In its capacity as the principal city on the east coast of the Mediterranean, Antioch was an important center of both minting and coin circulation during the fourth through seventh centuries. Moreover, as the launching site for military expeditions against the Persians and, eventually, the Arabs, Antioch served as the temporary capital for emperors and other military leaders stationed there and as a distribution point for soldiers’ salaries and other monetary activities.

Chapter 2 places Hieron’s kingship in conversation with the Hellenistic monarchies of the eastern Mediterranean and goes on to explore the qualities of his rule that set Hieron’s basileia ahead of its time – as, for example, in his diplomatic dealings with Rome.

In the opening lines of the twenty-third book of his universal history, Diodorus Siculus praises his native Sicily as “the fairest of all islands, since it can contribute greatly to the growth of an empire.”1 Sitting at the intersection of prevailing maritime routes, the island served as a natural landing for ships plying their way between the Mediterranean’s Eastern and Western Basins. Its broad coastal plains supported large urban centers and entrepôts that opened onto the Tyrrhenian Sea to the north, the Ionian Sea to the east, and the vast Libyan Sea to the south and west, inviting contacts from the Italian Peninsula, the Greek mainland, and North Africa. Indeed, located at the heart of the Mediterranean basin, Sicily has occupied an equally central place in the geopolitics of the region across much of the last three millennia.

Chapter 7 examines the ways in which coinage was employed by Hieron to bolster his rule. The chapter begins with an introductory survey of the coins struck by the royal mint over the course of Hieron’s reign. It then addresses how variations in the style and types of coins struck at different points in his reign elucidate how Hieron employed coinage to promote an ideology of legitimate kingship and the orderly succession of power.

Chapter 8 considers how the consolidation of royal authority impacted the agricultural and economic landscapes of southeastern Sicily, paying particular attention to the ways in which the tithe administration may have fostered trade and economic prosperity for the cities of the kingdom.

This chapter presents a new estimate of the value of coinage in circulation in the mid-second century CE Roman empire. More than 25 years ago, Richard Duncan-Jones revolutionized ancient economic history by offering a first projection through numismatic and statistical methods. At more than 20 bn sesterces, his estimate implied an anomalously high monetization ratio given past and current estimates of Roman GDP, an issue that economic historians have had to deal with ever since. In the first half, a review of the numismatic evidence points to a much smaller role for gold than posited by Duncan-Jones. The second half presents a new model of the money supply. It uses Monte Carlo simulation to estimate the value of centrally-minted precious metal coins produced annually under Hadrian, and then the total coinage in circulation ca 160 CE. Allowance for various uncertainties and other, minor components of the coinage suggests a money supply of around 16 bn sesterces, with less gold and more silver than expected. However, this is not quite low enough to explain away the monetization ratio, implying a higher GDP and more trade-oriented economy than currently thought. Two appendices contain lengthy but essential technical discussions of the assumptions in the estimate.

The small size of old coins and medals attracted the attention of collectors as well as antiquaries throughout the long eighteenth century. Whereas the metallic substance of numismatic objects often provoked narratives of moral decline and decay, the objects’ smallness proved to be a means of reinvigorating the influence they may have exerted on the Enlightenment’s historical imagination. This chapter pays particular attention to the emphasis John Evelyn placed on the smallness of old coins and medals in his influential treatise, Numismata (1697). For Evelyn, the smallness of numismatic objects ensured their historical preservation and enhanced their collectability as well as their usefulness as metaphors of mind, aides-mémoires, and didactic devices. Accordingly, coins’ and medals’ smallness also corresponded to the power they had to circulate and accumulate. The kinds of scale produced by the vast quantities of small numismatic objects that had amassed throughout history stands as a refrain throughout Evelyn’s Numismata, which transforms numismatic objects’ smallness and innumerability into long and far-reaching logics of association.

This chapter examines the networks within which ancient Greek coins were produced and circulated from the perspective of formal network analysis, a methodological tool that is becoming increasingly widespread within ancient studies. In particular this chapter considers the problems of the object biographies as they pertain to networks, the agents involved in various networks, the process of network evolution and devolution, and network scale.

The chapter collects the numismatic evidence for the destruction and survival of cities in Macedonia and Aegean Thrace in the Classical and Hellenistic periods.

This chapter explores the visual sources for violence and warfare created over the millennium from 500 to 1500 in the lands where Islam became a major presence. It divides the copious evidence into three chronological blocks (early, middle and late) to highlight the different visual sources that predominate in each period (architectural decoration, portable objects and illustrated manuscripts). The many scenes of violence depicted on these buildings and objects reflect the unsettled times and places where they were made and the constant occurrence of battles and warfare, some of it with sophisticated weaponry. But these vignettes of warfare and fighting also reflect a more positive view of violence, designed to invoke the prowess and heroism of the object’s owner. This triumphal theme extends to nature and the animal kingdom, as man dominates and tames the often-inhospitable landscape and the wild beasts in it. Many incidents also allude to the legendary and literary past, particularly in Iran, and metaphorically tie the object’s owner (and the viewer) to epic heroes. These many scenes of violence are thus multivalent and require decoding.