Book contents
- Frontmatter
- Contents
- Preface
- WOODROW WILSON CENTER SERIES
- 1 Introduction
- 2 Precept, example, and truth: Degory Wheare and the ars historica
- 3 Truth, lies, and fiction in sixteenth-century Protestant historiography
- 4 Thomas More and the English Renaissance: History and fiction in Utopia
- 5 Little Crosby and the horizons of early modern historical culture
- 6 Murder in Faversham: Holinshed's impertinent history
- 7 Foul, his wife, the mayor, and Foul's mare: The power of anecdote in Tudor historiography
- 8 Experience, truth, and natural history in early English gardening books
- 9 Thomas Hobbes's Machiavellian moments
- 10 The background of Hobbes's Behemoth
- 11 Leviathan, mythic history, and national historiography
- 12 Protesting fiction, constructing history
- 13 Adam Smith and the history of private life: Social and sentimental narratives in eighteenth-century historiography
- 14 Contemplative heroes and Gibbon's historical imagination
- Contributors
- Index
- Titles in the series
6 - Murder in Faversham: Holinshed's impertinent history
Published online by Cambridge University Press: 04 August 2010
- Frontmatter
- Contents
- Preface
- WOODROW WILSON CENTER SERIES
- 1 Introduction
- 2 Precept, example, and truth: Degory Wheare and the ars historica
- 3 Truth, lies, and fiction in sixteenth-century Protestant historiography
- 4 Thomas More and the English Renaissance: History and fiction in Utopia
- 5 Little Crosby and the horizons of early modern historical culture
- 6 Murder in Faversham: Holinshed's impertinent history
- 7 Foul, his wife, the mayor, and Foul's mare: The power of anecdote in Tudor historiography
- 8 Experience, truth, and natural history in early English gardening books
- 9 Thomas Hobbes's Machiavellian moments
- 10 The background of Hobbes's Behemoth
- 11 Leviathan, mythic history, and national historiography
- 12 Protesting fiction, constructing history
- 13 Adam Smith and the history of private life: Social and sentimental narratives in eighteenth-century historiography
- 14 Contemplative heroes and Gibbon's historical imagination
- Contributors
- Index
- Titles in the series
Summary
As its first entry for the year 1551, Holinshed's Chronicles (1577 and 1587) presents a detailed account of the murder of a certain Master Arden, a gentleman of Faversham in Kent, by his wife, her lover, and a host of accomplices. The entry is not unique. Leaving aside political assassinations, Holinshed's 1587 index lists some twenty-three murders. But its length does make it unusual. Where most of Holinshed's other murder stories get no more than a sentence or two, the Arden account goes on for a full seven tightly printed folio columns, nearly five thousand words, considerably more than he gives many events of state. Perhaps that's why he felt the need for a justification and apology: “The which murder, for the horribleness thereof, although otherwise it may seem to be but a private matter and therefore, as it were, impertinent to this history, I have thought good to set it forth somewhat at large.”
The “horribleness” Holinshed vaunts is obvious enough: a wife's adultery leading to the murder of her husband; servants rebelling against their master; neighbors turning against neighbor; the engagement first of a poisoner and then of “a notorious murdering ruffian” and his vagabond companion; a whole series of grotesque failed attempts, culminating in a successfully brutal murder in the victim's own parlor; and finally eight spectacular public executions. Nor was the horribleness only a matter of sensational transgression and violence. It also served to prompt wonder and thus led to a reawakened sense of human depravity and providential design – a design signaled by the miraculous print of Arden's body still to be seen “two years and more” after he was slain in the field where the murderers dumped him.
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- Information
- The Historical Imagination in Early Modern BritainHistory, Rhetoric, and Fiction, 1500–1800, pp. 133 - 158Publisher: Cambridge University PressPrint publication year: 1997
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