Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-05-27T15:34:15.018Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Munich

from Black German

Translated by
Get access

Summary

Back home they just shrugged their shoulders and made it clear that I should find something else to do fast, since I was old enough to be contributing to the family finances. Shortly after that the location shooting started for Carl Peters, a film about the controversial “colonial pioneer” who was named Reich Commissioner for the German protectorate German East Africa in 1891 and dishonorably removed in 1897. Of course, the screenplay turned him into a shining light of Nazi racial policy. And of course the role was played by the allpurpose shining light of German cinema, Hans Albers.

I don't know exactly how they went about recruiting the “exotics”, since Uncle Mohamed took charge of that, as he did of the negotiations about payment. There was an official employment agency for extras in the Grolmannstrasse, but the “exotics” weren't allowed in there. They met in a bar nearby. A certain Mr von W. played a role in recruiting them. I don't know whether money changed hands there or whether he was paid by the film companies. When “exotic” extras were needed, he heard about it, and when he turned up in the bar it usually meant work for black extras and bit-part players. Uncle Mohamed, Günther, Herbert and I were engaged as extras for Carl Peters. We three kids weren't dark enough for the director, and we were blacked up.

The location shoots took place south of Munich, in the Isar valley near Schäftlarn Abbey. During the filming the dressing rooms were in the former abbey brewhouse. We “exotics” stayed in a small hotel in Munich on the corner of Schwanthaler and Schillerstrasse, not far from the main station. Our stay must have been a pretty miserable time for the hotel. There was hardly space for other hotel guests, and if any came they didn't stay long. In 1940 autumn came early and there weren't many days on which we could film. The hotel was constantly buzzing like a beehive. Most of the doors to the rooms stood open, because we all knew each other and visited back and forth. The hotel management must have been glad when we moved on to Prague after three weeks.

Type
Chapter
Information
Black German
An Afro-German Life in the Twentieth Century By Theodor Michael
, pp. 66 - 69
Publisher: Liverpool University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×