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9 - O'Neill's America: the strange interlude between the wars
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- 24 September 1998, pp 135-147
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15 - Shaw and the popular context
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- 24 September 1998, pp 309-333
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12 - The later Shaw
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- 24 September 1998, pp 240-258
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11 - Shaw's interstices of empire
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- 24 September 1998, pp 218-239
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Frontmatter
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9 - The roads to Heartbreak House
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- 24 September 1998, pp 180-194
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The Cambridge Companion to George Bernard Shaw
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3 - New theatres for old
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- 24 September 1998, pp 55-75
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10 - O'Neill's African and Irish-Americans: stereotypes or “faithful realism”?
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- 24 September 1998, pp 148-163
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Part 3 - Theatre work and influence
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14 - “Please remember, this is Italian opera”
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- 24 September 1998, pp 283-308
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8 - O'Neill on screen
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- 24 September 1998, pp 116-134
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Index
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5 - Shaw's early plays
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- 24 September 1998, pp 103-123
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12 - "A tale of possessors self-dispossessed"
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- 24 September 1998, pp 178-191
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Part 2 - Shaw the dramatist
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4 - New Women, new plays, and Shaw in the 1890s
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- 24 September 1998, pp 76-100
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1 - Shaw's life
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7 - Structure and philosophy in Man and Superman and Major Barbara
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- 24 September 1998, pp 144-161
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3 - O'Neill and the theatre of his time
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- 24 September 1998, pp 33-50
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