Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-hfldf Total loading time: 0 Render date: 2024-05-03T02:58:48.877Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  07 May 2010

Daniel H. Foster
Affiliation:
Duke University, North Carolina
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abbate, Carolyn. Unsung Voices (Princeton: Princeton University Press, 1991).Google Scholar
Adorno, Theodor. InSearch of Wagner, trans. Rodney, Livingstone (London: NLB, 1981).Google Scholar
Adorno, Theodor. “Bourgeois Opera,” in Levin, David J. (ed.), Opera Through Other Eyes (Palo Alto: Stanford University Press, 1994), 25–43.Google Scholar
Adorno, Theodor. Aesthetic Theory, trans. and ed. Robert, Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997).Google Scholar
Aeschylus, . Oresteia, trans. David, Grene and Wendy, Doniger O'Flaherty (Chicago: University of Chicago Press, 1989).Google Scholar
Aristophanes, . Frogs, trans. David, Barrett (New York: Penguin Books, 1964).Google Scholar
Aristotle, . Poetics, trans. James, Hutton (New York: W. W. Norton and Company, 1982).Google Scholar
Ashley, Kathleen M.“Cultural Approaches to Medieval Drama,” in Emmerson, Richard K. (ed.), Approaches to Teaching Medieval Drama (New York: Modern Language Association, 1990), 57–66.Google Scholar
Auden, W. H.“Some Reflections on Music and Opera,” in Ulrich, Weisstein (ed.), The Essence of Opera (New York: The Free Press of Glencoe, 1964), 341–60.Google Scholar
Auerbach, Erich. Mimesis, trans. Trask, Willard R. (Princeton: Princeton University Press, 1991).Google Scholar
Bakhtin, M. M.The Dialogic Imagination: Four Essays, ed. Michael, Holquist, trans. Caryl, Emerson and Michael, Holquist (Austin: University of Texas Press, 1981).Google Scholar
Barthes, Roland. “Introduction to the Structural Analysis of Narratives,” in Image, Music, Text, trans. Stephen, Heath (New York: The Noonday Press, 1977), 179–224.Google Scholar
Beckwith, Sarah. “Ritual, Church and Theater: Medieval Dramas of the Sacramental Body,” in David, Aers (ed.), Culture and History 1350–1600: Essays on English Communities, Identities and Unity (Detroit: Wayne State University Press, 1992), 65–89.Google Scholar
Benjamin, Walter. “The Task of the Translator,” in Illuminations, trans. Harry, Zohn (London: Fontana, 1992), 70–82.Google Scholar
Berg, Klaus. “Die Meistersinger as Comedy: The Performative and Social Signification of Genre,” in Nicholas, Vazsonyi (ed.), Wagner's Meistersinger: Performance, History, Representation (Rochester: University of Rochester Press, 2003), 146–64.Google Scholar
Borchmeyer, Dieter. Richard Wagner: Theory and Theatre, trans. Stewart, Spencer (Oxford: Clarendon Press, 1991).Google Scholar
Browning, Robert. “Greeks and Others: From Antiquity to the Renaissance,” in Thomas, Harrison (ed.), Greeks and Barbarians (New York:Routledge, 2001), 257–77.Google Scholar
Butler, E. M.The Tyranny of Greece Over Germany: A Study of the Influence Exercised by Greek Art and Poetry Over the Great German Writers of the Eighteenth, Nineteenth, and Twentieth Centuries (London: Cambridge University Press, 1935).Google Scholar
Byron, George Gordon, The Works of Lord Byron, ed. Ernest Hartley, Coleridge (New York: Charles Scribner's Sons, 1903), vol. vi.Google Scholar
Chéreau, Patrice. Götterdämmerung (Baarn, The Netherlands: Philips Classics Productions, 1981), videorecording.Google Scholar
Clément, Catherine. Opera or the Undoing of Women, trans. Betsy, Wing (London: Virago Press, 1989).Google Scholar
