Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m8s7h Total loading time: 0 Render date: 2024-07-17T14:31:41.547Z Has data issue: false hasContentIssue false

3 - Luxury: A Dialectic of Desire?

from I - CRITICAL LUXURY STUDIES

Published online by Cambridge University Press:  23 September 2017

Christopher J. Berry
Affiliation:
University of Glasgow
John Armitage
Affiliation:
Winchester School of Art, University of Southampton
Joanne Roberts
Affiliation:
Winchester School of Art, University of Southampton
Get access

Summary

I start at the beginning with a word about my title. I allude to the philosophy of Hegel. For Hegel, thought or reason has a dynamic tripartite structure: there is a posited affirmation, a negation or contradiction of that affirmation, then a negation of that negation or a reaffirmation. This reaffirmation, however, is not a return to the status quo ante but rather constitutes a preservative transcendence that is captured in Hegel's exploitation of the German term Aufhebung. I am not about to embark upon an investigation of Hegelian metaphysics but I do want to use this tripartite structure to frame this discussion. My title also ends with a question mark. It serves to signal the open-ended character of my argument, in particular whether there is a viable Aufhebung, a move beyond the second phase or Moment (in Hegel-ese).

More concretely, the three parts are as follows: Part I outlines the view that luxury as part of a moralised vocabulary was considered bad or dangerous; this view persists until about the seventeenth century. In Part II, I outline the rejection or negation of this, the process that I have labelled the ‘de-moralisation’ of luxury. In these first two parts I necessarily have to paint with a broad brush as I depict two and a half thousand years of speculation about luxury. In Part III, I examine what might be said about a ‘re-moralisation’, that is, whether there is a viable or sustainable critique of luxury in the contemporary world. My triad is thus moralisation, de-moralisation, re-moralisation (question mark). A leitmotif through this is the role played by, and assessment of, human desire.

Moralisation

Classically luxury belongs generically in a moralised vocabulary. It takes its meaning from its role as a corruption of virtue. Hence poverty, frugality, simplicity and austerity are estimable practices that exhibit the virtues of temperance and continence. To be austere is to be in control of oneself and thus of one's actions. I have in mind here the Stoic sage who will drink but not get drunk or the Patristic prohibition of sex with, or by, a pregnant woman.

Type
Chapter
Information
Critical Luxury Studies
Art, Design, Media
, pp. 47 - 66
Publisher: Edinburgh University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×