After nearly five decades of writing for the theatre, Arthur Miller continues to have new plays produced on New York and London stages, and the number of revivals of his plays increases annually in professional and academic theatres where they reinvigorate American audiences and enthrall international ones. “No other American dramatist,” writes C. W. E. Bigsby, “has so directly engaged the anxieties and fears, the myths and dreams, of a people desperate to believe in a freedom for which they see ever less evidence. No other American writer has so successfully touched a nerve of the national consciousness” (A Critical Introduction to Twentieth-Century American Drama, vol. n [Cambridge: Cambridge University Press, 1984], p. 248). Best known for his stage plays, Miller has also made important contributions to dramatic theory and criticism, and he has written radio and television plays, film scripts, novels, and travel journals. In addition, Miller continues to extend his political activities beyond the stage as he fights for the freedom of artists worldwide. His work still provokes scholarly debate.