Cone, Edward T.The Composer's Voice (Berkeley: University of California Press, 1974).Google Scholar
Conrad, Peter. Romantic Opera and Literary Form (Berkeley: University of California Press, 1990).Google Scholar
Cooke, Deryck. I Saw the World End: A Study of Wagner's Ring (New York: Oxford University Press, 1991).Google Scholar
Corse, Sandra. Opera and the Uses of Language: Mozart, Verdi, and Britten (Rutherford, NJ: Fairleigh Dickinson University Press, 1987).Google Scholar
Corse, Sandra. Wagner and the New Consciousness (Cranbury, NJ: Associated University Press, 1990).Google Scholar
Crisell, Andrew. Understanding Radio, 2nd edn (New York: Routledge, 1994).Google Scholar
Dahlhaus, Carl. Richard Wagner's Music Dramas, trans. Mary, Whittall (Cambridge: Cambridge University Press, 1992).Google Scholar
Dahlhaus, Carl and Deathridge, John. The New Grove Wagner (New York: W. W. Norton and Company, 1984).Google Scholar
Deathridge, John. “Wagner and the Post-Modern,”Cambridge Opera Journal 4:2 (1992), 143–61.CrossRefGoogle Scholar
Deathridge, John. Wagner Beyond Good and Evil (Berkeley: University of California Press, 2008).CrossRefGoogle Scholar
Deathridge, John. “Wagner, the Greeks and Wolfgang Schadewaldt,”Dialogos: Hellenic Studies Review 6 (1999), 133–40.Google Scholar
Donington, Robert. Wagner's “Ring” and its Symbols (Boston: Faber and Faber, 1979).Google Scholar
Droysen, Johann Gustav. Geschichte des Hellenismus, ed. Erich, Bayer (Basel: Benno Schwabe & Co., 1952).Google Scholar
Euripides. The Bacchae, trans. William Arrowsmith, in The Complete Greek Tragedies: Euripides V (Chicago: University of Chicago Press, 1968).
Ewans, Michael. Opera From the Greek (New York: Ashgate, 2007).Google Scholar
Ewans, Michael. Wagner and Aeschylus: The Ring and the Oresteia (New York: Cambridge University Press, 1983).Google Scholar
Fletcher-Cooke, Charles. “Counsel's Opinion: The Ring and the Law,” in John Di, Gaetani (ed.), Penetrating Wagner's Ring: An Anthology (New York: Da Capo Press, 1978), 135–8.Google Scholar
Fletcher-Cooke, Charles. “Der Ring des Nibelungen – Whose Gold? Whose Ring? Whose Helmet?” in John Di, Gaetani (ed.), Penetrating Wagner's Ring: An Anthology (New York: Da Capo Press, 1978), 139–43.Google Scholar
Friedman, John Block. Orpheus in the Middle Ages (Cambridge, MA: Harvard University Press, 1970).Google Scholar
Frye, Northrop. Anatomy of Criticism (Princeton: Princeton University Press, 1957).Google Scholar
Gibbon, Edward. The Decline and Fall of the Roman Empire, 3 vols., ed. Bury, J. B. (New York: The Heritage Press, 1946).Google Scholar
Gilman, Sander L.Jewish Self-Hatred (Baltimore: The Johns Hopkins University Press, 1990).Google Scholar
Gilman, Sander L. Smart Jews: The Construction of the Image of Jewish Superior Intelligence (Lincoln, NB: University of Nebraska Press, 1996).Google Scholar
Gilman, Sander L. “Strauss and the Pervert,” in Arthur, Groos and Roger, Parker (eds.), Reading Opera (Princeton: Princeton University Press, 1988), 306–27.Google Scholar
Goldhill, Simon. “Wagner's Greeks: The Politics of Hellenism,” in Martin, Revermann and Peter, Wilson (eds.), Performance, Iconography, Reception: Studies in Honour of Oliver Taplin (Oxford: Oxford University Press, 2008), 453–80.Google Scholar
Goldhill, Simon. Who Needs Greek? Contests in the Cultural History of Hellenism (Cambridge: Cambridge University Press, 2002).Google Scholar
The Greek Anthology. Loeb Classical Library (New York: G. P. Putnam's Sons, 1927).
Greek Lyric. Loeb Classical Library (Cambridge, MA: Harvard University Press, 1988).
