
Morin, Peter. 2016. “this is what happens when we perform the memory of the land.” In Robinson and Martin, Arts of Engagement, 67–91.
Mountain Horse, Mike. 1979. My People, the Bloods. Calgary: Glenbow-Alberta Institute; Standoff, AB: Blood Tribal Council.
Moyes, Lianne. 2017. “Listening to ‘Mes lames de tannage’: Notes toward a Translation.” Indigenous Literature and the Arts of Community 230–231: 86–105. (Special edition of Canadian Literature, ed. Sarah Henzi and Sam McKegney.)
Obomsawin, Alanis, dir. 1993. Kanehsatake: 270 Years of Resistance. Montreal: Studio B, Office national du film du Canada.
Obomsawin, Alanis. 1995. My Name Is Kahentiiosta. Montreal: Studio B, Office national du film du Canada.
Obomsawin, Alanis. 1997. Spudwrench. Montreal: Studio B, Office national du film du Canada.
Obomsawin, Alanis. 2000. Rocks at Whiskey Trench. Montreal: Studio B, Office national du film du Canada.
“Phil Fontaine’s Shocking Testimony of Sexual Abuse.” 1990. The Journal. CBC Television. October 30, 1990.
Parry, Tom. 2016. “Preserve Indigenous Residential Schools as Sites of Conscience, MPs Urged.” CBC News. September 26.
Prokosh, Kevin. 2006. “Highway Raises Eyebrows with Colour-Blind Opinions.” Winnipeg Free Press. 18 October. D6.
Reder, Deanna. 2016. “Indigenous Autobiography in Canada: Uncovering Intellectual Traditions.” In The Oxford Handbook of Canadian Literature, ed. Sugars, Cynthia, 170–90. New York: Oxford University Press.
Reder, Deanna. 2017. “Recuperating Indigenous Narratives: Making Legible the Documenting of Injustices.” Plenary paper delivered at Mikinaakominis / TransCanadas: Literature, Justice, Relation. University of Toronto, May 24–27.
Regan, Paulette. 2010. Unsettling the Settler Within: Indian Residential Schools, Truth-Telling, and Reconciliation in Canada. Vancouver: University of British Columbia.
Robinson, Dylan, and Martin, Keavy, eds. 2016a. Arts of Engagement: Taking Aesthetic Action in and beyond the Truth and Reconciliation Commission of Canada. Waterloo, ON: Wilfrid Laurier University Press.
Robinson, Dylan, and Martin, Keavy 2016b. “Introduction: ‘The Body is a Resonant Chamber.’” In Robinson and Martin, Arts of Engagement, 1–20.
Robinson, Eden. 2000. Monkey Beach. Toronto: Vintage, 2000.
Robinson, Eden. 2017. Son of a Trickster. Toronto: Alfred A. Knopf.
Ruffo, Armand Garnet. 2010. “Where the Voice was Coming From.” In Across Cultures / Across Borders: Canadian Aboriginal and Native American Literatures, ed. Paul DePasquale, Renate Eigenbrod, and Emma LaRocque, 171–93. Peterborough: Broadview Press.
Ruffo, Armand Garnet. 2014. “Introduction.” In An Anthology of Canadian Native Literature in English, ed. Ruffo, Armand Garnet, Moses, Daniel David, and Goldie, Terry, xxi–xxxv. Toronto: Oxford University Press.
Sellars, Bev. 2013. They Called Me Number One: Secrets and Survival at an Indian Residential School. Vancouver: Talon.
Simpson, Leanne Betasamosake. 2011. Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-Creation, Resurgence and a New Emergence. Winnipeg: Arbeiter Ring.
Simpson, Leanne Betasamosake. 2013. Islands of Decolonial Love. Winnipeg: Arbeiter Ring.
Simpson, Leanne Betasamosake. 2017. This Accident of Being Lost. Toronto: House of Anansi Press.
Sterling, Shirley. 1992. My Name Is Seepeetza. Toronto: Douglas & McIntyre.
