Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-m9kch Total loading time: 0 Render date: 2024-06-07T15:44:52.229Z Has data issue: false hasContentIssue false

The Rawlinson Lyrics: Context, Memory and Performance

Published online by Cambridge University Press:  11 March 2023

Get access

Summary

In 1984 Bernard Quaritch, Ltd of London published catalogue No. 1036, offering for sale 134 leaves and fragments of leaves abstracted from medieval manuscripts, entitled Bookhands of the Middle Ages, and carrying as a subtitle on the first page, Medieval Manuscript Leaves Principally from a Collection Formed in the 19th Century. The catalogue proved to be the first of a series that was to have an important effect on the preservation of medieval manuscript leaves and fragments, though it did so at least in part by assigning prices to each of the 134 items that at the time seemed really very high – though in most cases they have not seemed so since. The fact that many of the items came from the collection formed by the Oxford antiquary Philip Bliss (1786–1857), having been acquired by him from local binders, according to Sir Frederic Madden, ‘for the price of a pot of beer’, no doubt helped to allay objections from those medievalists who object to commerce in such manuscript leaves for fear that their sale will encourage the breakup of medieval manuscripts for profit. In any event, the catalogue was a watershed, and brought not only higher prices, but also greater attention and interest to what proved to be a burgeoning market.

Perhaps the most intriguing item in the catalogue was one that appeared at the very end of a section called ‘Medieval Schooling and Intellectual History’, no. 108, and was described thus:

Aristotle. Small fragment of text from the second book of the Poetics in which Aristotle argues that the tendency to laughter is a force for the good which can have an instructive value; in Greek, on a charta lintea (or cloth-parchment) of Silos or Burgos manufacture, written in brown ink, in an archaistic square minuscule by an Arabic or Spanish scribe; approx. 55 × 116mm., one outer edge coated with a yellowish pigment, perhaps a size or similar strengthening agent, other edges charred and now very fragile; preserved within a bifolium from a 14th-century monk’s personal notebook of miscellenea containing abecedarian sentences, several quotations from Albertus Magnus, and a curious 6 ll. verse warning or anathema beginning, ‘Pagina … /Quam si quis tanget, morietur morte suprema/ …’. 185 × 136 mm.

Type
Chapter
Information
Middle English Texts in Transition
A Festschrift Dedicated to Toshiyuki Takamiya on his 70th birthday
, pp. 104 - 115
Publisher: Boydell & Brewer
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×