Greene, David B.Listening to Strauss Operas: The Audience's Multiple Standpoints (New York: Gordon Breach, 1991).Google Scholar
Grout, Donald J.A Short History of Opera (New York: Columbia University Press, 1965).Google Scholar
Hall, Jonathan. Ethnic Identity in Greek Antiquity (Cambridge: Cambridge University Press, 1997).CrossRefGoogle Scholar
Hammond, N. G. L.“Personal Freedom and its Limitations in the Oresteia,”Journal of Hellenic Studies 85 (1965), 42–55.CrossRefGoogle Scholar
Hegel, G. W. F.Aesthetics: Lectures on Fine Art, trans. Knox, T. M., vol. II (Oxford: Clarendon Press, 1998).Google Scholar
Herodotus. Histories. Loeb Classical Library (New York: G. P. Putnam's Sons, 1928).
Hesiod, , the Homeric Hymns and Homerica. Loeb Classical Library (New York: G. P. Putnam's Sons, 1929).Google Scholar
Hesiod, . Works and Days, Loeb Classical Library (New York: G. P. Putnam's Sons, 1929).Google Scholar
Homer, . Iliad, trans. Richmond, Lattimore (Chicago: University of Chicago Press, 1961).Google Scholar
Homer, , Odyssey, trans. Richmond, Lattimore (New York: Harper Collins Publishers, 1991).Google Scholar
Hughes, Michael. Nationalism and Society: Germany 1800–1945 (London: Edward Arnold, 1988).Google Scholar
Hutcheon, Michael and Linda, . Bodily Charm: Living Opera (Lincoln, NB: University of Nebraska Press, 2000).Google Scholar
Huyssen, Andreas. “Monumental Seduction,”New German Critique 69 (1996), 181–200.CrossRefGoogle Scholar
Johnson, Barbara. “Anthropomorphism in Lyric and Law,”Yale Journal of Law and the Humanities 10:2 (Summer 1998), 549.Google Scholar
Kellogg, Robert and Scholes, Robert. The Nature of Narrative (New York: Oxford University Press, 1966).Google Scholar
Kerman, Joseph. Opera as Drama (New York: Alfred A. Knopf, Inc., 1956).Google Scholar
Kirk, G. S. and Raven, J. E.The Presocratic Philosophers: A Critical History with a Selection of Texts (Cambridge: Cambridge University Press, 1963).Google Scholar
Knox, Bernard. “Lion in the House,” in Word and Action: Essays on the Ancient Theatre (Baltimore: The Johns Hopkins University Press, 1979), 27–38.Google Scholar
Kramer, Lawrence. Music and Poetry: The Nineteenth Century and After (Berkeley: University of California Press, 1984).Google Scholar
Lacoue-Labarthe, Philippe. Musica Ficta (Figures of Wagner), trans. Felicia, McCarren (Palo Alto: Stanford University Press, 1994).Google Scholar
Lebeck, Anne. The Oresteia (Cambridge, MA:Harvard University Press, 1971).Google Scholar
Lee, M. Owen. Athena Sings: Wagner and the Greeks (Buffalo: University of Toronto Press, 2003).Google Scholar
Lefkowitz, Mary R.First-Person Fictions: Pindar's Poetic “I” (Oxford: Clarendon Press, 1991).Google Scholar
Lesky, Albin. “Decision and Responsibility in the Tragedy of Aeschylus,”Journal of Hellenic Studies 86 (1966), 78–85.CrossRefGoogle Scholar
Lessing, Gotthold Ephraim. Laocoön, ed. and trans. William, A. Steel (New York: E. P. Dutton & Co. Inc., 1961).Google Scholar
Levin, David J.Richard Wagner, Fritz Lang, and the Nibelungenlied: The Dramaturgy of Disavowal (Princeton: Princeton University Press, 1998).Google Scholar