Truth and Reconciliation Commission of Canada. 2009. “Establishment, Powers, Duties and Procedures of the TRC.” Mandate: Schedule N of Indian Residential Schools Settlement Agreement, February 11.
Truth and Reconciliation Commission of Canada 2015. Canada’s Residential Schools: Missing Children and Unmarked Burials. Vol. IV of The Final Report of the Truth and Reconciliation Commission of Canada. Montreal: McGill-Queen’s University Press.
Vermette, Katherena. 2016. The Break. Toronto: Anansi.
Wagamese, Richard. 2012. Indian Horse. Vancouver: Douglas & McIntyre.
Weetaltuk, Eddy. [2009] 2016. From the Tundra to the Trenches, ed. Martin, Thibault. Winnipeg: University of Manitoba Press.
Yahgulanaas, Michael Nicoll. 2009. Red: A Haida Manga. Vancouver: Douglas & McIntyre.
Younging, Gregory. 2018. Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples. Toronto: Brush Education.
Younging, Gregory, Dewar, Jonathan, and Mike, DeGagné. 2009. “Apology and Reconciliation: A Timeline of Events.” In Response, Responsibility, and Renewal: Canada’s Truth and Reconciliation Journey, ed. Dewar, Younging, and DeGagné, 176–78. Ottawa: Aboriginal Healing Foundation.
References
Brock, W. R. 1965. The Character of American History. 2nd edn. New York: Palgrave Macmillan.
Conway, Moncure D. [1888] 1968. The Life of Nathaniel Hawthorne. New York: Haskell House.
Cooper, James Fenimore. 1825. The Pioneers. New York: Collins and Hannay, and Charles Wiley.
Erdrich, Louise. 1984. Love Medicine. New York: Holt, Reinhart & Winston.
Erdrich, Louise. 1988. Tracks. New York: Henry Holt and Co.
Goddu, Teresa. 1997. Gothic America: Narrative, History, and Nation. New York: Columbia University Press.
Hawthorne, Nathaniel. [1851] 1981. The House of the Seven Gables. New York: Penguin.
Hawthorne, Nathaniel. 2005. The Portable Hawthorne, ed. Spengemann, William. New York: Penguin Classics.
Melville, Herman. 1850. “Hawthorne and His Mosses.” http://people.virginia.edu/~sfr/enam315/hmmosses.html (accessed April 18, 2018).
Melville, Herman. [1851] 2015. Moby-Dick. New York: Calla/ Dover Publications.
Momaday, N. Scott. 1968. House Made of Dawn. New York: Harper & Row.
Schoolcraft, Henry Rowe. 1853. Historical and Statistical Information, respecting the History, Condition and Prospects of the Indian Tribes of the United States. Vol. II. Philadelphia: Lippincott, Grambo & Company.
Silko, Leslie Marmon. 1977. Ceremony. New York: Penguin.
Welch, James. 1974. Winter in the Blood. New York: Harper & Row.
Welch, James. 1979. The Death of Jim Loney. New York: Harper & Row.
References
Allen, Paula Gunn. 1986. The Sacred Hoop: Recovering the Feminine in American Indian Traditions. Boston: Beacon.
Barker, Joanne. 2017. “Introduction.” In Critically Sovereign: Indigenous Gender, Sexuality, and Feminist Studies, ed. Barker, Joanne, 1–44. Durham, NC: Duke University Press.
Barman, Jean. 1997/98. “Taming Aboriginal Sexuality: Gender, Power, and Race in British Columbia, 1850–1900.” BC Studies 115/116 (Autumn/Winter): 237–66.
Berger, John. 1990. Ways of Seeing. London: Penguin.
Blaney, Fay. 2003. “Aboriginal Women’s Action Network.” In Strong Women Stories: Native Vision and Community Survival, ed. Kim Anderson and Bonita Lawrence, 156–70. Toronto: Sumach.
