Skip to main content Accessibility help
×
Hostname: page-component-76dd75c94c-h9cmj Total loading time: 0 Render date: 2024-04-30T07:30:47.318Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  13 August 2019

Trevor R. Griffiths
Affiliation:
University of North London
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Promptbooks and Related Material

Full bibliographical accounts of promptbooks up to 1960 are given in Shattuck, Charles H., The Shakespeare Promptbooks, Urbana, Ill., 1965, and ‘The Shakespeare Promptbooks: first supplement’, TN, 24, 1969, pp. 5–17.

Alexander, Bill. Promptbook, now in the SCL.Google Scholar
Atkins, Robert. Promptbook, now in the SCL.Google Scholar
Barker, Harley Granville. Promptbook, now in the HTC.Google Scholar
Benson, F. R. Promptbook, now in the SCL.Google Scholar
Benthall, Michael. 1949 promptbook, now in the SCL.Google Scholar
Bridges Adams, W. Promptbook, now in the SCL.Google Scholar
Brook, Peter. Promptbooks, now in the SCL.Google Scholar
Bunn, Alfred. 1833 promptbook, now at the University of Michigan.Google Scholar
Caird, John. Promptbook, now in the SCL.Google Scholar
Daniels, Ron. Promptbook, now in the SCL.Google Scholar
Daly, Augustin. Promptbooks, now in the FSL.Google Scholar
Devine, George. Promptbook, now in the SCL.Google Scholar
Garrick, David, and George Colman. 1763 promptbook and related notes, now in the FSL.Google Scholar
Garrick, David, and Colman, George. A Fairy Tale, 1777 promptbook, now in the FSL.Google Scholar
Hall, Peter. Promptbooks, now in the SCL.Google Scholar
Holloway, Baliol. Promptbook, now in the SCL.Google Scholar
Iden Payne, Ben. Promptbook, now in the SCL.Google Scholar
Kean, Charles. Promptbooks and related documents, now in the FSL and the HTC.Google Scholar
Leigh, Andrew. Promptbook, now in the SCL.Google Scholar
Martin Browne, E. Promptbook, now in the SCL.Google Scholar
Phelps, Samuel. Promptbook, now in the FSL.Google Scholar
Reynolds, Frederic. Preparation copy of 1763 Dream, now in the FSL.Google Scholar
Reynolds, Frederic. 1816 promptbook, now in the FSL.Google Scholar
Tree, Herbert Beerbohm. Promptbooks and related papers, now at Bristol University and in the FSL.Google Scholar

Editions of A Midsummer Night’s Dream and Related Works

(Place of publication is London unless otherwise indicated)

Bowdler, Thomas, ed. The Family Shakspeare, 6th edn, London, 1831.Google Scholar
Browne, H. B., ed. A Midsummer Night’s Dream, 1922.Google Scholar
The Fairies. An Opera, 1755.Google Scholar
The Fairy Queen: an Opera, 1692.Google Scholar
A Fairy Tale. In Two Acts. Taken from Shakespeare, 1763.Google Scholar
Guthrie, Tyrone, intro. A Midsummer Night’s Dream, 1954.Google Scholar
Johnson, Charles. Love in a Forest, 1723.Google Scholar
Lampe, J. F. Pyramus and Thisbe: A Mock Opera, 1745.Google Scholar
Leveridge, Richard. The Comic Masque of Pyramus and Thisbe, 1716.Google Scholar
The Merry Conceited Humours of Bottom the Weaver, 1661.Google Scholar
A Midsummer Night’s Dream. Written by Shakespeare: with Alterations and Additions and Several New Songs, 1763.Google Scholar
A Midsummer Night’s Dream. A Comedy by Shakespeare, Bell, ’s edn, 1764.Google Scholar
A Midsummer Night’s Dream. Written by Shakespeare: with Alterations, Additions and New Songs; as it is performed at the Theatre-Royal, Covent Garden, 1816. [adapted by Frederic Reynolds]Google Scholar
A Midsummer Night’s Dream: A Comedy in Five Acts, by William Shakspere. As revived at … Covent Garden, November 16th, 1840, Pattie, ’s edn [?1840].Google Scholar
Shakespeare’s Play of A Midsummer Night’s Dream, Arranged for Representation at the Princess’s Theatre. … by Charles Kean, [?1856].Google Scholar
William Shakespeare’s Midsummer Night’s Dream, … arranged for representation by Edward Saker, Liverpool, 1880.Google Scholar
The Comedy of A Midsummer Night’s Dream written by William Shakespeare and arranged for representation at Daly’s Theatre, New York, 1888.Google Scholar
Shakespeare’s Comedy of A Midsummer Night’s Dream, with a producer’s preface by Barker, Granville, 1914.Google Scholar
Peter Brook’s Production of William Shakespeare’s A Midsummer Night’s Dream, New York, 1974.Google Scholar
Moyr Smith, J., illus. A Midsummer Night’s Dream, by William Shakespeare, 1892.Google Scholar
Quiller-Couch, A., and Wilson, J. Dover, eds. A Midsummer Night’s Dream, 1924.Google Scholar

