Book contents
- Frontmatter
- Contents
- Acknowledgements
- Notes on Contributors
- Introduction
- ‘Thirteen or Fourteen’: Paul Muldoon's Poetics of Adolescence
- Never Quite Showing his Hand: Robert Frost and Paul Muldoon
- For Father Read Mother: Muldoon's Antecedents
- Pax Hibernica/Pax Americana: Rhyme and Reconciliation in Muldoon
- Muldoon and Pragmatism
- ‘All That’: Muldoon and the Vanity of Interpretation
- Paul Muldoon's Transits: Muddling Through after Madoc
- ‘All Art is a Collaboration’: Paul Muldoon as Librettist
- Muldoon's Remains
- Index
Contents
- Frontmatter
- Contents
- Acknowledgements
- Notes on Contributors
- Introduction
- ‘Thirteen or Fourteen’: Paul Muldoon's Poetics of Adolescence
- Never Quite Showing his Hand: Robert Frost and Paul Muldoon
- For Father Read Mother: Muldoon's Antecedents
- Pax Hibernica/Pax Americana: Rhyme and Reconciliation in Muldoon
- Muldoon and Pragmatism
- ‘All That’: Muldoon and the Vanity of Interpretation
- Paul Muldoon's Transits: Muddling Through after Madoc
- ‘All Art is a Collaboration’: Paul Muldoon as Librettist
- Muldoon's Remains
- Index
Summary
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- Type
- Chapter
- Information
- Paul MuldoonCritical Essays, pp. vPublisher: Liverpool University PressPrint publication year: 2004