Cosgrove, Denis. 1985. “Prospect, Perspective and the Evolution of the Landscape Idea.” Transactions of the Institute of British Geographers 10, 1 (March): 45–62.
Erdrich, Louise. 2012. The Round House. New York: Harper.
Erdrich, Louise. 2016. Shadow Tag: A Novel. New York: Harper Perennial.
Fabian, Johannes. 1985. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press.
Huhndorf, Shari M., and Suzack, Cheryl. 2010. “Indigenous Feminism: Theorizing the Issues.” In Indigenous Women and Feminism: Politics, Activism, Culture, ed. Suzack, Cheryl, Huhndorf, Shari M., Perreault, Jeanne, and Barman, Jean, 1–17. Vancouver: UBC Press.
Hulme, Peter. 1985. “Polytropic Man: Tropes of Sexuality and Mobility in Early Colonial Discourse.” In Europe and Its Others: Proceedings of the Essex Conference on the Sociology of Literature, July 1984, ed. Barker, Francis, Hulme, Peter, Iversen, Margaret, and Loxley, Diana, Vol. II, 17–32. Colchester: University of Essex.
Laflen, Angela. 2014. Confronting Visuality in Multi-Ethnic Women’s Writing. New York: Palgrave Macmillan.
LaRocque, Emma. 1996. “The Colonization of a Native Woman Scholar.” In Women of the First Nations: Power, Wisdom, and Strength, ed. Miller, Christine and Chuchryk, Patricia, 11–18. Winnipeg: University of Manitoba Press.
Lawrence, Bonita. 2003. “Gender, Race, and the Regulation of Native Identity in Canada and the United States: An Overview.” Hypatia 18, 2 (Spring): 3–31.
Lefebvre, Henri. 1992. The Production of Space. Hoboken, NJ: Wiley Blackwell.
Nead, Lynda. 1990. “The Female Nude: Pornography, Art, and Sexuality.” Signs 15, 2 (Winter): 323–35.
Pearce, Roy Harvey. [1953] 1988. Savagism and Civilization: A Study of the Indian and the American Mind. Berkeley: University of California Press.
Pratt, Mary Louise. 2007. Imperial Eyes: Travel Writing and Transculturation. New York: Routledge.
Prucha, Francis Paul. 1986. The Great Father: The United States Government and the American Indians. Lincoln: University of Nebraska Press.
Redbird, Elsie B. 1995. “Honoring Native Women: The Backbone of Native Sovereignty.” In Popular Justice and Community Regeneration: Pathways of Indigenous Reform, ed. Hazlehurst, Kayleen M., 121–42. Westport, CT: Praeger.
Rose, Gillian. 1993. Feminism and Geography: The Limits of Geographical Knowledge. Cambridge: Polity.
Scully, Pamela. 2005. “Malintzin, Pocahontas, and Krotoa: Indigenous Women and Myth Models of the Atlantic World.” Journal of Colonialism and Colonial History 6, 3: 1–28.
Trask, Haunani-Kay. 1996. “Feminism and Indigenous Hawaiian Nationalism.” Signs 21, 4 (Summer): 906–16.
References
Allen, Paula Gunn. 1983. The Woman Who Owned the Shadows. San Francisco: Spinsters.
Belcourt, Billy-Ray. 2017. This Wound Is a World. Calgary: Frontenac House Poetry.
Benaway, Gwen. 2013. Ceremonies of the Dead. Ontario: Kegedonce.
Benaway, Gwen. 2016. Passage. Ontario: Kegedonce.
Benaway, Gwen. 2017. “The Power – and the Violence – of Being an Indigenous Trans Woman.” Macleans. June 21. www.macleans.ca/opinion/the-power-and-the-violence-of-being-an-indigenous-trans-woman/ (accessed April 18, 2018).
Brant, Beth, ed. [1983] 1988. A Gathering of Spirit: Writing and Art by North American Indian Women. Rockland, ME: Sinister Wisdom. Repr. New York: Firebrand Books.