Other Works

(Place of publication is London unless otherwise indicated)

Agate, James. Brief Chronicles, 1943.Google Scholar
Allen, Shirley. Samuel Phelps and Sadler’s Wells Theatre, Middletown, Conn., 1971.Google Scholar
Amarsinghe, U. Dryden and Pope in the Early Nineteenth Century, 1962.Google Scholar
Asche, Oscar. Oscar Asche by Himself, [1929].Google Scholar
Avery, Emmet L., et al. The London Stage, 1660–1800, Carbondale, Ill., 5 pts in 11 vols., 1960–8.Google Scholar
Atkins, Robert. An Unfinished Autobiography, ed. Rowell, George, 1994.Google Scholar
Baldwin, T. W. The Organisation and Personnel of the Shakespearean Company, Princeton, N.J., 1927.Google Scholar
Bate, Jonathan. Shakespearean Constitutions, Oxford, 1989.Google Scholar
Baynton, Henry. Letters in the author’s collection.Google Scholar
Beauman, Sally. The Royal Shakespeare Company, 1982.Google Scholar
Benson, Constance. Mainly Players, 1926.Google Scholar
Benson, F. R. My Memoirs, 1930.Google Scholar
Bloom, Harold, ed. William Shakespeare’s A Midsummer Night’s Dream’, Modern Critical Interpretations, New York, 1987.Google Scholar
Booth, Michael R. Victorian Spectacular Theatre, 1850–1910, 1981.Google Scholar
Briggs, Katharine. The Anatomy of Puck, 1959.Google Scholar
Briggs, Katharine. The Fairies in Tradition and Literature, 1967.Google Scholar
Briggs, Katharine. A Dictionary of Fairies, 1976.Google Scholar
Brown, John Russell. Free Shakespeare, 1974.Google Scholar
Byrne, M. St Clare. ‘Fifty years of Shakespearian production: 1898–1948’, SS 2, 1949, 120.Google Scholar
Calderwood, James L. A Midsummer Night’s Dream, Harvester New Critical Introductions to Shakespeare, 1992.Google Scholar
Coghill, Nevill. Letter to the author from Nevill Coghill, dated 9 September 1977.Google Scholar
Cole, J. W. The Life and Theatrical Times of Charles Kean F.S.A., 2 vols., 1859.Google Scholar
Cook, Dutton. Nights at the Play, 1883.Google Scholar
Crosse, Gordon. Fifty Years of Shakespearean Playgoing, 1940.Google Scholar
Crosse, Gordon. Shakespearean Playgoing 1890–1952. 1953.Google Scholar
Davis, Tracy C. Actresses as Working Women, 1991.Google Scholar
Dean, Basil. Seven Ages, 1970.Google Scholar
Dean, Winton. ‘Shakespeare in the opera house’, SS 18, 1965, 7593.Google Scholar
Dickins, Richard. Forty Years of Shakespeare on the English Stage [1908].Google Scholar
Dobson, Michael. The Making of the National Poet, 1992.Google Scholar
Downes, John. Roscius Anglicanus, 1708.Google Scholar
Dymkowski, Christine. Harley Granville Barker – A Preface to Modern Shakespeare, Washington, D.C., 1986.Google Scholar
Elsom, John, ed. Is Shakespeare Still Our Contemporary?, 1989.Google Scholar
Evans, G. Blakemore. Shakespearean Prompt-Books of the Seventeenth Century, Charlottesville, N.C., vol. I, pt i, 1960; vol. III, pt i, 1964.Google Scholar
Farjeon, Herbert. The Shakespearean Scene, [1949?].Google Scholar
Farquharson Sharp, R. A Short History of the English Stage, 1909.Google Scholar
Felheim, Marvin. The Theater of Augustin Daly, Cambridge, Mass., 1956.CrossRefGoogle Scholar
Fitgerald, Percy. Shakespearean Representation, 1908.Google Scholar
Fontane, Theodor. Aus England, Stuttgart, 1860.Google Scholar
Foss, George R. What the Author Meant, 1932.Google Scholar
Grady, Hugh. The Modernist Shakespeare, Oxford, 1991.Google Scholar
Granville-Barker, Harley. Prefaces to Shakespeare, vol. vi, 1974.Google Scholar
Greene, Robert. James IV, ed. Sanders, N., 1970.Google Scholar
Griffiths, Trevor R.A Midsummer Night’s Dream and The Tempest on the London stage, 1789–1914’, PhD, University of Warwick, 1974.Google Scholar
