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2 - The Birth of an Industry: Setting the Stage for the Screen
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- John Dos Passos and Cinema
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- 19 June 2019, pp 25-36
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Part III - (1937–1970) From Page to Stage to Screens: Adapting U.S.A. and “the truth as I see it”
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- 19 June 2019, pp 157-158
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Introduction
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- 19 June 2019, pp 1-8
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8 - Filmic Narrative into Narrative Film: “politics and the silver screen”
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- 19 June 2019, pp 159-182
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Notes
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- 19 June 2019, pp 217-242
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Acknowledgments
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- 19 June 2019, pp vii-viii
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John Dos Passos and Cinema
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Conclusion
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- 19 June 2019, pp 183-194
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7 - Filming History and The Spanish Earth: “what a man and a comrade has to do in … wartimes”
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- 19 June 2019, pp 127-156
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3 - “Propaganda for peace”: Film and Narrative in One Man's Initiation: 1917 (1920), Three Soldiers (1921), and D.W. Griffith's Hearts of the World (1918)
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- 19 June 2019, pp 37-62
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6 - Film Writing: “Dreamfactory,” Metafilm, and the Politics of Form
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- 19 June 2019, pp 101-126
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Contents
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Index
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- 19 June 2019, pp 243-252
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Appendix
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- 19 June 2019, pp 195-216
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Part I - (1917–1928) From the Stage to the Screen: “Goin’ to the Movies…” in the Great War and the 1920s
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- 19 June 2019, pp 9-10
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4 - Soviet Film: Montage, the Camera Eye, and Ideology
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- 19 June 2019, pp 63-74
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Part II - (1934–1937) From Paramount Studios to the Spanish Front: Writing Hollywood, Filming History
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- 19 June 2019, pp 75-76
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1 - Experimental Drama and Soviet Constructivist Theater
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- 19 June 2019, pp 11-24
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5 - “The world's greatest center of … propaganda”: Hollywood, The Devil Is a Woman, and The Big Money
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- 19 June 2019, pp 77-100
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Frontmatter
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- 19 June 2019, pp i-iv
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