Brant, Beth, 1985. Mohawk Trail. Ithaca, NY: Firebrand Books.
Brant, Beth. 1991. Food & Spirits: Stories. NY: Firebrand Books.
Brant, Beth. 1994. Writing as Witness: Essay and Talk. Toronto: Women’s Press.
Brown, Kirby. 2018. Stoking the Fire: Nationhood in Early Twentieth Century Cherokee Writing. Norman: Oklahoma University Press.
Burhansstipanov, Linda, laFavor, Carole, Hoskins, Shirley, Bellymule, Gloria, and Rowell, Ron. 1997. “Native Women Living beyond HIV/AIDS Infection.” In The Gender Politics of HIV/AIDS in Women: Perspectives on the Pandemic in the United States, ed. Goldstein, Nancy and Manlowe, Jennifer L., 337–56. New York: New York University Press.
Chrystos. 1988. Not Vanishing. Vancouver: Press Gang.
Cox, James. 2012. Red Land to the South: American Writers and Indigenous Mexico. Minneapolis: University of Minnesota Press.
Driskill, Qwo-Li. 2004. “Stolen from Our Bodies: First Nations Two-Spirits/Queers and the Journey to a Sovereign Erotic.” Studies in American Indian Literatures 16, 2 (Summer): 50–64.
Driskill, Qwo-Li, Daniel Heath Justice, Miranda, Deborah, and Tatonetti, Lisa, eds. 2011. Sovereign Erotics: A Collection of Two-Spirit Literature. Tucson: The University of Arizona Press.
Fife, Connie. 1992. Beneath the Naked Sun. Toronto: Sister Vision.
Gilley, Brian Joseph. 2006. Becoming Two-Spirit: Gay Identity and Social Acceptance in Indian Country. Lincoln: University of Nebraska Press.
Gould, Janice. 1990. Beneath My Heart: Poetry. Ithaca, NY: Firebrand Books.
Gould, Janice. 1994. “Disobedience (in Language) in Text by Lesbian Native Americans.” ARIEL: A Review of International English Literature 25, 1 (January): 32–44.
Jacobs, Sue-Ellen, Thomas, Wesley, and Lang, Sabine, eds. 1997. Two-Spirit People: Native American Gender Identity, Sexuality, and Spirituality. Urbana: University of Illinois Press.
Justice, Daniel Heath. 2006. Our Fire Survives the Storm: A Cherokee Literary History. Minneapolis: University of Minnesota Press.
Justice, Daniel Heath 2010. “Notes toward a Theory of Anomaly.” Sexuality, Nationality, and Indigeneity. Special issue of GLQ: A Journal of Lesbian and Gay Studies 16 (1–2): 207–42.
Justice, Daniel Heath 2011. The Way of Thorn and Thunder: The Kynship Chronicles. Albuquerque: University of New Mexico Press.
Kenny, Maurice. 1977. “Winkte.” ManRoot 11 (Spring/Summer): 26.
laFavor, Carole. [1996] 2017. Along the Journey River. Minneapolis: University of Minnesota Press.
laFavor, Carole. [1997] 2017. Evil Dead Center: A Mystery. Minneapolis: University of Minnesota Press.
Lane, M. Carmen. 2015. Calling Out after Slaughter. North York, ON: GTK Press.
Lorde, Audre. 1984. Sister Outsider: Essays and Speeches. New York: Crossing Press.
Million, Dian. 2009. “Felt Theory: An Indigenous Feminist Approach to Affect and History.” Wicazo Sa Review 24, 2 (Fall): 53–76.
Millon, Dian. 2014. Therapeutic Nations: Healing in the Age of Indigenous Human Rights. Tucson: University of Arizona Press.
Miranda, Deborah. 2002. “Dildos, Hummingbirds, and Making Her Crazy: Searching for American Indian Women’s Love Poetry and Erotics.” Frontiers: A Journal of Women Studies 23, 2: 135–49.
