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1 - Kolossourgia. ‘A colossal statue of a work’

Published online by Cambridge University Press:  18 December 2009

Sarah Pothecary
Affiliation:
Independent scholar USA
Daniela Dueck
Affiliation:
Bar-Ilan University, Israel
Hugh Lindsay
Affiliation:
University of Newcastle, New South Wales
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Summary

καθάπερ τε καὶ ἐν τοῖς κολοσσικοῖς ἔργοις οὐ τὸ καθ' ἕκαστον ἀκριβὲς ζητοῦμεν, ἀλλὰ τοῖς καθόλου προσέχομεν μᾶλλον, εἰ καλῶς τὸ ὅλον. οὕτως κἀν τούτοις δεῖ ποιεῖσθαι τὴν κρίσιν. κολοσσουργία γάρ τις καὶ αὐτή, τὰ μεγάλα φράζουσα πῶς ἔχει καὶ ὅλα, πλὴν εἴ τι κινεῖν δύναται καὶ τῶν μικρῶν τὸν φιλειδήμονα καὶ τὸν πραγματικόν.

(1.1.23)

Just as, in colossal statues, we do not seek detail in each individual part but rather pay attention to general aspects [in deciding] whether the whole is finely done, so we must apply the same criteria to these [works]. For it [= the Geography], too, is a sort of kolossourgia, portraying major themes and overall context, except where some matter, though small, stirs the man who desires knowledge and is inclined towards action.

This paper deals with Strabo's description of his work as a colossal endeavour. In the quoted passage, which comes near the beginning of book one of the Geography, Strabo shifts from discussing colossal ‘works’ (in the sense of ‘statues’) to reflecting on his own colossal ‘work’ (in the sense of ‘literary endeavour’). The statues, the literary work and, perhaps, the Roman world of which the literary work is a description, are all distinguished by their ‘colossalness’.

The point of this paper is to draw out the full implications of this ‘colossalness’, which would have been rather different for Strabo and his original audience than they are for the reader of today.

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Strabo's Cultural Geography
The Making of a Kolossourgia
, pp. 5 - 26
Publisher: Cambridge University Press
Print publication year: 2005

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