Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-pftt2 Total loading time: 0 Render date: 2024-04-30T17:03:54.778Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

1 - Palaeolithic art and religion

Jean Clottes
Affiliation:
Conservateur Général du Patrimoine, French Ministry of Culture
David Lewis-Williams
Affiliation:
Senior Mentor, The Rock Art Institute, University of the Witwatersrand
John R. Hinnells
Affiliation:
School of Oriental and African Studies, University of London
Get access

Summary

Introduction

Towards the end of the eighteenth century, Edmund Burke contemplated the essence of mankind: he wrote, ‘Man is by his constitution a religious animal.’ In the second half of the twentieth century, we have had other definitions: Man the Toolmaker and Man the Symbol-Maker, the second being a reworking of Burke's feeling that the defining trait of ‘man’ is in some way or other ‘spiritual’ or non-material. Whether one adopts a technological, a cognitive or a spiritual definition, the intertwined roots of ur-religion (the hypothetical ‘original’ religion), the beliefs and practices that preceded what we know today as ‘religion’, lie deep in prehistory.

The word ‘prehistory’ is generally applied to the extremely long period that stretches from the origins of humankind, about 3 million years or more ago, to the advent of writing. In some regions, such as the Middle East, writing led to profound social changes many thousands of years ago, while in other parts of the world the impact of writing was not felt until contact with European colonists, sometimes not until the nineteenth or even the beginning of the twentieth century. We are thus dealing with immense periods of time about which – in most cases – we know next to nothing. Unlike some other chapters in this book, this one can draw on neither inscriptions nor texts; nor can its writers question prehistoric people about their beliefs.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2007

