James Miller writes for Clive – the first Kitty persona – the ‘rankest Poisons’ of Oxford College Fellows – the death of Anne Oldfield – ballad opera at Drury Lane falters – Clive conjures triumph out of The Devil to Pay – Nell and Clive are one

How to escape managerial control, and how to shed Fenton's mantle: these were interlinked challenges facing Clive as the 1730–31 season opened. Help came unexpectedly from Drury Lane's principal actress, Anne Oldfield. A bold Oxford student named James Miller had written an Oldfield vehicle, The Humours of Oxford (1730), a spoken comedy which included a part for Clive as ‘Kitty’ the inn-keeper's daughter, who also sings an air. Colley Cibber was said to ‘choak’ novice playwrights like Miller, but Oldfield apparently demanded that Drury Lane mount The Humours of Oxford. ‘Kitty’ was Clive's first in propria persona role – that is, a part designed to represent Clive herself – and her first scheming servant role; both kinds of part would prove essential to her later progression.

‘Kitty’ was also the first role to pair her with Theophilus Cibber, and as such was the start of a stage partnership whose mutual abusiveness audiences would come to adore. One critic wrote that Theophilus seemed to have inherited his father's odd appeal: ‘Of all the Comedians … no one has taken a kicking with so much Humour as our present most excellent Laureat [Colley Cibber], and I am inform'd his Son does not fall much short.’ Miller's comedy gave Clive her first chance to kick the younger Cibber – who kicked her back – on behalf of a public which loved to loathe him.

Clive herself created a second breakthrough that season. Performing in The Devil to Pay, a new summer production, she turned the drab cobbler's wife Nell into a plucky sentimental heroine. In response to Town applause the playbook was swiftly cut down to focus on Clive, with enduring impact on theatrical trends in London and across Europe.