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4 - Progress and Professionalism
- from Part I - Themes in Studying Women Composers
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Part IV - Women Composers circa 1880–2000
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6 - Composing for Ensemble
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12 - Dots, Squiggles, and Words
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10 - Composing for the Stage
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10 - Women, Song, and Subjectivity in the Nineteenth Century
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4 - Instruments and Invention
- from Part I - Creative Processes
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Part III - Styles, Conventions, and Issues
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8 - Composing for Voice
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Abbreviations
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19 - Beyond the Notes
- from Part IV - Building a Career
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The Cambridge Companion to Composition
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Notes on Contributors
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- 03 May 2024
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Chronology
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- 03 May 2024
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Note on The Collected Works
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Guide to Further Reading
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Chapter 3 - Kelmscott Manor
- from Part I - Senses of Place
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Part III - The Practical Arts
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Chapter 12 - Morris & Company
- from Part III - The Practical Arts
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Chapter 20 - Morris and Marxism
- from Part V - Influences and Legacies
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