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bégouen, Comte H. 1939. Les bases magiques de l'art préhistorique. Scientia, 4th series, 33: 202–16.Google Scholar
Bégouen, R. and Clottes, J. 1981. Apports mobiliers dans les Cavernes du Volp (Enlène, Les Trois-Frères, Le Tuc d'Audoubert). In Altamira Symposium, pp. 157–88.Google Scholar
Bender, B. 1989. The roots of inequality. In Miller, D., Rowlands, M. and Tilley, C. (eds.), Domination and resistance. London: Unwin and Hyman, pp. 83–93.
Breuil, H. 1952. Four hundred centuries of cave art. Montignac: Centres d'étude et de documentation préhistoriques.Google Scholar
Clottes, J. 1998. Voyage en préhistoire: l'art des cavernes et des abris, de la découverte à l'interprétation. Paris: La Maison des Roches.Google Scholar
Clottes, J. 1999. Vie et art des Magdaléniens en Ariège. Paris: La Maison des Roches.Google Scholar
Clottes, J., Beltran, A., Courtin, J. and Cosquer, H. 1992. The Cosquer Cave on Cape Morgiou, Marseilles. Antiquity 66: 583–98.CrossRefGoogle Scholar
Clottes, J. and Courtin, J. 1996. The cave beneath the sea: Paleolithic images at Cosquer. New York: Harry Abrams.Google Scholar
Clottes, J. and Lewis-Williams, D. 1998. The shamans of prehistory: trance and magic in the painted caves. New York: Harry Abrams.Google Scholar
Delporte, H. 1990. L'image des animaux dans l'art préhistorique. Paris: Picard.Google Scholar
Éliade, M. 1951. Le chamanisme et les techniques archaïques de l'extase. Paris: Payot.Google Scholar
Freeman, D., Echegerey, J. G., Quiros, F. Bernaldo de and Ogden, J. 1987. Altamira revisited and other essays on early art. Chicago: Institute for Prehistoric Investigations.Google Scholar
Halifax, J. 1980. Shamanistic voices. Harmondsworth: Penguin.Google Scholar
Harner, M. J. (ed.) 1973. Hallucinogens and shamanism. New York: Oxford University Press.Google Scholar
Hultkranz, Å. 1996. Ecological and phenomenological aspects of shamanism. In Diószegi, V. and Hoppel, M. (eds.), Shamanism in Siberia. Budapest: Akadémiai Kiadó, pp. 1–32.Google Scholar
Jaubert, J. 1999. Chasseurs et artisans du Moustérien. Paris: La Maison des Roches.Google Scholar
Leroi-Gourhan, A. 1964. Les religions de la préhistoire. Paris: Presses Universitaires de France.Google Scholar
Leroi-Gourhan, A. 1965. Préhistoire de l'art occidental. Paris: Mazenod.Google Scholar
Lewis-Williams, J. D. 1991. Wrestling with analogy: a problem in Upper Palaeolithic art research. Proceedings of the Prehistoric Society 57: 149–62.CrossRefGoogle Scholar
Lewis-Williams, J. D. 1995. Modelling the production and consumption of rock art. South African Archaeological Bulletin 50: 143–54.CrossRefGoogle Scholar
Lewis-Williams, J. D. 1997. Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art. Antiquity 71: 810–30.CrossRefGoogle Scholar
Lewis-Williams, J. D. 2002. The mind in the cave: consciousness and the origins of art. London: Thames and Hudson.Google Scholar
Lewis-Williams, J. D. and Dowson, T. A.. 1988. The signs of all times: entoptic phemomena in Upper Palaeolithic art. Current Anthropology 29: 201–45.CrossRefGoogle Scholar
Lewis-Williams, J. D. and Dowson, T. A. 1993. On vision and power in the Neolithic: evidence from the decorated monuments. Current Anthropology 34: 55–65.CrossRefGoogle Scholar
Reichel-Dolmatoff, G. 1978. Beyond the Milky Way: hallucinatory imagery of the Tukano Indians. Los Angeles: UCLA Latin America Center.Google Scholar
Reinach, S. 1903. L'art et la magie à propos des peintures et des gravures de l'Âge du Renne. L'Anthropologie 14: 257–66.Google Scholar
Riches, D. 1994. Shamanism: the key to religion. Man (N.S.) 29: 381–405.CrossRefGoogle Scholar
Rouzaud, F., Soulier, M. and Lignereux, Y. 1996. La Grotte de Bruniquel. Spélunca 60: 28–34.Google Scholar
Siegel, R. K. and M. E. Jarvik 1975. Drug-induced hallucinations in animals and man. In Siegel, R. K. and West, L. J. (eds.), Hallucinations: behaviour, experience, and theory. New York: Wiley, pp. 81–161.Google Scholar
Smith, N. 1992. An analysis of Ice Age art: its psychology and belief system. New York: Peter Lang.Google Scholar
Vandermeersch, B. 1970. Une sépulture moustérienne avec offrandes découverte dans la grotte de Qafzeh. Comptes-rendus de l'Académie des Sciences de Paris 270, series D: 298–301.Google Scholar
Vitebsky, P. 1995. The shaman. London: Macmillan.Google Scholar
Winkelman, M. 1986. Trance states: a theoretical model and cross-cultural analysis. Ethos 14: 174–203.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Palaeolithic art and religion
    • By Jean Clottes, Conservateur Général du Patrimoine, French Ministry of Culture, David Lewis-Williams, Senior Mentor, The Rock Art Institute, University of the Witwatersrand
  • Edited by John R. Hinnells, School of Oriental and African Studies, University of London
  • Book: A Handbook of Ancient Religions
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511488429.002
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Palaeolithic art and religion
    • By Jean Clottes, Conservateur Général du Patrimoine, French Ministry of Culture, David Lewis-Williams, Senior Mentor, The Rock Art Institute, University of the Witwatersrand
  • Edited by John R. Hinnells, School of Oriental and African Studies, University of London
  • Book: A Handbook of Ancient Religions
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511488429.002
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Palaeolithic art and religion
    • By Jean Clottes, Conservateur Général du Patrimoine, French Ministry of Culture, David Lewis-Williams, Senior Mentor, The Rock Art Institute, University of the Witwatersrand
  • Edited by John R. Hinnells, School of Oriental and African Studies, University of London
  • Book: A Handbook of Ancient Religions
  • Online publication: 05 June 2012
  • Chapter DOI: https://doi.org/10.1017/CBO9780511488429.002
Available formats
×