Chaucer's Troilus and Criseyde famously begins with a statement of purpose, “The double sorwe of Troilus to tellen.” Telling of sorrow, not happiness, informs the activity of the poet, and Troilus' double sorrow structures the consolatory context of the poem as it is most broadly read: Pandarus first consoles his friend by conveying his loved object to him, and the loss of Criseyde inaugurates another period of sorrow that is consoled only in death. Yet despite the narrator's initial foreboding announcement, and the fact that almost every medieval reader knew precisely the trajectory of Troilus and Criseyde's love affair, Chaucer still allows for an experience of love's bliss at the center of his poem. In Book iii, when the lovers are finally joined together, the narrator asks his audience to consider erotic happiness in the terms of clerkly discourse. Deliberately placing his words in the context of moral philosophy, he speaks of the joy experienced by the two lovers:

The joy experienced by Troilus and Criseyde is beyond the conceptual capacities of writing, clerks, or the heart. Suddenly, clerkly happiness appears not to be happiness at all, for it is not “sufficient.”