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Reappraisal of Wirnt von Gravenberg's Wigalois, showing how it confronts and takes issue with - rather than simply imitating - earlier German Arthurian romance.
Peter Field, Professor of English at the University of Wales, Bangor, is a distinguished Arthurian scholar (and vice-president of the International Arthurian Society) whose work has focused particularly on Malory's 'Morte Darthur'. This special interest is reflected by the contributors to this volume, but a wide variety of other Arthurian and associated material is also covered in the twenty-seven studies. The chapters range over the whole field of Arthurian vernacular texts and include new studies of early French and German texts as well as an analysis of the impact of Arthurian materials on Galician-Portuguese poetry. Many provide new insights into Malory's text and sources, and these culminate in reflections on Malory's impact on one later American reader, Mark Twain. Collectively the chapters on Malory substantiate a the claim that Malory is a keen and critical reader of his source texts, and that he is a powerful stylist. Contributors BRIAN ALLEN, ELIZABETH ARCHIBALD, FANNI BOGDANOW, DEREK S. BREWER, GEOFFREY BROMILEY, HELEN COOPER, JANET M, COWEN, ROSALIND FIELD, LINDA GOWANS, DOUGLAS GRAY, PHILLIPA HARDMAN, AMELIA HUTCHINSON, EDWARD D. KENNEDY, ELSPETH M. KENNEDY, NORRIS J. LACY, MARGARET LOCHERBIE-CAMERON, ROGER MIDDLETON, DAVID MILLS, MALDWYN MILLS, YUJI NAKAO, SHUNICHI NOGUCHI, RALPH NORRIS, AD PUTTER, RALUCA RADULESCU, FRANCOISE LE SAUX, JANE TAYLOR, NEIL E. THOMAS, KEVIN S. WHETTER, ANDREA WILLIAMS.
A single, consistent and accessible narrative of the Grail story, constructed from the principal motifs and narrative strands of all the original Grail romances.
Wolfram's Parzival continues to inspire and influence, in modern times works as diverse as Wagner's Parsifal and Lohengrin, Franz Kafka's The Castle, Terry Gilliam's film The Fisher King, and Umberto Eco's Baudolino.
Arthur and the grail stories appeared in this French prose cycle together for the first time; scholars explore its social, historical, literary and manuscript contexts and account for its enduring interest.
It is hard to overstate the importance of this trilogy of prose romances in the development of the legend of the Holy Grail and in the evolution of Arthurian literature as a whole. They give a crucial new impetus to the story of the Grail by establishing a provenance for the sacred vessel - and for the Round Table itself - in the Biblical past; and through the controlling figure of Merlin they link the story of Joseph of Arimathea with the mythical British history of Vortigern and Utherpendragon, the birth of Arthur, and the sword in the stone, and then with the knightly adventures of Perceval's Grail quest and the betrayal and death of Arthur, creating the very first Arthurian cycle. Ambitious, original and complete in its conception, this trilogy - translated here for the first time - is a finely paced, vigorous piece of storytelling that provides an outstanding example of the essentially oral nature of early prose. NIGEL BRYANT is head of drama at Marlborough College and he has also provided editions in English of The High Book of the Grail: A translation of the thirteenth century romance of Perlesvaus.