21300 results in Amsterdam University Press
4 - The Nineteenth-Century Fonte Gaia
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- The Fonte Gaia from Renaissance to Modern Times
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- 22 November 2017, pp 163-212
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Chapter 12 - Who by Water: Variations on Matter, Figures, Memory, and Mythology
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- The Films of Bill Morrison
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- 22 November 2017, pp 187-198
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Acknowledgments
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- The Fonte Gaia from Renaissance to Modern Times
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- 22 November 2017, pp 17-18
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Abbreviations
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- The Fonte Gaia from Renaissance to Modern Times
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- 22 November 2017, pp 15-16
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Preface
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- 22 November 2017, pp 19-24
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Chapter 16 - Tributes – Pulse: A Requiem for the 20th Century: Death | Drive | Image
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- 22 November 2017, pp 241-252
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Index of Subjects
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- 22 November 2017, pp 295-298
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Already Published
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- 22 November 2017, pp 299-300
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3 - A History of Disrepair
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- 22 November 2017, pp 109-162
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Chapter 15 - The Miners’ Hymns: Acts of Resurrection
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- 22 November 2017, pp 227-240
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1 - Siena: Water and Power
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- 22 November 2017, pp 25-50
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Chapter 8 - Outerborough: Early Cinema Revisited
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- 22 November 2017, pp 137-150
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Chapter 6 - Light is Calling: Celluloid Dreams
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- 22 November 2017, pp 109-122
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Chapter 2 - The Film of Her: The Cine-Poet Laureate of Orphan Films
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- 22 November 2017, pp 51-68
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9789048529094/resource/name/9789048529094i.jpg)
The Films of Bill Morrison
- Aesthetics of the Archive
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- 22 November 2017
Appendix I - Preliminary Research on the Condition of the Fonte Gaia
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- 22 November 2017, pp 213-214
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Illustrations
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- 22 November 2017, pp 7-14
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Chapter 19 - Re-Awakenings: Bill Morrison in Conversation
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- 22 November 2017, pp 277-288
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Chapter 5 - The Mesmerist: Illustrating the Return of the Repressed
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- 22 November 2017, pp 97-108
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Chapter 13 - Every Stop on the F-Train: Beyond and within the Restless Netherworld of (Manhattan’s) Mind
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- 22 November 2017, pp 199-210
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