Miranda, Deborah. 2013. Bad Indians: A Tribal Memoir. Berkeley: Heyday.
Murphy, Jami. 2016. “AG Opinion Legalizes Same-Sex Marriage.” Cherokee Phoenix (Tahlequah, Oklahoma), December 15.
Pico, Tommy. 2017. Nature Poem. Brooklyn, NY: Tin House.
Roscoe, Will. 1991. The Zuni Man-Woman. Albuquerque: University of New Mexico Press.
Roscoe, Will. 1998. Changing Ones: Third and Fourth Genders in Native North America. New York: St. Martin’s Press.
Tatonetti, Lisa. 2014. The Queerness of Native American Literature. Minneapolis: University of Minnesota Press.
Warren, Jennifer. 2017. “How Gwen Benaway Faces Her Transgender Future in Her New Poetry Collection.” CBC Books, August 8. www.cbc.ca/books/how-gwen-benaway-faces-her-transgender-future-in-her-new-poetry-collection-1.4056421 (accessed April 18, 2018).
Weaver, Jace. 1997. That the People Might Live: Native American Literatures and Native American Community. New York: Oxford University Press.
Whitehead, Joshua. 2017. Full-Metal Indigiqueer. Vancouver: Talonbooks.
Whitehead, Joshua. 2018. “Mâwacinikân: Moving Indigenous Literature to the Front in 2018.” CBC Arts: Point of View. January 19. www.cbc.ca/arts/mawacinikan-moving-indigenous-literature-to-the-front-in-2018-1.4493517 (accessed April 18, 2018).
Whitehead, Joshua: 2018. Jonny Appleseed. Vancouver: Arsenal Pulp Press.
Williams, Walter. [1986] 1992. The Spirit and the Flesh: Sexual Diversity in American Indian Culture. Boston: Beacon Press.
Womack, Craig. 1999. Red on Red: Native American Literary Separatism. Minneapolis: University of Minnesota Press.
Womack, Craig. 2001. Drowning in Fire. Tucson: University of Arizona Press.
References
Alexie, Sherman. 2009. “Survivorman.” New Yorker. June 8. www.newyorker.com/magazine/2009/06/08/survivorman (accessed April 23, 2018).
Bitsui, Sherwin. 2003. Shapeshift. Tucson: University of Arizona Press.
Bitsui, Sherwin. 2009. Flood Song. Port Townsend: Copper Canyon.
Coke, Allison Hedge, Adele. 2006. Blood Run. Cambridge: Salt Press.
Diaz, Natalie. 2012. When My Brother Was an Aztec. Port Townsend: Copper Canyon.
Diaz, Natalie. 2017. “A Native American Poet Excavates the Language of Occupation.” New York Times Book Review. August 6 , 20.
Erdrich, Heid E. 2012. Cell Traffic: New and Selected Poems. Tucson: University of Arizona Press.
Erdrich, Louise. 1984. Jacklight. New York: Holt, Rinehart, and Winston.
Fassler, Joe. 2013. “The Poem That Made Sherman Alexie ‘Drop Everything and Want to Be a Poet.’” Atlantic, October 16. www.theatlantic.com/entertainment/archive/2013/10/the-poem-that-made-sherman-alexie-want-to-drop-everything-and-be-a-poet/280586/ (accessed April 23, 2018).
Harjo, Joy. 1982. She Had Some Horses. New York: Thunder’s Mouth Press.
Harjo, Joy. 1990. In Mad Love and War. Middletown, CT: Wesleyan University Press.
Long Soldier, Layli. 2017. Whereas. Minneapolis: Graywolf.
McAdams, Janet. 2016. Seven Boxes for the Country After. Kent, OH: Kent State University Press.
Ortiz, Simon J. 1981. From Sand Creek: Rising in This Heart Which Is Our America. Tucson: University of Arizona Press.
Pico, Tommy. 2016. IRL. New York: Birds.
Rader, Dean. 2011. Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI. Austin: University of Texas Press.
