Aldous huxley's Brave New World is generally recognized as one of the two most widely discussed English fantasies of this century. The other, of course, is Orwell's 1984. The two books seem to present the two plausible alternative directions totalitarianism may take, and for several years after the publication of Orwell's book in 1949 it was common to evaluate the one against the other. 1949 was also the year of publication of Huxley's Ape and Essence, an exploration of still other possibilities of the future. It may be profitable to sidestep the question of the credibility of Huxley's fantasies as projections—which is not, fundamentally, a literary question—and to examine them first in relation to some of the techniques employed in their construction, and secondly as satires of the real worlds they reflect.