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When the train carrying Quentin Compson home from Cambridge, Massachusetts to Jefferson, Mississippi comes to a halt at a road crossing in Virginia, Quentin observes out the window an elderly Black man astride “a mule in the middle of the stiff ruts, waiting for the train to move.” “[M]otionless and unimpatient,” man and mule have “that quality about them of shabby and timeless patience, of static serenity,” something only thrown into relief by the train that “wound through rushing gaps and along ledges.”1Unimpatient.
William Faulkner remains one of the most important writers of the twentieth century, and Faulkner Studies offers up seemingly endless ways to engage anew questions and problems that continue to occupy literary studies into the twenty-first century, and beyond the compass of Faulkner himself. His corpus has proved particularly accommodating of a range of perspectives and methodologies that include Black studies, visual culture studies, world literatures, modernist studies, print culture studies, gender and sexuality studies, sound studies, the energy humanities, and much else. The fifteen essays collected in The New William Faulkner Studies charts these developments in Faulkner scholarship over the course of this new century and offers prospects for further interrogation of his oeuvre.