Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of Illustrations
- Traditions in World Cinema
- 1 Introduction: From Immigrant Cinema to National Cinema
- 2 The (Maghrebi-)French Connection: Diaspora goes Mainstream
- 3 Colonial Fracture and the Counter-Heritage Film
- 4 Of Spaces and Difference in the Films of Abdellatif Kechiche
- 5 Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
- 6 Screening Islam: cinematic Representations of the Muslim Community in France in the 2000s
- 7 Conclusion: Post-Beur Cinema
- Bibliography
- Index
Contents
Published online by Cambridge University Press: 05 October 2013
- Frontmatter
- Contents
- Acknowledgements
- List of Illustrations
- Traditions in World Cinema
- 1 Introduction: From Immigrant Cinema to National Cinema
- 2 The (Maghrebi-)French Connection: Diaspora goes Mainstream
- 3 Colonial Fracture and the Counter-Heritage Film
- 4 Of Spaces and Difference in the Films of Abdellatif Kechiche
- 5 Home, Displacement and the Myth of Return: Journey Narratives in the 2000s
- 6 Screening Islam: cinematic Representations of the Muslim Community in France in the 2000s
- 7 Conclusion: Post-Beur Cinema
- Bibliography
- Index
Summary
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- Type
- Chapter
- Information
- Post-beur CinemaNorth African Émigré and Maghrebi-French Filmmaking in France since 2000, pp. v - viPublisher: Edinburgh University PressPrint publication year: 2013