Viñas, Biana. 2007. “The Motion of Poetic Landscape: An Interview with Sherwin Bitsui.” Hunger Mountain: December 1. http://hungermtn.org/motion-poetic-landscape-interview-sherwin-bitsui/ (accessed April 23, 2018).
Warrior, Robert. 1995. Tribal Secrets: Recovering American Indian Intellectual Traditions. Minneapolis: University of Minnesota Press.
White, Orlando. 2009. Bone Light. Los Angeles: Red Hen.
White, Orlando. 2017a. Interview. Taos Journal of International Poetry and Art. www.taosjournalofpoetry.com/letterrs/ (accessed April 23, 2018).
White, Orlando. 2017b. LETTERRS. New York: Nightboat Books.
Young Bear, Ray A. 1980. Winter of the Salamander: The Keeper of Importance. San Francisco: Harper & Row.
Young Bear, Ray A. 1990. The Invisible Musician: Poems. Duluth, Minn: Holy Cow! Press.
References
Abbott, L. 1996. Spiderwoman Theater and the Tapestry of Story. The Canadian Journal of Native Studies 14, 1, 165–80.
“About Native Voices.” 2016. Autry Museum of the American West. March 11. https://theautry.org/events/signature-programs/native-voices/about-native-voices (accessed April 23, 2018).
Armstrong, A. E., Johnson, K. L., and Wortman, W. A., eds. 2009. Performing Worlds into Being: Native American Women’s Theater. Oxford, OH: Miami University Press.
Bakhtin, M. 1981. The Dialogic Imagination: Four Essays, ed. Holquist, M.. Austin: University of Texas Press.
Balme, C. 1999. Decolonizing the Stage: Theatrical Syncretism and Postcolonial Drama. Oxford: Clarendon Press.
Barker, K. 2013.The Hours That Remain. Toronto: Playwrights Canada Press.
Bigsby, C. W. E. 1985. “American Indian Theatre.” In A Critical Introduction to Twentieth-Century American Drama, ed. Bigsby, C. W. E., Vol. III, 365–74. Cambridge: Cambridge University Press.
Cardinal, C. 2015. Huff & Stitch. Toronto: Playwrights Canada Press.
Cheechoo, S. [1991] 2001. Path With No Moccasins. Alexandria, VA: Alexander Street Press.
Clements, M. 2005. The Unnatural and Accidental Women. Vancouver: Talonbooks.
Clements, Marie. 2010. The Edward Curtis Project: A Modern Picture Story. Toronto: Talonbooks.
Dandurand, J. A. 2004. Please Do Not Touch the Indians. Candler, NC: Renegade Planets Publishers.
D’Aponte Gisolfi, M. 1999. Seventh Generation: An Anthology of Native American Plays. New York: Theatre Communications Group.
Darby, J. T., and Fitzgerald, S., eds. 2003. Keepers of the Morning Star: An Anthology of Native Women’s Theater. Los Angeles: UCLA American Indian Studies Center.
Dennis, D. 2005. Two Plays: Tales of An Urban Indian / The Trickster of Third Avenue East. Toronto: Playwrights Canada Press.
Däwes, B. 2007. Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference. Heidelberg: Winter.
Däwes, B. ed. 2013. Indigenous North American Drama: A Multivocal History. Albany: State University of New York Press.
Däwes, B. 2016. “A New Legacy for Future Generations”: Native North American Performance and Drama. In The Routledge Companion to Native American Literature, ed. Madsen, D., 423–34. New York: Routledge.
Deloria, P. J. 1998. Playing Indian. New Haven, CT: Yale University Press.
Galperin, P. O. 2015. In Search of Princess White Deer: The Biography of Esther Deer. New York: Vintage.
Geoigamah, H. [1972] 2006. Body Indian. Alexandria, VA: Alexander Street Press.
Geiogamah, H., and Darby, J. T., eds. 1999. Stories of Our Way: An Anthology of American Indian Plays. Los Angeles: UCLA American Indian Studies Center.
