John Donne's Devotions Upon Emergent Occasions had its genesis in 1623 when Donne fell into a nearly fatal illness. In an age which held that there is literally no health in man — “only two degrees, sickness and neutrality,” as Donne wrote to Sir Henry Goodyer — sickness was widely taken as the visible sign of a sinful condition, and Donne's Devotions is no exception. Like “Good Friday, 1613,” “Batter my heart, three person'd God,” and “A Hymne to God the Father,” the Devotions reflects a soul distressed by sin and longing for the assurance of grace. Yet the Devotions is more than a series of meditations on his physical and spiritual condition; it is also a prose sequence on repentance that is aimed at a public audience. As Donne wrote to Sir Robert Ker while convalescing, “I have used this leisure to put the Meditations, had in my sickness, into some such order as may minister some holy delight.” Given Donne's public intention, both the “order” of the Devotions and its “holy delight” merit further examination.