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Introduction
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- Theatres of Feeling
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- 27 June 2019, pp 1-17
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Figures
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- Theatres of Feeling
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- 27 June 2019, pp viii-viii
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Chapter 2 - Dangerous Pleasures: Theatregoing in the Eighteenth Century
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- Theatres of Feeling
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- 27 June 2019, pp 41-69
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Chapter 3 - Roman Fathers and Grecian Daughters: Tragedy and the Nation
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- Theatres of Feeling
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- 27 June 2019, pp 70-101
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Afterword
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- Theatres of Feeling
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- 27 June 2019, pp 166-169
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Notes
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- Theatres of Feeling
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- 27 June 2019, pp 170-202
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Copyright page
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- Theatres of Feeling
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- 27 June 2019, pp iv-iv
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Chapter 1 - Divine Sympathy: Theatre, Connection, and Virtue
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- Theatres of Feeling
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- 27 June 2019, pp 18-40
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Chapter 5 - The Moral Muse: Comedy and Social Engineering
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- Theatres of Feeling
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- 27 June 2019, pp 137-165
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Dedication
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- Theatres of Feeling
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- 27 June 2019, pp v-vi
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Chapter 4 - Performing the West Indies: Comedy, Feeling, and British Identity
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- Theatres of Feeling
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- 27 June 2019, pp 102-136
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Index
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- Theatres of Feeling
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- 27 June 2019, pp 216-224
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Contents
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- Theatres of Feeling
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- 27 June 2019, pp vii-vii
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Acknowledgments
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- Theatres of Feeling
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- 27 June 2019, pp ix-xii
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Bibliography
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- Theatres of Feeling
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- 27 June 2019, pp 203-215
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174 - The Commodified Bard: Shakespeare, Advertising, and Market Culture
- from Part XVIII - Shakespeare and Popular Culture
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- The Cambridge Guide to the Worlds of Shakespeare
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- 17 August 2019
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- 21 January 2016, pp 1305-1311
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2 - Improving Shakespeare: from the Restoration to Garrick
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- The Cambridge Companion to Shakespeare on Stage
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- 28 May 2006
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- 30 May 2002, pp 21-36
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11 - Spectacle, horror, and pathos
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- The Cambridge Companion to English Restoration Theatre
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- 28 May 2006
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- 11 May 2000, pp 174-190
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Daddy’s Girls: Shakespearian Daughters and Eighteenth-Century Ideology
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- Shakespeare Survey
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- 28 March 2007
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- 10 December 1998, pp 17-26
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