Geiogamah, H., and Darby, J. T. eds. 2000. American Indian Theater in Performance: A Reader. Los Angeles: UCLA American Indian Studies Center.
Glancy, D. [1993] 2006. The Truth-Teller. Alexandria, VA: Alexander Street Press.
Gomez, T. [1994] 2006. Inter-Tribal. Alexandria, VA: Alexander Street Press.
Guno, L. [2005] 2018. Bunk #7. In Indian Act: Residential School Plays, ed. Bernard, Donna-Michelle St.. Toronto: Playwrights Canada Press.
Haugo, A. 2005. “American Indian Theatre.” In The Cambridge Companion to Native American Literature, ed. Porter, J. and Roemer, K. M., 189–204. Cambridge: Cambridge University Press.
Highway, T. 1988. The Rez Sisters. Saskatoon, Saskatchewan: Fifth House Publishers.
Highway, T. 1989. Dry Lips Oughta Move to Kapuskasing. Markham, ON: Fifth House.
Highway, T. 1999. Rose. Burnaby, BC: Talonbooks.
Highway, T. 2013. The (Post) Mistress. Vancouver: Talonbooks.
Hodgson, H., ed. 2002. The Great Gift of Tears: Four Aboriginal Plays. Regina, Saskatchewan: Coteau Books.
Howe, L. 1995. “Native Theater: Who Will Create the ‘Native Cue’?” Native Playwrights’ Newsletter 7 (Spring), 62–63.
Howe, L. 2000. “My Mothers, My Uncles, Myself.” In Here First: Autobiographical Essays by Native American Writers, ed. Krupat, A. and Swann, B., 214–15. New York: The Modern Library.
Howe, L., and Gordon, R. [1993] 2008. Indian Radio Days. Alexandria, VA: Alexander Street Press.
Huhndorf, S. M. 2006. “American Indian Drama and the Politics of Performance.” In The Columbia Guide to American Indian Literatures of the United States Since 1945, ed. Cheyfitz, E., 288–318. New York: Columbia University Press.
Huntsman, J. 1980. Introduction to Geiogamah, H., New Native American Drama: Three Plays by Hanay Geiogamah, ix–xxiv. Norman: University of Oklahoma Press.
Huntsman, J. 1983. “Native American Theater.” In Ethnic Theater in the United States, ed. Schwartz Seller, M., 355–76. Westport, CT: Greenwood Press.
Huston-Findley, S. A., and Howard, R., eds. 2008. Footpaths and Bridges: Voices from the Native American Women Playwrights Archive. Ann Arbor: University of Michigan Press.
Jenkins, L. W. 1975. “The Performances of the Native Americans as American Theater: Reconaissance and Recommendations.” Unpublished dissertation, University of Minnesota.
Johnson, F. 2013. Salt Baby. Winnipeg: Scirocco Drama.
Kane, M., Daniels, G., and Clements, M. 2001. DraMétis: Three Métis Plays. Penticton: Theytus Books.
King, B. 2006. “Wolf in Camp.” In Evening at the Warbonnet and Other Plays, 165–229. Los Angeles: UCLA American Indian Studies Center.
Loring, K. 2009. Where the Blood Mixes, Toronto: Talonbooks.
Mojica, M. 1991. “In the Mother Tongue: Issues of Language and Voice. Excerpts from a Conversation with Bill Merasty.” Canadian Theatre Review 68 (Fall): 39–42.
Mojica, M., and Knowles, R., eds. 2003. Staging Coyote’s Dream: An Anthology of First Nations Drama in English. Toronto: Playwrights Union of Canada Press.
Mojica, M., and Knowles, R. eds. 2009. Staging Coyote’s Dream. Vol. II. Toronto: Playwrights of Canada Press.
Morgan, W. 1992. “The Trickster and Native Theatre: An Interview with Tomson Highway.” In Aboriginal Voices: Amerindian, Inuit, and Sami Theatre, ed. Brask, P. and Morgan, W., 130–38. Baltimore: Johns Hopkins University Press.
