Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-k7p5g Total loading time: 0 Render date: 2024-07-13T17:36:27.641Z Has data issue: false hasContentIssue false

11 - Poetry's oral stage

Published online by Cambridge University Press:  12 November 2009

Ivan Gaskell
Affiliation:
Harvard University Art Museums, Massachusetts
Get access

Summary

One of the most famous of modern poetry readings took place at the Six Gallery in San Francisco on October 13, 1955. To help launch the new gallery, an artists' co-op newly converted from a commercial garage, the poet Michael McClure, a friend of the organizers, arranged for six poets to read, and one of them, Kenneth Rexroth, then opted to act as master of ceremonies. The other five, Philip Lamantia, Philip Whalen, Michael McClure, Gary Snyder, and Allen Ginsberg, already formed a distinct group soon to be widely known as the Beat poets. About a hundred people turned up, and as the readings began, another writer, Jack Kerouac, who had been invited to read but was apparently too shy to do so, collected money for jugs of wine and then passed them around, becoming drunk and excitable himself and encouraging the audience to throw themselves noisily into the spirit of things. By the time Allen Ginsberg began reading his new, unpublished poem Howl, the audience were already very receptive. Ginsberg describes what happened then: “I gave a very wild, funny, tearful reading of the first part of ‘Howl.’ Like I really felt shame and power reading it, and every time I'd finish a long line Kerouac would shout ‘Yeah!’ or ‘So there!’ or ‘Correct!’ or some little phrase, which added a kind of extra bop humor to the whole thing. It was like a jam session, and I was very astounded because ‘Howl’ was a big, long poem and yet everybody seemed to understand and at the same time to sympathize with it.”

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1999

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×