It is, or at least it ought to be, illuminating to discover the attitude of a worker in any of the arts toward the other media of artistic expression. It seems curious therefore that, although it has been thought worth while to investigate Shakespeare's acquaintance with the law, his interest in medicine and in flower gardening, no one has been much concerned about his knowledge of pictures. Upon Shakespeare and music some one writes an article almost once a month but upon Shakespeare and the fine arts we have little beside the brief chapters in Shakespeare's England, a page or two in Prof. J. M. Manly's article on “Shapespeare Himself,” and Mr. Sidney Colvin's discussion of “The Sack of Troy in Shakespeare's Lucrece and in Some Fifteenth Century Drawings and Tapestries.”