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22 - “To Elevate Every Experience into Something Artistic and Exciting”: Daniel Clowes’ Ghost World

from Part II - 1978–2000

Published online by Cambridge University Press:  30 July 2018

By
Ken Parille
Edited by
Jan Baetens ,
Hugo Frey  and
Stephen E. Tabachnick
Jan Baetens
Affiliation:
University of Leuven
Hugo Frey
Affiliation:
University of Chichester
Stephen E. Tabachnick
Affiliation:
University of Memphis
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The Cambridge History of the Graphic Novel , pp. 353 - 369
Publisher: Cambridge University Press
Print publication year: 2018

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References

Primary Sources

Archie Comics (1946–). Pelham, NY: Archie Comics.Google Scholar
Clowes, D. (1986–1988) Lloyd Llewellyn. Seattle, WA: Fantagraphics.Google Scholar
Clowes, D. (1989–2004) Eightball. Seattle, WA: Fantagraphics.Google Scholar
Clowes, D. (1993) Like a Velvet Glove Cast in Iron. Seattle, WA: Fantagraphics. (1997) Ghost World. Seattle, WA: Fantagraphics.Google Scholar
Clowes, D. (2000) David Boring. New York, NY: Pantheon.Google Scholar
Clowes, D. (2005 [2001) Ice Haven. New York, NY: Pantheon.Google Scholar
Clowes, D. (2008 [1997) Ghost World:Special Edition. Seattle, WA: Fantagraphics.Google Scholar
Clowes, D. (2010) Wilson. Montreal: Drawn and Quarterly.Google Scholar
Clowes, D. (2011a [2004]) The Death-Ray. Montreal: Drawn and Quarterly.Google Scholar
Clowes, D. (2011b [2007–2008]) Mister Wonderful. Seattle, WA: Fantagraphics.Google Scholar
Clowes, D. (2016) Patience. Seattle, WA: Fantagraphics.Google Scholar
Eisner, W. (2008 [1986) The Dreamer. New York, NY: Norton.Google Scholar
Fitzhugh, L. (1964) Harriet the Spy. New York, NY: Harper & Row.Google Scholar
Johnson, N. (2002 [1956) The World of Henry Orient. New York, NY: Green Mansion Press.Google Scholar
L’Engle, M. (1963) A Wrinkle in Time. New York, NY: Farrar, Straus, and Giroux.Google Scholar
Salinger, J. D. (1951) The Catcher in the Rye. New York, NY: Little, Brown, & Co..Google Scholar

Secondary Sources

English, A. (2013) Interview of Daniel Clowes. Indy Magazine [1999]. In Parille, K., ed., The Daniel Clowes Reader. Seattle, WA: Fantagraphics, 213–214.Google Scholar
Glenn, J. (2013 [1999) Interview of Daniel Clowes. In Parille, K., ed., The Daniel Clowes Reader. Seattle, WA: Fantagraphics, 135–144.Google Scholar
Groth, G. (1992) Interview of Daniel Clowes. The Comics Journal, 154, 46–92.Google Scholar
Guilbert, X. (2009) Interview of Daniel Clowes. Du9. Online at: www.du9.org/entretien/daniel-clowes/ (accessed August 5, 2017).Google Scholar
Juno, A. (1997) Interview of Daniel Clowes. In Juno, A., ed., Dangerous Drawings: Interviews with Comix and Graphix Artists, New York, NY: Juno Books, 98–113.Google Scholar
LaPointe, T. (2011) Interview of Daniel Clowes. Online at: https://maisonneuve.org/article/2011/09/16/web-exclusive-interview-daniel-clowes/ (accessed August 5, 2017).Google Scholar
Musgrove, M. (1998) It’s So Graphic! The Washington Post, July 26, “Book World,” 1.Google Scholar
Schwartz, B., ed. (2010) The Best American Comics Criticism. Seattle, WA: Fantagraphics.Google Scholar
Silvie, M. (2001) Interview of Daniel Clowes. The Comics Journal, 233, 52–77.Google Scholar

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