Liddell, and Scott, . An Intermediate Greek–English Lexicon Founded upon the Seventh Edition of Liddell and Scott's Greek-English Lexicon (Oxford: Clarendon Press, 1985).Google Scholar
Lindenberger, Herbert. Opera: The Extravagant Art (Ithaca: Cornell University Press, 1985).Google Scholar
Lloyd-Jones, Hugh. Blood for the Ghosts: Classical Influences in the Nineteenth and Twentieth Centuries (London: Duckworth, 1982).Google Scholar
Longo, Oddone. “The Theatre of the Polis,” in Winkler, John J. and Zeitlin, Froma I. (eds.), Nothing to do with Dionysius? Athenian Drama and its Social Context (Princeton: Princeton University Press, 1990), 12–19.Google Scholar
Loraux, Nicole. Tragic Ways of Killing a Woman, trans. Anthony, Forster (Cambridge, MA: Harvard University Press, 1991).Google Scholar
Mandel, Siegfried. “Genelli and Wagner: Midwives to Nietzsche's Birth of Tragedy,” in Ernst, Behler, Eckhard, Heftrich, Wolfgang, Müller-Lauter, and Heinz, Wenzel (eds.), Nietzsche-Studien: Internationales Jahrbuch für die Nietzsche-Forschung (New York: Walter de Gruyter, 1990), 212–29.Google Scholar
Mann, Thomas. “The Sorrows and Grandeur of Richard Wagner,” in Pro and Contra Wagner, trans. Allan, Blunden (Chicago: University of Chicago Press, 1985), 91–148.Google Scholar
McDonald, Marianne. Sing Sorrow: Classics, History, and Heroines in Opera (Westport: Greenwood Press, 2001).Google Scholar
Millington, Barry and Spencer, Stewart. Wagner's Ring of the Nibelung: A Companion (London: Thames and Hudson, 1993).Google Scholar
Montaigne, Michel. “Of Cruelty,” in The Complete Essays of Montaigne, trans. Donald, M. Frame (Palo Alto: Stanford University Press, 1971), 306–18.Google Scholar
Moretti, Franco. Modern Epic: The World-System to García Márquez, trans. Quintin, Hoare (New York: Verso, 1996).Google Scholar
Morris, Brian Robert. “Shakespeare, Wagner, and Measure for Measure,” in Robert, Boenig and Kathleen, Davis (eds.), Manuscript, Narrative, Lexicon: Essays on Literary and Cultural Transmission in Honor of Whitney F. Bolton (Lewisburg, PA: Bucknell University Press, 2000), 111–24.Google Scholar
Mosse, George L.The Image of Man: The Creation of Modern Masculinity (New York: Oxford University Press, 1996).Google Scholar
Müller, Karl Otfried. The History and Antiquities of the Doric Race, trans. Henry, Tufnell and George Cornewall, Lewis (London: J. Murray, 1839).Google Scholar
Müller, Karl Ottfried. History of the Literature of Ancient Greece, continued by John William, Donaldson, trans. George Cornewall Lewis (London: John W. Parker and Son, 1858).Google Scholar
Müller, Ulrich. “Wagner and Antiquity,” in Ulrich, Müller and Peter, Wapnewski (eds.), Wagner Handbook, trans. John, Deathridge (Cambridge, MA: Harvard University Press, 1992), 227–35.Google Scholar
Müller, Ulrich and Panagl, Oswald. Ring und Gral (Würzberg: Königshausen und Neumann, 2002).Google Scholar
Nattiez, Jean-Jacques. Wagner Androgyne: A Study in Interpretation, trans. Stewart, Spencer (Princeton: Princeton University Press, 1993).Google Scholar
Newman, Ernest. Wagner as Man and Artist (New York: Vintage Books, 1960).Google Scholar
The Nibelungenlied, trans. A. T. Hatto (New York: Penguin Books, 1969).
