Ever since Collier published his History of English Dramatic Poetry it has been known that under James I and Charles I attempts were made to establish an amphitheatre or arena for shows in or near London. It is curious that historians of the English stage have been content to quote the three letters printed by Collier, without seeking more light on this grandiose scheme, so characteristic of the period, first set on foot four years after Shakespeare’s death, and without studying the illuminating documents on the proposed amphitheatre first printed by ‘G.E.P.A.’ in Notes and Queries, 11th ser., x, 481, 502, December 1914.

What Collier printed was one letter (29 September 1620) from the King to the Privy Council, and two others (12 August and 18 September 1626), from Lord Coventry to Lord Conway. By the first letter, James says that three of his servants, Cotton, Williams, and Dixon, have been licensed under his signet to build an amphitheatre. Yet since certain provisions gave them too much latitude, he instructs his councillors to cancel the grant, and to have a new one drawn according to accompanying instructions. These instructions Collier did not find. The two letters from Lord Coventry, a year after the accession of Charles, showed not only that the Jacobean grant never passed the great seal, but that by the new licence Williams and Dixon (Cotton having dropped out) were to be allowed greater monopolistic power over theatrical London. As Lord Coventry notes, the first project