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13 - Tocqueville, the Problem of Equality, and John Ford's Stagecoach

Published online by Cambridge University Press:  05 April 2013

Ewa Atanassow
Affiliation:
ECLA of Bard University, Berlin
Richard Boyd
Affiliation:
Georgetown University, Washington DC
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Summary

I must begin with a disclaimer: as readers will no doubt realize, I do not quite belong with the Tocqueville experts in this volume. I do not write or, as we now must say, do research, on Tocqueville, and my main acquaintance with Democracy in America consists in teaching it nearly every year for the past 17 years in the Classics Core at the University of Chicago. However, Tocqueville shares a lot with a philosopher whom I do know something about – Hegel – and he raises issues that also concern a visual poet whom I also have some interest in – that great mythologizer of America's idea of itself, John Ford. So I entertain the hope that out of this mix of overlapping interests, I might have something to contribute to the discussion.

What Tocqueville and Hegel share, I want to say, is an approach to political matters. Neither of them directly asks the central question of classical political philosophy: What is the best human regime? Neither is indifferent to the question of the worthiness of some regime or other, but they do not propose to address that issue by wondering how best to approximate some ideal paradigm. Both, that is, do not separate the question of political philosophy itself from political actuality, where that especially means historical actuality. So let me start with a general remark about that issue and then discuss how that frames the way Tocqueville and Ford address the question of equality and its worthiness.

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Publisher: Cambridge University Press
Print publication year: 2013

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References

Kojève, Alexandre, Introduction to the Reading of Hegel, trans. J. H. Nichols, Jr., ed. Alan Bloom (New York: Basic Books, 1969)Google Scholar
Coetzee, J. M.,” in J.M. Coetzee and Ethics, ed. Peter Singer and Anton Leist (New York: Columbia University Press, 2010), 19–42Google Scholar
Hollywood Westerns and American Myth. The Importance of Howard Hawks and John Ford for Political Philosophy (New Haven: Yale University Press, 2010)
Rothman, William, “Stagecoach and the Quest for Selfhood,” in John Ford's Stagecoach, ed. Barry Keith Grant (Cambridge: Cambridge University Press, 2003), 161.Google Scholar
Smith, Henry Nash, Virgin Land. The American West as Symbol and Myth (Cambridge: Harvard University Press, 2005), 215Google Scholar
Gallagher, Tag, John Ford. The Man and his Films (Berkeley and Los Angeles: University of California Press, 1986), 161Google Scholar
Wood, Robin, “Shall We Gather at the River?: The Late Films of John Ford,” Film Comment, Fall (1971), 31–32
Grant, Barry Keith, “Two Rode Together: John Ford and James Fenimore Cooper” in John Ford Made Westerns. Filming the Legend in the Sound Era, eds. Gaylyn Studler and Matthew Bernstein (Bloomington: Indiana University Press, 2001)Google Scholar
Perez, Gilberto, The Material Ghost. Films and Their Medium (Baltimore: Johns Hopkins University Press, 1988)Google Scholar
Browne, Nick, “The Spectator-in-Text: The Rhetoric of Stagecoach,” Film Quarterly, 34, No. 2, (1975), 26–38CrossRefGoogle Scholar

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