Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-nmvwc Total loading time: 0 Render date: 2024-06-16T08:03:40.133Z Has data issue: false hasContentIssue false

5 - Wood and Stone

Published online by Cambridge University Press:  18 December 2019

Ian Richard Netton
Affiliation:
University of Exeter
Get access

Summary

A Proto-miracle: the Ark of Gilgamesh and Noah

In 1850 Sir Austen Henry Layard (1817–94), famed as the scholar who discovered Nineveh and lauded as one of the founders of the study of the archaeology of the Near East, discovered a pile of cuneiform tablets in the palace of the Assyrian King Sennacherib (r. 705–681 bc) at Kouyunjik near Mosul in modern-day northern Iraq. Layard was unable to read cuneiform and also slightly unaware of the true nature of the extraordinary treasure trove which he had discovered, although he did regard them as ‘precious’, and he sent them off to the British Museum.

What he had in fact discovered in the tablets were survivors from the Royal Archival Library of Assyria, characterised as history's first proper library, which had been organised by King Ashurbanipal of Assyria (r. 668–627 bc). It was left to a scholar named George Smith to translate and bring to light from the trove of the tablets some of the great Babylonian epic which we know today as The Epic of Gilgamesh.

Professor Andrew George quotes E. A. Wallis Budge's description of Smith's palpable excitement as he began to read the Gilgamesh Deluge tablets:

He said: ‘I am the first man to read that after two thousand years of oblivion.’ Setting the tablet on the table, he jumped up and rushed about the room in a great state of excitement and, to the astonishment of those present, began to undress himself!

The reaction might have been excessive, but it was certainly forgivable since it is clear that George Smith had uncovered a work which can be ranked as one of the greatest in world literature: it is one which, with its twin themes of ‘fear of death’ and the search for immortality, couched within an archetypical narrative of a huge primordial flood, has enchanted and resonated with scholars, great poets and ordinary people alike since the first ancient record of those themes on those cuneiform tablets.

Before we proceed further, it is worth stresing here that, in this section, ‘miracle’ will be precisely defined as a direct intervention by a deity or angel in the affairs of humanity.

Type
Chapter
Information
Islam, Christianity and the Realms of the Miraculous
A Comparative Exploration
, pp. 120 - 157
Publisher: Edinburgh University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×