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1 - Idea

Published online by Cambridge University Press:  05 June 2019

David Crystal
Affiliation:
University of Wales, Bangor
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Summary

Do you know the Globe? Shakespeare's reconstructed Globe theatre, on the south bank of the Thames, nestling between London Bridge and the Tate Modern. Look at it from the river, and at first sight it seems totally out of place, with the multilaned city traffic to the left and the towering chimney of the renovated gallery to the right. But look from the south bank in the direction of St Paul's, and try to think back in time a little, and suddenly it is the twentieth-century traffic and chimney which are out of place. The Globe seems as if it might have been there for centuries.

And in a sense it was. For the first Globe was built in 1599 very close to where the current building stands. We know this because there are several printed panoramic views of London, dating from around 1600, which show the theatre among the buildings of Southwark. The original site is now largely buried under the foundations of modern apartments, 200 yards away, but what is 200 yards when you are trying to achieve a vision? And that is what the reconstructed Globe is – a vision.

The vision belonged to American actor, director, and producer Sam Wanamaker, who conceived the project after his first visit to London, as long ago as 1949. In 1970 he formed the Globe Playhouse Trust dedicated to the reconstruction of the theatre and the provision of education and exhibition facilities. A huge amount of fundraising later, the site was bought and the building completed. The Globe mounted its first production, The Two Gentlemen of Verona, in a ‘prologue season’ towards the end of summer 1996. It took place on a temporary stage, with much of the outside area still a building site. Then, in May 1997, the official opening took place, with the company performing four plays by Elizabethan dramatists, including two by Shakespeare. Sadly, Sam Wanamaker saw none of this. He had died from cancer in December 1993.

The reconstruction is as close to the original as modern scholars and traditional craftworkers can make it.

Type
Chapter
Information
Pronouncing Shakespeare
The Globe Experiment
, pp. 1 - 10
Publisher: Cambridge University Press
Print publication year: 2019

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  • Idea
  • David Crystal, University of Wales, Bangor
  • Book: Pronouncing Shakespeare
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108566759.003
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  • Idea
  • David Crystal, University of Wales, Bangor
  • Book: Pronouncing Shakespeare
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108566759.003
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Idea
  • David Crystal, University of Wales, Bangor
  • Book: Pronouncing Shakespeare
  • Online publication: 05 June 2019
  • Chapter DOI: https://doi.org/10.1017/9781108566759.003
Available formats
×