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Appendix: Recordings List

Published online by Cambridge University Press:  17 October 2019

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Summary

Only some of the elegies discussed in this volume are available as commercial recordings. The following are recommended for listening when reading. Items with an asterisk are available through the Naxos Music Library.

CHAPTER 2

William Byrd, “Come to Me Grief “

*Michael Chance, Fretwork, Armada: Music from the Courts of England and Spain (Virgin Classics, 2000)

William Byrd, “O That Most Rare Breast”

*Consort of Musicke, Anthony Rooley, dir., William Byrd: Psalmes, Sonets and Songs (Decca, 2003; original release Éditions de l'Oiseau-Lyre, 1981)

William Byrd, “Why Do I Use”

*I Fagiolini, Concordia, The Caged Byrd: Music for Voices, Viols & Harpsichord, from a Time of Persecution, Vol. 2 (Chandos, 1997)

CHAPTER 3

Thomas Morley, “Hark, Alleluia”

*Tallis Scholars, English Madrigals (Gimell, 2007; original release 1982) Thomas Weelkes, “Noel, Adieu Thou Court's Delight”

*Consort of Musicke, Anthony Rooley, dir., Thomas Weelkes: Anthems and Madrigals (Alto, 2013; original release 1999)

Martin Peerson, “Where Shall a Sorrow/Dead Noble Brooke”

I Fagiolini, Fretwork, A Treatie of Humane Love: Mottects or Grave Chamber Musique (1630) (Regent, 2016)

CHAPTER 4

Thomas Weelkes, “Cease Now Delight”

*Consort of Musicke, Anthony Rooley, dir., Thomas Weelkes: Anthems and Madrigals (Alto, 2013; original release 1999)

Richard Carlton, “Sound Saddest Notes” *Oxford Camerata, Jeremy Summerly, dir., English Madrigals and Songs from Henry VIII to the 20th Century (Naxos, 2005; original release 1996)

John Coprario, Funeral Teares

*Emma Kirkby, The Consort of Musicke, Anthony Rooley, dir., Coprario: Funeral Teares/Consort Music (Eloquence, 2011; original release Éditions de l'Oiseau-Lyre, 1979)

CHAPTER 5

Elegies for Prince Henry:

*Elizabeth Kenny and Gallicantus, Gabriel Crouch, dir., Dialogues of Sorrow: Passions on the Death of Prince Henry (1612) (Signum Classics, 2010)

Includes:

John Ward, “Weep Forth Your Tears”

John Ward, “No Object Dearer”

Thomas Ford, “’Tis Now Dead Night”

William Cranford, “Weep, Britons, Weep”

Thomas Vautor, “Melpomene, Bewail Thy Sister's Loss”

Robert Ramsey, “What Tears, Dear Prince”

John Coprario, Songs of Mourning (selections)

Thomas Campion, “All Looks Be Pale”

*Michael Chance, Nigel North, English Ayres (Linn Records, 2000) John Coprario, Songs of Mourning

*The Consort of Musicke, Anthony Rooley, dir., Songs of Mourning/ Consort Music (Decca, 2011; original release 1977)

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With Mornefull Musique: Funeral Elegies in Early Modern England
Funeral Elegies in Early Modern England
, pp. 237 - 239
Publisher: Boydell & Brewer
Print publication year: 2018

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  • Appendix: Recordings List
  • K. Dawn Grapes
  • Book: With Mornefull Musique: Funeral Elegies in Early Modern England
  • Online publication: 17 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443242.012
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  • Appendix: Recordings List
  • K. Dawn Grapes
  • Book: With Mornefull Musique: Funeral Elegies in Early Modern England
  • Online publication: 17 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443242.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Appendix: Recordings List
  • K. Dawn Grapes
  • Book: With Mornefull Musique: Funeral Elegies in Early Modern England
  • Online publication: 17 October 2019
  • Chapter DOI: https://doi.org/10.1017/9781787443242.012
Available formats
×