Nietzsche, Friedrich. The Birth of Tragedy out of the Spirit of Music, trans. Walter, Kaufmann (New York: Vintage Press, 1967).Google Scholar
Nietzsche, Friedrich. The Case of Wagner, trans. Walter, Kaufman (New York: Vintage Books, 1967).Google Scholar
Nietzsche, Friedrich. “Homer and Classical Philology,” in Complete Works of Friedrich Nietzsche, vol. III, trans. Kennedy, J. M., ed. Oscar, Levy (New York: Russell and Russell, 1964).Google Scholar
Nietzsche, Friedrich. Nietzsche Contra Wagner, trans. Walter, Kaufman (New York: Penguin Books, 1976).Google Scholar
Nietzsche, Friedrich. On the Future of Our Educational Institutions, trans. Grenke, Michael W. (South Bend: St. Augustine's Press, 2004).Google Scholar
Nietzsche, Friedrich. Philosophy in the Tragic Age of the Greeks, trans. Marianne, Cowan, reprint of 1962 edition (Washington, DC: Regnery Publishing, 1998).Google Scholar
Nietzsche, Friedrich. Prefaces to Unwritten Works, trans. and ed. Grenke, Michael W. (South Bend: St. Augustine's Press, 2005).Google Scholar
Nietzsche, Friedrich. The Pre-Platonic Philosophers, trans. Greg, Whitlock (Chicago: University of Illinois Press, 2000).Google Scholar
Nietzsche, Friedrich. “Wagner in Bayreuth,” in Untimely Meditations, trans. Hollingdale, R. J. (New York: Cambridge University Press, 1997).CrossRefGoogle Scholar
O'Sullivan, Neil. “Aristophanes, Wagner, and Die Meistersinger,”Studies in Music 25 (1991), 73–80.Google Scholar
O'Sullivan, Neil. “Wagner and Aristophanes,”Antike und Abendland 36 (1990), 67–81.Google Scholar
Pateman, Roy. Chaos and Dancing Star (Lanham, MD: University Press of America, 2002).Google Scholar
Peradotto, John J.The Omen of the Eagles and the Ethos of Agamemnon,”Phoenix 23 (1969), 237–62.CrossRefGoogle Scholar
Peradotto, John J.. “Some Patterns of Nature Imagery in the Oresteia,”American Journal of Philology 85 (1964), 378–93.CrossRefGoogle Scholar
Pindar, . The Odes and Selected Fragments, trans. Conway, G. S., ed. Richard, Stoneman (Vermont: Charles E. Tuttle, 1997).Google Scholar
Plato, . Republic, trans. Francis, Macdonald Cornford (New York: Oxford University Press, 1951).Google Scholar
Plato, . Symposium, Plato: Complete Works, trans. Alexander, Nehamas and Paul, Woodruff, ed. Cooper, John M. (Indianapolis: Hackett Publishing Co., 1997).Google Scholar
Rather, L. J.Reading Wagner: A Study in the History of Ideas (Baton Rouge: Louisiana State University Press, 1990).Google Scholar
Reich, John J.“The Rebirth of Tragedy – Wagner and the Greeks,”Mosaic 1:4 (July 1968), 18–34.Google Scholar
Reinhardt, Karl. “The Relation Between the Two Parts of Parmenides” Poem in Mourelatos, Alexander P. D. (ed.), The Pre-Socratics (New York: Anchor Books, 1974), 293–311.Google Scholar
Rieff, Philip. “Aesthetic Functions in Modern Politics,” in The Feeling Intellect: Selected Writings (Chicago: University of Chicago Press, 1990), 175–94.Google Scholar
Roller, Duane W.“Richard Wagner and Classical Antiquity,”Ars Musica Denver 4:2 (1992), 3–24.Google Scholar
Rose, Paul Lawrence. Wagner: Race and Revolution (New Haven: Yale University Press, 1992).Google Scholar
Rosenmeyer, Thomas G.The Art of Aeschylus (Berkeley: University of California Press, 1982).Google Scholar
Schaberg, William H.The Nietzsche Canon: A Publication History and Bibliography (Chicago: University of Chicago Press, 1996).Google Scholar
Schadewaldt, Wolfgang. Hellas und Hesperion. Gesammelte Schriften zur Antike und zur neueren Literatur in 2 Bänden (Stuttgart: Artemis-Verlag, 1970).Google Scholar
Schadewaldt, Wolfgang. “Richard Wagner and the Greeks,” trans. Durst, David C., Dialogos: Hellenic Studies Review 6 (1999), 108–40.Google Scholar
Schechner, Richard. “Approaches,” in Performance Theory (New York: Routledge, 1988), 1–34.Google Scholar
Schmidgall, Gary. Literature as Opera (New York: Oxford University Press, 1977).Google Scholar
Segal, Charles. “Greek Myth as a Semiotic System and the Problem of Tragedy,”Arethusa 16 (1983), 173–98.Google Scholar
