Book contents
- Frontmatter
- Contents
- Preface and acknowledgements
- 1 The regional novel: themes for interdisciplinary research
- 2 Regionalism and nationalism: Maria Edgeworth, Walter Scott and the definition of Britishness
- 3 The deep romance of Manchester: Gaskell's ‘Mary Barton’
- 4 Geographies of Hardy's Wessex
- 5 Gender and Cornwall: Charles Kingsley to Daphne du Maurier
- 6 James Joyce and mythic realism
- 7 Cookson, Chaplin and Common: three northern writers in 1951
- 8 Emyr Humphreys: regional novelist?
- 9 Scotland and the regional novel
- 10 Mapping the modern city: Alan Sillitoe's Nottingham novels
- Index
7 - Cookson, Chaplin and Common: three northern writers in 1951
Published online by Cambridge University Press: 18 December 2009
- Frontmatter
- Contents
- Preface and acknowledgements
- 1 The regional novel: themes for interdisciplinary research
- 2 Regionalism and nationalism: Maria Edgeworth, Walter Scott and the definition of Britishness
- 3 The deep romance of Manchester: Gaskell's ‘Mary Barton’
- 4 Geographies of Hardy's Wessex
- 5 Gender and Cornwall: Charles Kingsley to Daphne du Maurier
- 6 James Joyce and mythic realism
- 7 Cookson, Chaplin and Common: three northern writers in 1951
- 8 Emyr Humphreys: regional novelist?
- 9 Scotland and the regional novel
- 10 Mapping the modern city: Alan Sillitoe's Nottingham novels
- Index
Summary
The years 1950–I saw the publication of three novels set in the North East of England. Catherine Cookson's Kate Hannigan (1950), was the first in a long line of novels about northern women who were to make their author the most famous ‘regional novelist’ in the world. Sid Chaplin's The Thin Seam (1950), was a short, incisive story about one night's coal-cutting on a Durham face. And Jack Common's Kiddar's Luck (1951), was the tale of Will Kiddar, a Newcastle lad growing up on the streets and corner-ends of Heaton just before and during the Great War. All of these fictions would come to be seen as landmarks in writing the North East, and each of their authors wrote about the working-class experience from an autobiographical point of view. Just what that experience was, and how it was offered and received, is the subject of this essay.
Catherine Cookson was born on 20 June 1906, at 5 Leam Lane, Tyne Dock, South Shields. If there was a doctor present we don't know, but we do know that one was present when ‘Kate Hannigan’ gave birth. Indeed, in the manner of all Cookson's strong women and sensitive heroes, it almost seems as if it was he – Dr Rodney Prince – who gave birth, and not Kate:
Pulling, easing, pressing, it went on. The sweat was running into his eyes now and his shirt was no longer white. […]
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- The Regional Novel in Britain and Ireland1800–1990, pp. 164 - 200Publisher: Cambridge University PressPrint publication year: 1998
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