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Characterisation of age and polarity at onset in bipolar disorder
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- The British Journal of Psychiatry / Volume 219 / Issue 6 / December 2021
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- 25 August 2021, pp. 659-669
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- December 2021
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Mental health before and during the COVID-19 pandemic in two longitudinal UK population cohorts
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- The British Journal of Psychiatry / Volume 218 / Issue 6 / June 2021
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- 24 November 2020, pp. 334-343
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- June 2021
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Richard Wagner - Richard Wagner Lohengrin Klaus Florian Vogt (Lohengrin) ten., Annette Dasch (Elsa) sop., Georg Zeppenfeld (König Heinrich) bass, Jukka Rasilainen (Friedrich von Telramund) bass-bar., Petra Lang (Ortrud) mezzo-sop. Bayreuth Festival Chorus, Eberhard Friedrich, dir. Bayreuth Festival Orchestra, Andris Nelsons, cond. Hans Neuenfels, stage director. Reinhard von der Thannen, sets and costumes. Production first staged at Bayreuth in 2010 and filmed for DVD in 2011. Opus Arte 1071, 2012 (2 DVDs: 209 minutes [opera] and 26 minutes [bonus]).
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 193-195
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Mauro P. Calcagno. From Madrigal to Opera: Monteverdi’s Staging of the Self. Berkeley: University of California Press, 2012. xii + 329 pp. $60. ISBN: 978-0-520-26768-8.
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- Renaissance Quarterly / Volume 67 / Issue 3 / Fall 2014
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- 20 November 2018, pp. 1053-1054
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- Fall 2014
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Part Four - Issues
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- The Cambridge Companion to Opera Studies
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- 05 December 2012
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- 18 October 2012, pp 255-256
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The Cambridge Companion to Opera Studies
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- 05 December 2012
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- 18 October 2012
Part One - Institutions
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- The Cambridge Companion to Opera Studies
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- 05 December 2012
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- 18 October 2012, pp 23-24
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Contents
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- 18 October 2012, pp vii-vii
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Contributors
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- 18 October 2012, pp viii-x
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Frontmatter
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- 18 October 2012, pp i-vi
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Further reading
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- 05 December 2012
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- 18 October 2012, pp 325-337
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13 - ‘An exotic and irrational entertainment’: opera and our others; opera as other
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- 05 December 2012
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- 18 October 2012, pp 298-324
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Index
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- 18 October 2012, pp 338-351
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10 - The operatic work: texts, performances, receptions and repertories
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- 05 December 2012
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- 18 October 2012, pp 225-254
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3 - The operatic event: opera houses and opera audiences
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- 18 October 2012, pp 70-92
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Introduction: opera studies today
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- 18 October 2012, pp 1-22
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Part Two - Constituents
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- 18 October 2012, pp 93-94
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Acknowledgements
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- 18 October 2012, pp xi-xii
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Part Three - Forms
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- The Cambridge Companion to Opera Studies
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- 05 December 2012
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- 18 October 2012, pp 177-178
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‘First-Class Evening Entertainments’: Spectacle and Social Control in a Mid-Victorian Music Hall
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- New Theatre Quarterly / Volume 20 / Issue 1 / February 2004
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- 05 January 2004, pp. 3-18
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- February 2004
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