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Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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- 31 May 2018
Index
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- The Iberian Peninsula between 300 and 850
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- Amsterdam University Press
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- 10 December 2020
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- 31 May 2018, pp 389-396
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Frontmatter
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- Re-Assessing the Global Turn in Medieval Art History
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- 31 May 2018, pp i-iv
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Preliminary notes
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- The Iberian Peninsula between 300 and 850
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- 31 May 2018, pp 19-20
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Mobile Meanings: A Global Approach to a Dagger from Greater Syria
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- Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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- 31 May 2018, pp 149-176
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Editor’s Introduction: A World within Worlds? Reassessing the Global Turn in Medieval Art History
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- Re-Assessing the Global Turn in Medieval Art History
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List of Figures
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- The Iberian Peninsula between 300 and 850
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List of Illustrations
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- Re-Assessing the Global Turn in Medieval Art History
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- 31 May 2018, pp vii-xii
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2 - New townscapes in the late Empire
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- The Iberian Peninsula between 300 and 850
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- 31 May 2018, pp 67-100
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Global Medieval at the “End of the Silk Road,” circa 756 CE: The Shōsō-in Collection in Japan
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- Re-Assessing the Global Turn in Medieval Art History
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- 23 January 2021
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- 31 May 2018, pp 177-202
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Appendix 1 - Site reference table
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- The Iberian Peninsula between 300 and 850
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- 31 May 2018, pp 323-328
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6 - The new rural landscape
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- 31 May 2018, pp 193-228
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Abbreviations
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- The Iberian Peninsula between 300 and 850
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The Iberian Peninsula between 300 and 850
- An Archaeological Perspective
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- 10 December 2020
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- 31 May 2018
The Beryozovo Cup: A Byzantine Object at the Crossroads of TwelfthCentury Eurasia
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- Re-Assessing the Global Turn in Medieval Art History
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Preface
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- The Iberian Peninsula between 300 and 850
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Acknowledgements
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- The Iberian Peninsula between 300 and 850
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19 - Shivers, Surprise and Discomfort
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- Mysteries of Cinema
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- 22 December 2020
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- 28 May 2018, pp 311-326
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Part I - Letters of Introduction
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- Mysteries of Cinema
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- 22 December 2020
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- 28 May 2018, pp 11-12
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Contents
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- Gendered Temporalities in the Early Modern World
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- 02 February 2021
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- 28 May 2018, pp 5-6
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