What we know today of Campanella, largely thanks to the work of Italian researchers (L. Firpo, R. Amerio, A. Corsaro, G. di Napoli, and others), is important for our understanding of the intellectual situation that arose after the decline of the Renaissance—that situation that is best perceived and expressed in Hamlet. Of course, any historico-cultural collision is unique; but the logic of its development may contain elements of repetition. In connection with Campanula's instructive spiritual experience, I shall try to touch on the somewhat broader problem that arises whenever a person who aims to change his society comes into conflict with the dominant institutional and ideological forces of that society, and yet thinks and acts within the limits set by these very forces.