Griffiths, Trevor R.A neglected pioneer production: Madame Vestris’ A Midsummer Night’s Dream at Covent Garden, 1840’, SQ, 30, 1979, 386–96.Google Scholar
Griffiths, Trevor R.Tradition and innovation in Harley Granville Barker’s A Midsummer Night’s Dream, TN, 30, 1976, 7887.Google Scholar
Gurr, Andrew. The Shakespearean Stage, 3rd edn, 1992.Google Scholar
Guthrie, Tyrone. A Life in the Theatre, 1959.Google Scholar
Habicht, Werner, ‘How German is Shakespeare in Germany?’, SS 37, 1984, 155–62.Google Scholar
Halliday, F. E. Shakespeare and his Critics, 1949.Google Scholar
Hamburger, Maik, ‘New concepts of staging “A Midsummer Night’s Dream”’, SS, 40, 1987, 5161.Google Scholar
Hartnoll, Phyllis, ed. Shakespeare in Music, 1964.Google Scholar
Hattaway, Michael. Elizabethan Popular Theatre, 1982.Google Scholar
Hayman, Ronald. Gielgud, 1971.Google Scholar
Hoffman, D. S.Some Shakespearian music, 1660–1900’, SS 18, 1965, 94101.Google Scholar
Holland, Peter. ‘Shakespeare performances in England, 1990–1’, SS 45, 1992, 115–44.CrossRefGoogle Scholar
Holloway, Stanley. Wiv a Little Bit o’ Luck, 1967.Google Scholar
Hughes, Alan. ‘The Lyceum staff: a Victorian theatrical organisation’, TN, 27, 1974, 1117.Google Scholar
Jacobs, Margaret, and Warren, John, eds. Max Reinhardt: the Oxford Symposium, Oxford, 1986.Google Scholar
Jonson, Ben. Oberon, in vol. vii of Herford, C. H., , P. and Simpson, E., eds., Ben Jonson, Oxford, 1941.Google Scholar
Jorgens, Jack J. Shakespeare on Film, Bloomington, Ind, 1977.Google Scholar
Jorgens, Jack J. ‘Studies in the criticism and stage history of A Midsummer Night’s Dream’, PhD, New York University, 1970.Google Scholar
Kennedy, Denis. Granville Barker and the Dream of Theatre, 1985.Google Scholar
Kott, Jan. Shakespeare Our Contemporary, 1965.Google Scholar
Kott, Jan. ‘Bottom and the boys’, New Theatre Quarterly, 36, November 1993, 307–15.Google Scholar
Latham, M. W. The Elizabethan Fairies, New York, 1930.Google Scholar
Lee, Sidney. Shakespeare and the Modern Stage, 1906.Google Scholar
Leiter, Samuel L., ed. Shakespeare Around the Globe, New York, 1986.Google Scholar
Lloyds, Frederick. Practical Guide to Scene Painting, [1875?].Google Scholar
Lyly, John. Endymion in The Complete Works of John Lyly, ed. Bond, R. W., 3 vols., Oxford, 1902.Google Scholar
Maas, Jeremy. Victorian Painters, 1969.Google Scholar
Manvell, Roger. Shakespeare and the Film, 1971.Google Scholar
Mazer, Cary M. Shakespeare Refashioned, Ann Arbor, Mich., 1981.Google Scholar
Merchant, W. Moelwyn. ‘Classical costume in Shakespearian productions’, SS, 10, 1957, 71–6.Google Scholar
Merchant, W. Moelwyn. Shakespeare and the Artist, 1959.Google Scholar
Mullin, Michael, Theatre at Stratford-upon-Avon, 2 vols., 1980.Google Scholar
Munro, J. The Shakspere Allusion Book, 2 vols., 1932.Google Scholar
Odell, G. C. Shakespeare from Betterton to Irving, 2 vols., New York, 1920.Google Scholar
Odell, G. C.A Midsummer Night’s Dream on the New York stage’, in Matthews, Brander and Thorndike, A. H., eds., Shaksperian Studies, New York, 1916, pp. 127–9.Google Scholar
Orgel, Stephen, and Strong, Roy. Inigo Jones: The Theatre of the Stuart Court, 2 vols., Berkeley, Calif., 1973.Google Scholar
Pearson, Hesketh, Beerbohm Tree, 1956.Google Scholar
Pearce, C. E. Madame Vestris and her Times, 1923.Google Scholar
Pepys, Samuel. The Diary of Samuel Pepys, ed. Latham, Robert and Matthews, William, 11 vols., 1970–82.Google Scholar
Phelps, W. May, and Forbes-Robertson, John. The Life and Life Work of Samuel Phelps, 1886.Google Scholar
Phillpotts, Beatrice. Fairy Paintings, 1978.Google Scholar
Planché, J. R. Recollections and Reflections, rev. edn, 1901.Google Scholar
Poel, William, Shakespeare in the Theatre, 1913.Google Scholar