Shakespeare, William. The Complete Works of Shakespeare, ed. David, Bevington (New York: Harper Collins Publishers Inc., 1992).Google Scholar
Shaw, George Bernard. The Perfect Wagnerite: A Commentary on The Niblung's Ring (New York: Brentano's, 1929).Google Scholar
Sophocles, . Antigone in The Complete Greek Tragedies: Sophocles I, trans. David, Grene (Chicago: University of Chicago Press, 1991).Google Scholar
Spotts, Frederic. Bayreuth: A History of the Wagner Festival (New Haven: Yale University Press, 1994).Google Scholar
Stallybrass, Peter and White, Allon. The Politics and Poetics of Transgression (Ithaca: Cornell University Press, 1993).Google Scholar
Steinberg, Michael P.“The Incidental Politics to Mendelssohn's Antigone,” in Todd, R. Larry (ed.), Mendelssohn and His World (Princeton: Princeton University Press, 1991), 137–57.Google Scholar
Steinberg, Michael P. “Music Drama and the End of History,”New German Critique 69 (1996), 163–80.CrossRefGoogle Scholar
Tovey, Sir Donald Francis. “A Note on Opera,” in The Main Stream of Music and Other Essays (Cleveland: The World Publishing Company, 1964), 353–60.Google Scholar
Treadwell, James. Interpreting Wagner (New Haven: Yale University Press, 2003).Google Scholar
Treadwell, James. “The Ring and the Conditions of Interpretation: Wagner's Writing, 1848 to 1852,”Cambridge Opera Journal 7:3 (November 1995), 207–31.CrossRefGoogle Scholar
Vernant, Jean-Pierre. “Ambiguity and Reversal: On the Enigmatic Structure of Oedipus Rex,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd (New York: Zone Books, 1990), 113–40.Google Scholar
Vernant, Jean-Pierre. “The Historical Moment of Tragedy in Greece: Some of the Social and Psychological Conditions,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd (New York: Zone Books, 1990), 23–8.Google Scholar
Vernant, Jean-Pierre. “Intimations of the Will in Greek Tragedy,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd(New York: Zone Books, 1990), 49–84.Google Scholar
Vernant, Jean-Pierre. “Tensions and Ambiguities in Greek Tragedy,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd (New York: Zone Books, 1990), 29–48.Google Scholar
Vidal-Naquet, Pierre. “Aeschylus, the Past and the Present,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd (New York: Zone Books, 1990), 249–72.Google Scholar
Vidal-Naquet, Pierre. “Hunting and Sacrifice in Aeschylus” Oresteia,” in Jean-Pierre, Vernant and Pierre, Vidal-Naquet (eds.), Myth and Tragedy in Ancient Greece, trans. Janet, Lloyd (New York: Zone Books, 1990), 141–60.Google Scholar
Wagner, Cosima. Cosima Wagner's Diaries 1869–1883: Complete Edition in Two Volumes, trans. Geoffrey, Skelton, ed. Martin, Gregor-Dellin and Dietrich, Mack (New York: Harcourt Brace Jovanovich, 1978).Google Scholar
Wagner, Museum. Catalogue of Wagner's Library at Wahnfried, www.wagnermuseum.de/_engl/downloads/Wahnfried-liothek.pdf (accessed October 14, 2005).
Wagner, Richard. Richard Wagner's Prose Works, 8 vols., trans. William Ashton, Ellis, reprint of the first edition, 1899 (Lincoln, NB: University of Nebraska Press, 1994–6).Google Scholar
Wagner, Richard. Das Buch der Motive aus Opera und Musikdramen Richard Wagners (New York: Schott Music Corp., c. 1920).Google Scholar
Wagner, Richard. The Diary of Richard Wagner 1865–1882: The Brown Book, trans. George, Bird, annotated Joachim, Bergfeld (New York: Cambridge University Press, 1980).Google Scholar
Wagner, Richard. Dichtungen und Schriften: Jubiläumsausgabe in zehn Bänden, ed. Dieter, Borchmeyer (Frankfurt am Main: Insel Verlag, 1983).Google Scholar
Wagner, Richard. Family Letters of Richard Wagner, trans. William Ashton, Ellis, intro. and notes John Deathridge (Ann Arbor: The University of Michigan Press, 1994).Google Scholar
Wagner, Richard. Franz Liszt – Richard Wagner Briefwechsel, ed. Hanjo, Kesting (Frankfurt am Main: Insel-Verlag, 1988).Google Scholar
