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5 - Thomas and Some Thomists

Published online by Cambridge University Press:  03 May 2011

Raymond Barfield
Affiliation:
Duke University, North Carolina
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Summary

Writing about Thomas Aquinas, G. K. Chesterton says, “He very specially possessed the philosophy that inspires poetry, as he did so largely inspire Dante's poetry.” Aquinas was a trained poet. In Naples he studied the art, rules, and methods of rhythmic composition. He wrote Office of the Blessed Sacrament, which is counted among the finest pieces of medieval literature. Thomas thoroughly understood what the poets were doing, thought the role of speaking for God was important, and allowed in several places that the pagans had been used to speak for the Divine. He also thought revelation had advanced beyond the pagans, and for him the division of labor was clear. Words from God come through revelation, through the prophets who experience something beyond their own capacity, at times even through “rapture,” a concept very close to the theia mania of the poets in the Phaedrus but trustworthy because of reasons Aquinas gives us in his treatises on prophecy, rapture, and contemplation. It is the Christian thinker (philosopher/theologian) who can judge the pagans and listen for God's voice. In the case of the prophets of God, the philosopher is bound to listen to the whole as delivered by God and, as it were, make sense. Among the pagans, however, the philosopher can dismiss more inconvenient statements that complicate the effort to “make sense.”

Aquinas was not one to put great stock in flashes of insight. What Aquinas wanted was not flash, beauty, or surprise.

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Publisher: Cambridge University Press
Print publication year: 2011

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References

Chesterton, G. K., Saint Thomas Aquinas: The Dumb Ox (New York: Doubleday, 1956)Google Scholar
Aquinas, Thomas, Summa Theologica (New York: Benziger Brothers, 1948)Google Scholar
Pieper, Joseph, Guide to Thomas Aquinas (San Francisco: Ignatius Press, 1991)Google Scholar
Pieper, Joseph, The Silence of St. Thomas (South Bend: St. Augustine's Press, 1999)Google Scholar
Pieper, Joseph, Leisure, the Basis of Culture (South Bend: St. Augustine's Press, 1998)Google Scholar
Eco, Umberto, The Aesthetics of Thomas Aquinas, trans. Bredin, Hugh (Cambridge, Mass.: Harvard University Press, 1988)Google Scholar
Pieper, Joseph, In Defense of Philosophy (San Francisco: Ignatius Press, 1992)Google Scholar
Aquinas, Thomas, Summa Contra Gentiles, trans. Fathers of the English Dominican Province (New York: Benziger Bros., 1948)Google Scholar
Maritain, Jacques, Art and Scholasticism, trans. Scanlan, J. F. (Whitefish: Kessinger Publishing, 1923)Google Scholar
Duffy, John, A Philosophy of Poetry: Based on Thomistic Principles (Washington, D.C.: Catholic University of America Press, 1945)Google Scholar

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  • Thomas and Some Thomists
  • Raymond Barfield, Duke University, North Carolina
  • Book: The Ancient Quarrel Between Philosophy and Poetry
  • Online publication: 03 May 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976438.006
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  • Thomas and Some Thomists
  • Raymond Barfield, Duke University, North Carolina
  • Book: The Ancient Quarrel Between Philosophy and Poetry
  • Online publication: 03 May 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976438.006
Available formats
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To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Thomas and Some Thomists
  • Raymond Barfield, Duke University, North Carolina
  • Book: The Ancient Quarrel Between Philosophy and Poetry
  • Online publication: 03 May 2011
  • Chapter DOI: https://doi.org/10.1017/CBO9780511976438.006
Available formats
×