Moses, D. D. 1991. Almighty Voice and His Wife. Playwrights Canada Press.
Murray, M. [2008] 2018. A Very Polite Genocide. In Indian Act: Residential School Plays, ed. Bernard, Donna-Michelle St.. Toronto: Playwrights Canada Press.
Nolan, Y. 2006. Annie Mae’s Movement. Toronto: Playwrights Canada Press.
Nolan, Y. 2015. Medicine Shows: Indigenous Performance Culture. Toronto: Playwrights Canada Press.
Pettit, A. 2014. “Published Native American Drama, 1970–2011.” In The Oxford Handbook of Indigenous American Literature, ed. Cox, J. and Justice, D. H., 266–83. New York: Oxford.
Phillips, R. 2001. “Performing the Native Woman: Primitivism and Mimicry in Early Twentieth-Century Visual Culture.” In Antimodernism and Artistic Experience: Policing the Boundaries of Modernity, ed. Jessup, L., 26–49. Toronto: University of Toronto Press.
Rabillard, S. 1993. “Absorption, Elimination, and the Hybrid: Some Impure Questions of Gender and Culture in the Trickster Drama of Tomson Highway.” Essays in Theatre / Études Théâtrales 12, 1: 3–27.
Smith, S. H. 1997. American Drama: The Bastard Art. New York: Cambridge University Press.
Spiderwoman Theater. 2009. “Persistence of Memory.” In Performing Worlds into Being: Native American Women’s Theater, ed. Armstrong, A. E., Johnson, K. L., and Wortman, W. A., 42–56. Oxford, OH: Miami University Press.
Stanlake, C. 2001. “Native American Theatre.” In Introducing Theatre, ed. Reilly, J. H. and Phillips, M. S., 74–75. 9th edn. New York: Alliance Press.
Stanlake, C. 2009. Native American Drama: A Critical Perspective. Cambridge: Cambridge University Press.
Taylor, D. H. 1990. Toronto at Dreamer’s Rock and Education is Our Right: Two One-Act Plays. Markham, ON: Fifth House Press.
Taylor, D. H. 1996. “The Re-Appearance of the Trickster: Native Theatre in Canada.” In On-Stage and Off-Stage: English Canadian Drama in Discourse, ed. Glaap, A. and Althof, R., 51–59. St. John’s, NF: Breakwater Books.
Taylor, D. H. 2007. The Berlin Blues. Vancouver, CA: Talon.
Taylor, D. H. 2010. Dead White Writer on the Floor. Toronto: Talonbooks.
Valentino, G. 2013. “Theater Renaissance: Resituating the Place of Drama in the Native American Renaissance.” In The Native American Renaissance: Literary Imagination and Achievement, ed. Velie, A. R. and Lee, A. R., 295–306. Norman: University of Oklahoma Press.
Vizenor, G. 1995. Ishi and the Wood Ducks. In Native American Literature: A Brief Introduction and Anthology, 299–336. Berkeley: University of California, Harper Collins College Publishers.
Vizenor, G. 1998. Fugitive Poses: Native American Indian Scenes of Absence and Presence. Lincoln: University of Nebraska Press.
Vizenor, G. 2009. Native Liberty: Natural Reason and Cultural Survivance. Lincoln: University of Nebraska Press.
Vizenor, G. 2015. “Literary Transmotion: Survivance and Totemic Motion in Native American Indian Art and Literature.” In Twenty-First Century Perspectives on Indigenous Studies: Native North America in (Trans)Motion, ed. Däwes, B., Fitz, K., and Meyer, S., 17–30. New York: Routledge.
Wilmer, S. E., ed. 2009. Native American Performance and Representation. Tucson: University of Arizona Press.
Yellow Robe, W. S. Jr. 1986. The Independence of Eddie Rose. N.p.: C. G. Theater.