Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-06-17T17:42:25.408Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  27 March 2019

Get access

Summary

Rock ‘n’ roll music first featured prominently in British newspaper headlines in the late summer of 1956, when it was reported that juvenile ‘riots’ were occurring in London cinemas during screenings of Rock Around the Clock, a film- vehicle for American singer Bill Haley. According to one publication, in a cinema located in Paddington, ‘in- the- groove teenagers’ leapt out of their seats to dance to Haley's infectious rock ‘n’ roll music, while a youth allegedly assaulted the manager of the premises as he attempted to restore order. Meanwhile, in Dagenham, a ‘very large crowd […] creat[ed] a considerable disturbance’ in the streets following ejection from a screening of the film. As the surrounding crowd ‘rant[ed] and rav[ed]’, two young men defied police orders to leave the scene, and were eventually arrested, while, elsewhere in the capital, ‘about 120 youths’ began ‘shouting, whistling, and jumping over flower beds’ following their removal from another screening. The disturbances gradually spread beyond the Greater London area. At a cinema in Burnley, Lancashire, ‘[e] xcited young people did £150 worth of damage’, the Manchester Guardian reported; the manager tried, in vain, to restore order to his premises by temporarily halting the film screening. By the end of the evening, ‘[s]eats had been broken and torn, lamp bulbs had been […] smashed against the wall, and fire hoses turned on’. Troubles were reported in various locations, from Bootle to Welling; meanwhile, ‘youths and girls’ who jived in the aisles of the Davis Theatre, Croydon, during screenings of the film were summarily ‘ejected’ from the premises; ‘fighting’ subsequently began outside the cinema, and two youths were arrested. As the incidents became increasingly national phenomena, the press listed locations – including Blackburn, Preston, Brighton and Gateshead – in which local Watch Committees had pre- empted trouble by banning the film altogether. In South London, meanwhile, Sunday night screenings of the film were cancelled by the Gaumont cinema- chain, as ‘Sunday riots’ caused by ‘rhythm- crazy youths’ had erupted in the city during the previous week. The Rank organization similarly limited showings of the film in areas of the capital where, according to the Daily Telegraph, ‘ “the Teddy Boy” influence is strong’. Nevertheless, such measures did not eliminate reportage of further disturbances.

Type
Chapter
Information
Publisher: Anthem Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×