I have been lately so often asked by friends on whose judgment I can rely, to permit the publication of another edition of Modern Painters in its original form, that I have at last yielded, though with some violence to my own feelings; for many parts of the first and second volumes are written in a narrow enthusiasm, and the substance of their metaphysical and religious speculation is only justifiable on the ground of its absolute honesty. Of the third, fourth, and fifth volumes, I indeed mean eventually to rearrange what I think of permanent interest for the complete edition of my works, but with fewer and less elaborate illustrations; nor have I any serious grounds for refusing to allow the book once more to appear in the irregular form which it took as it was written, since of the art-teaching and landscape descriptions it contains I have little to retrench, and nothing to retract.

This final edition must, however, be limited to a thousand copies, for some of the more delicate plates are already worn—that of the Mill Stream in the fifth volume, and of the Loire Side very injuriously; while that of the Shores of Wharfe had to be retouched by an engraver after the removal of the mezzotint for reprinting. But Mr. Armytage's, Mr. Cousens', and Mr. Cuff's magnificent plates are still in good state; and my own etchings, though injured, are still good enough to answer their purpose.