Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-c654p Total loading time: 0 Render date: 2024-07-26T19:30:42.713Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  05 September 2016

Qi Wang
Affiliation:
Associate Professor of Film and Media Studies at the Georgia Institute of Technology, Georgia Institute of Technology
Get access

Summary

In the summer of 1966, a young Chinese worker makes a decision that is going to change his life and that of his family. He swims down the Yangtze River, calcu-lating his strokes in such a way that he would arrive in the waters of Wuhan on 16 July. Chairman Mao, at the age of seventy-three, had his swim there that day as a famous message to the world: he was still robust and strong enough to be the leader of the state. Three weeks later, the Cultural Revolution started. However, the pious young worker arrives one day too late and misses the Great Leader. At around the same time, his wife gives birth to their son. After returning to Sichuan where he works and lives, the man lies about his experience, elevating it to an enviable tale of his meeting with Mao. He soon becomes the head of the local ‘rebel faction’ (zaofan pai) in the Cultural Revolution, which in his city deteriorates into armed fights between factions that all claim to be Mao's devoted followers and guards. Bullets fly, weapons strike and limbs thrash about, killing and injuring many. The man becomes increasingly violent at home as well, submitting his wife and son to frequent abuse. The young boy grows up with accumulating hatred and pain.

Such is the background of Born in 1966 (Shengyu 1966), an unrealised screenplay by the film critic Cheng Qingsong (b. 1968), who edited My Camera Doesn't Lie (Wo de sheyingji bu sahuang) – a quintessential dossier of Sixth Generation filmmakers of China. In my interview with him in November 2005, Cheng spoke in particular about the ending of the story. The son, also the first-person narrator, finds himself aboard a ship on the Yangtze River. The year is again 1966, but the narrator is at the same age as his father when he made his fateful swim. The ship is about to depart. A young man yells from the bank, ‘Wait, please wait!’ The narrator, recognising the man as his father, helps him to get onboard. Unaware who the helper really is, the young father offers him a cigarette. ‘Are you going to Wuhan?’ asks the narrator.

Type
Chapter
Information
Publisher: Edinburgh University Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Introduction
  • Qi Wang, Associate Professor of Film and Media Studies at the Georgia Institute of Technology, Georgia Institute of Technology
  • Book: Memory, Subjectivity and Independent Chinese Cinema
  • Online publication: 05 September 2016
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Introduction
  • Qi Wang, Associate Professor of Film and Media Studies at the Georgia Institute of Technology, Georgia Institute of Technology
  • Book: Memory, Subjectivity and Independent Chinese Cinema
  • Online publication: 05 September 2016
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Introduction
  • Qi Wang, Associate Professor of Film and Media Studies at the Georgia Institute of Technology, Georgia Institute of Technology
  • Book: Memory, Subjectivity and Independent Chinese Cinema
  • Online publication: 05 September 2016
Available formats
×