Price, Antony W., ed. Shakespeare’s ‘A Midsummer Night’s Dream’, Casebook Series, 1983.Google Scholar
Reynolds, Frederic. The Life and Times of Frederic Reynolds, written by himself, 2 vols., 1826.Google Scholar
Ringler, W. A. JrThe number of actors in Shakespeare’s early plays’, in Bentley, G. E., ed. The Seventeenth-Century Stage, Chicago, 1968, pp. 110–34.Google Scholar
Roberts, Peter. The Old Vic Story, 1976.Google Scholar
Robinson, Henry Crabb. The London Theatre, 1811–1866, ed. Brown, Eluned, 1966.Google Scholar
Rosenfeld, Sybil. A Short History of Scene Design in Great Britain, Oxford, 1973.Google Scholar
Rothwell, Kenneth S., and Melzer, Annabelle Henkin. Shakespeare on Screen, 1990.Google Scholar
Rowell, George, ed. Victorian Dramatic Criticism, 1971.Google Scholar
Savage, Roger. ‘The Shakespeare–Purcell Fairy Queen’, Early Music, October 1973, 201–21.Google Scholar
Selbourne, David. The Making of A Midsummer Night’s Dream, 1982.Google Scholar
Scouten, Arthur H.The increase of popularity in Shakespeare’s plays in the eighteenth century’, SQ, 7, 1956, 189202.CrossRefGoogle Scholar
Shakespeare, William. The Merry Wives of Windsor, ed. Oliver, H. J., 1971.Google Scholar
Shaw, George Bernard. Shaw on Shakespeare, ed. Wilson, Edwin, 1962.Google Scholar
Shaw, George Bernard. Our Theatre in the Nineties, 3 vols., 1932.Google Scholar
Shrimpton, Nicholas. ‘Shakespeare performances in London, Manchester, and Stratford-upon-Avon, 1985–6’, SS 40, 1987, 169–83.Google Scholar
Shrimpton, Nicholas. ‘Shakespeare performances in Stratford-upon-Avon and London, 1982–3’, SS 37, 1984, 169–83.Google Scholar
Speaight, Robert. William Poel and the Elizabethan Revival, 1954.Google Scholar
Speaight, Robert. Shakespeare on the Stage, 1973.Google Scholar
Sprague, A. C., and Trewin, J. C.. Shakespeare’s Plays Today, 1970.Google Scholar
Stone, G. W Jr.A Midsummer Night’s Dream in the hands of Garrick and Colman’, PMLA 14, 1939, 467–82.Google Scholar
Styan, J. L. The Shakespeare Revolution, 1977.Google Scholar
Thomas, Keith. Religion and the Decline of Magic, 1971.Google Scholar
Thomson, Peter. Shakespeare’s Theatre, 1983.Google Scholar
Tree, Herbert Beerbohm. Thoughts and After-Thoughts, 1913.Google Scholar
Trewin, J. C., Benson and the Bensonians, 1960.Google Scholar
Trewin, J. C. Shakespeare on the English Stage, 1900–1964, 1964.Google Scholar
Warren, Roger. ‘Interpretations of Shakespearian comedy, 1981’-SS 35, 1982, 141–52.Google Scholar
Wearing, J. P. The London Stage, 1890–, Metuchen, N.J., 1976 etc. (in progress).Google Scholar
Westrup, J. A. Purcell, 1937.Google Scholar
White, G. W.Early theatrical performances of Purcell’s operas’, TN, 13, 1958, 4365.Google Scholar
Williams, Gary J.“The concord of this discord”: music in the stage history of A Midsummer Night’s Dream’, Yale/Theatre, iv, 1973, pp. 4060.Google Scholar
Williams, Gary J.Madame Vestris’ A Midsummer Night’s Dream and the web of Victorian tradition’, Theatre Survey, 18, 1977, 122.CrossRefGoogle Scholar
Williams, Gary J.A Midsummer Night’s Dream: the English and American popular traditions and Harley Granville Barker’s “world arbitrarily made”’, Theatre Studies, 23, 1976/7.Google Scholar
Williams, E. Harcourt. Old Vic Saga, 1949.Google Scholar
Williams, E. Harcourt. Four Years at the Old Vic, 1935.Google Scholar
Williams, Simon. Shakespeare on the German Stage 1586–1914, Cambridge, 1990.Google Scholar
Winter, William. Old Shrines and Ivy, New York, 1892.Google Scholar
Wolfit, Donald. First Interval, 1954.Google Scholar
Young, David P. Something of Great Constancy, 1966.Google Scholar
Zimmerman, Franklin. Henry Purcell, 1963.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×