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18 - Octavio Paz: Literature, Modernity, Institutions

from PART III - TWENTIETH AND TWENTY-FIRST CENTURIES

Published online by Cambridge University Press:  05 July 2016

Maarten van Delden
Affiliation:
University of California
Ignacio M. Sänchez Prado
Affiliation:
Washington University, St Louis
Anna M. Nogar
Affiliation:
University of New Mexico
José Ramón Ruisánchez Serra
Affiliation:
University of Houston
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Summary

Introduction

The Mexican poet and essayist Octavio Paz (1914–1998) had an extraordinarily rich and varied career, spanning more than six decades. Working in the symbolist and modernist traditions, he produced some of the most enduring poetic works of the modern era in Latin America. As an essayist, he wrote incisively and elegantly on a vast array of topics, including the Mexican national character, national and international politics, the visual arts, pre-Columbian civilizations, poetic theory, modernity and postmodernity, anthropology and religion, love and eroticism, and Asian cultures. A true public intellectual, Paz engaged constantly in political debates in Mexico, and many controversies swirled around him as he gradually shifted from a leftist and prorevolutionary position in the 1930s to a liberal democratic and promarket outlook in the 1980s and 1990s. Although he was deeply influenced by the romantic tradition in Western culture, he did not in the least cultivate the image and habits of the solitary genius; on the contrary, his artistic ethos had a strong social and group-oriented dimension. As a young man, he helped launch several collective cultural ventures in Mexico, including the journals Taller and El Hijo Pródigo. In his later years, he founded and directed two journals, Plural (1971–1976) and Vuelta (1976–1998), which are widely regarded as being among the most important cultural publications ever produced in Latin America. Octavio Paz was awarded the Nobel Prize in Literature in 1990, the only Mexican author to have received the prize thus far.

Politics

Paz was the grandson of Ireneo Paz, a prominent liberal newspaper editor and novelist, and the son of Octavio Paz Solórzano, a lawyer who worked for the Mexican revolutionary Emiliano Zapata. The young poet came of age in the 1930s, a highly politicized era, and he was drawn early on to a Marxist ideology. Although his critics describe him as a neoliberal or conservative thinker, Paz's roots are on the left, and he maintained a strong attachment to socialist ideals until the very end of his life. Commentators on Paz's intellectual career have often tried to determine when he broke with the Left.

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Publisher: Cambridge University Press
Print publication year: 2016

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References

Paz, Octavio. Obras completas. Fifteen volumes. Mexico: Fondo de Cultura Económica, 1994–2003.
Paz, Octavio, and Reyes, Alfonso. Correspondencia (1939–1959). Mexico: Fondo de Cultura Económica, 1998.
Paz, Octavio, and Orfila, Arnaldo. Cartas cruzadas. Mexico: Siglo XXI, 2005.
Aguilar Mora, Jorge. La divina pareja: historia y mito en Octavio Paz. Mexico: Ediciones Era, 1978.
Blanco Aguinaga, Carlos. “El laberinto fabricado por Octavio Paz.” In De mitólogos y novelistas. Madrid: Ediciones Turner, 1971.
Boll, Tom. Octavio Paz and T.S. Eliot: Modern Poetry and the Translation of Influence. London: Legenda, 2012.
Brading, David. Octavio Paz y la poética de la historia mexicana. Mexico: Fondo de Cultura Económica, 2002.
Escalante, Evodio. Las sendas perdidas de Octavio Paz. Mexico: Ediciones Sin Nombre, 2013.
Flores, Malva. Viaje de Vuelta: estampas de una revista. Mexico: Fondo de Cultura Económica, 2011.
Gallo, Rubén. “Octavio Paz reads Moses and Monotheism.” In Octavio Paz: Humanism and Critique, edited by Kozlarek, Oliver, 65–85. London: Transaction Publishers, 2009.
González Rojo, Enrique. El rey va desnudo: los ensayos políticos de Octavio Paz. Mexico: Editorial Posada, 1989.
González Rojo, Enrique. Cuando el rey se hace cortesano: Octavio Paz y el salinismo. Mexico: Editorial Posada, 1990.
González Torres, Armando. Las guerras culturales de Octavio Paz. Mexico: Ediciones Colibrí, 2002.
Grenier, Yvon. From Art to Politics: Octavio Paz and the Pursuit of Freedom. Lanham, MD: Rowman and Littlefield, 2001.
King, John. The Role of Mexico's Plural in Latin American Literary and Political Culture: From Tlatelolco to the “Philanthropic Ogre.” New York: Palgrave MacMillan, 2007.
Kozlarek, Oliver (ed.). Octavio Paz: Humanism and Critique. London: Transaction Publishers, 2009.
Krauze, Enrique. “La soledad del laberinto.” Anuario de la fundación Octavio Paz 3 (2001): 98–112.Google Scholar
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Paz, Octavio. El laberinto de la soledad. Mexico: Fondo de Cultura Económica, 1973.
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Perales Contreras, Jaime. Octavio Paz y su círculo intelectual. Mexico: Ediciones Coayacá 2013.
Rodríguez Ledesma, Xavier. El pensamiento político de Octavio Paz: las trampas de la ideología. Mexico: Plaza y Valdés Editores, 1996.
Santí, Enrico Mario. Luz espejeante: Octavio Paz ante la crítica. Mexico: Ediciones Era, 2009.
Sheridan, Guillermo. Poeta con paisaje: ensayos sobre la vida de Octavio Paz. Mexico: Ediciones Era, 2004.
Sorensen, Diana. A Turbulent Decade Remembered: Scenes from the Latin American Sixties. Stanford: Stanford University Press, 2007.
Stanton, Anthony. Introduction. El laberinto de la soledad, by Paz, Octavio. Manchester: Manchester University Press, 2008.
Van Delden, Maarten. “The Incomplete End of Modernity of Octavio Paz.” In Gunshots at the Fiesta: Literature and Politics in Latin America, edited by van Delden, Maarten and Grenier, Yvon. Nashville: Vanderbilt University Press, 2009.
Vizcaíno, Fernando. Biografía política de Octavio Paz, o, La razón ardiente. Málaga: Algazara, 1993.
Wilson, Jason. Octavio Paz: A Study of His Poetics. Cambridge: Cambridge University Press, 1979.

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