Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction Film Festivals as Sites of Passage
- 1 Berlin and the Spatial Reconfiguration of Festivals: From European Showcases to International Film Festival Circuit
- 2 Cannesandthe“Alternative” Cinema Network: Bridging the Gap between Cultural Criteria and Business Demands
- 3 Venice and the Value-Adding Proces: The Role of Mediation, Segregation and Agenda Setting
- 4 Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events
- Conclusion Successful or Safe?: The Strengths and Weaknesses of the Film Festival Network
- Notes
- Bibliography
- Index of Names
- Index of Film Titles
- Index of Subjects
- Film Culture in Transition
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- Introduction Film Festivals as Sites of Passage
- 1 Berlin and the Spatial Reconfiguration of Festivals: From European Showcases to International Film Festival Circuit
- 2 Cannesandthe“Alternative” Cinema Network: Bridging the Gap between Cultural Criteria and Business Demands
- 3 Venice and the Value-Adding Proces: The Role of Mediation, Segregation and Agenda Setting
- 4 Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events
- Conclusion Successful or Safe?: The Strengths and Weaknesses of the Film Festival Network
- Notes
- Bibliography
- Index of Names
- Index of Film Titles
- Index of Subjects
- Film Culture in Transition
Summary
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- Type
- Chapter
- Information
- Film FestivalsFrom European Geopolitics to Global Cinephilia, pp. 11 - 12Publisher: Amsterdam University PressPrint publication year: 2007