Wagner, Richard. Gesammelte Schriften und Dichtungen, 10 vols., reprint of Leipzig: Verlag von C. W. Frisch, 1887 (Hildesheim: Georg Olms Verlag, 1976).Google Scholar
Wagner, Richard. Götterdämmerung: In Full Score, reprint of the first edition, 1877 (New York: Dover Publications Inc., 1982).Google Scholar
Wagner, Richard. Götterdämmerung: Piano-vocal Score, trans. Frederick, Jameson, arr. Karl, Klindworth (New York: G. Schirmer, 1904).Google Scholar
Wagner, Richard. “Judaism in Music,” in Charles, Osborne (trans. and ed.), Richard Wagner: Stories and Essays (New York: The Library Press, 1973), 23–39.Google Scholar
Wagner, Richard. Die Meistersinger von Nürnberg, trans. Susan, Webb (New York: The Metropolitan Opera Guild, Inc., 1992).Google Scholar
Wagner, Richard. My Life, ed. Mary, Whittall, trans. Andrew, Gray (New York: Da Capo Press, 1992).Google Scholar
Wagner, Richard. Das Rheingold: In Full Score, reprint of the first edition, 1873 (New York: Dover Publications Inc., 1985).Google Scholar
Wagner, Richard. Das Rheingold: Piano-vocal Score, trans. Frederick, Jameson, arr. Karl Klindworth (New York: G. Schirmer, 1904).Google Scholar
Wagner, Richard. Richard Wagner Sämtliche Briefe, 16 vols., ed. Hans-Joachim, Bauer and Johannes, Forner (Leipzig: Deutscher Verlag für Musik, 1991).Google Scholar
Wagner, Richard. Richard Wagner Sämtliche Briefe, ed. Gertrud, Strobel and Werner, Wolf(Leipzig: VEB Deutscher Verlag für Musik, 1979).Google Scholar
Wagner, Richard. Selected Letters of Richard Wagner, trans. Stewart, Spencer and Barry, Millington (New York: W. W. Norton and Company, 1987).Google Scholar
Wagner, Richard. Siegfried: In Full Score, reprint of the first edition, 1876 (New York: Dover Publications Inc., 1983).Google Scholar
Wagner, Richard. Siegfried: Piano-vocal Score, trans. Frederick, Jameson, arr. Karl Klindworth (New York: G. Schirmer, 1904).Google Scholar
Wagner, Richard. Die Walküre: In Full Score, reprint of the first edition, 1910 (New York: Dover Publications Inc., 1978).Google Scholar
Wagner, Richard. Die Walküre: Piano-vocal Score, trans. Frederick, Jameson, arr. Karl Klindworth (New York: G. Schirmer, 1904).Google Scholar
Walbank, F. W.“The Problem of Greek Nationality,” in Thomas, Harrison (ed.), Greeks and Barbarians (New York: Routledge, 2001), 234–56.Google Scholar
Weiner, Marc A.Richard Wagner and the Anti-Semitic Imagination (Lincoln, NB: University of Nebraska Press, 1997).Google Scholar
Westernhagen, Curt. Richard Wagners Dresdener Bibliothek 1842–1849 (Wiesbaden: Brockhaus, 1966).Google Scholar
Westernhagen, Curt. Wagner: A Biography, trans. Mary, Whittall (New York: Cambridge University Press, 1978).Google Scholar
Wilcken, Ulrich. Alexander the Great, trans. Richards, G. C., intro. Eugene Borza (New York: W. W. Norton and Company, 1967).Google Scholar
Wilson, Pearl Cleveland. Wagner's Dramas and Greek Tragedy (New York: Columbia University Press, 1919).Google Scholar
Wynne-Davies, Marion, ed. The Bloomsbury Guide to English Literature (New York: Prentice Hall General Reference, 1990).Google Scholar
Zeitlin, Froma I.“The Corrupted Sacrifice,”Transactions and Proceedings of the American Philological Association 96 (1965), 463–508.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Daniel H. Foster, Duke University, North Carolina
  • Book: Wagner's Ring Cycle and the Greeks
  • Online publication: 07 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676284.021
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Daniel H. Foster, Duke University, North Carolina
  • Book: Wagner's Ring Cycle and the Greeks
  • Online publication: 07 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676284.021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Daniel H. Foster, Duke University, North Carolina
  • Book: Wagner's Ring Cycle and the Greeks
  • Online publication: 07 May 2010
  • Chapter DOI: https://doi.org/10.1017/CBO9780511676284.021
Available formats
×