Book contents
- Frontmatter
- Acknowledgments
- Contents
- Introduction: Avant-Garde, Advertising and the Managing of Multiplicity
- 1 Absolute Advertising: Abstraction and Figuration in Ruttmann's Animated Product Advertisements (1922-1927)
- 2 The Cross-Section: Images of the World and Contingency Management in Ruttmann's Montage Films of the Late 1920s (1927-1929)
- 3 Statistics and Biopolitics: Conceiving the National Body in Ruttmann's Hygiene Films (1930-1933)
- 4 “Überall Stahl”: Forming the New Nation in Ruttmann's Steel and Armament Films (1934-1940)
- Afterword: Of Good and Bad Objects
- Notes
- Bibliography
- Filmography
- Index of Names
- Index of Film Titles
- Index of Subjects
- Frontmatter
- Acknowledgments
- Contents
- Introduction: Avant-Garde, Advertising and the Managing of Multiplicity
- 1 Absolute Advertising: Abstraction and Figuration in Ruttmann's Animated Product Advertisements (1922-1927)
- 2 The Cross-Section: Images of the World and Contingency Management in Ruttmann's Montage Films of the Late 1920s (1927-1929)
- 3 Statistics and Biopolitics: Conceiving the National Body in Ruttmann's Hygiene Films (1930-1933)
- 4 “Überall Stahl”: Forming the New Nation in Ruttmann's Steel and Armament Films (1934-1940)
- Afterword: Of Good and Bad Objects
- Notes
- Bibliography
- Filmography
- Index of Names
- Index of Film Titles
- Index of Subjects
Summary
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- Type
- Chapter
- Information
- Walter Ruttmann and the Cinema of MultiplicityAvant-Garde Film - Advertising - Modernity, pp. 181 - 230Publisher: Amsterdam University PressPrint publication year: 2014